Song of the Saurials
Kate Novak and Jeff Grubb
To my sisters, Sharon and Beth
To Frank, Jeff, Dave, Joe, and all the other denizens of the CMU and Purdue Dungeons who walked Toril so long ago
1
The Nameless Bard
“Hear what you’ve denied the Realms, what you’ve denied yourselves,” the prisoner muttered as he raised the chordal horn to his lips. His breath flowed through the instrument’s chambers with the steady force of a trade wind, and his fingers danced gracefully over the horn’s holes and keys. Sweet music filled the prison cell, slipped through the iron bars set in the cell door, swirled down the hallways of the Tower of Ashaba, and entered, unbidden, into the courtroom.
The tune echoed along the bare stone walls of the chamber and danced about the Harpers’ courtroom. There, seated at a table before a tribunal of three Harpers, sat Elminster the Sage, about to offer his own counsel concerning the prisoner. Elminster paused before beginning his opening statement and closed his eyes to listen to the tune. It took him only a moment to catch the gist of the spell it was meant to weave. Ah, Nameless, will ye never change? he thought. A penitent man would plead for his freedom, a righteous man demand it. Is seduction all ye knowest?
Morala of Milil, the eldest of the three judges, scowled at the musical interruption. Her eyes nearly disappeared in the wrinkles that creased her face. A lock of her snow-white hair fell forward, and she shoved it impatiently back into the gold hairnet at the nape of her neck. She, too, recognized the spell wrapped within the melody, and when she caught Elminster’s eye, she folded her frail arms across her chest and smiled coldly.
Elminster smiled back, as if oblivious to the ancient priestess’s hostility. He thought with some annoyance, Why did the Harpers have to choose thee for this tribunal? Ye could hardly be considered unbiased. Ye never liked Nameless.
Morala had been one of the judges who had sentenced Nameless at his first trial. Of course, Elminster knew that was exactly why she was here now. Someone had to represent the past, someone who knew the Nameless of old and recognized his tricks, tricks such as the one Nameless was engaging in at this very moment.
“It wouldn’t kill thee to enjoy the melody, Morala,” the sage muttered under his breath. “A mere tune could hardly corrupt a pillar of stone like thyself.”
Morala gave the sage a harsh glare, as if she’d heard his remark. Uncertain just how good her hearing was, Elminster shuffled a stack of scrolls across the table as if he were preoccupied with his defense and did not hear the music. When he sensed that Morala had turned her attention away from him, the sage sneaked a glance at the other two judges.
Not surprisingly, Breck Orcsbane, the youngest of the three judges, seemed delighted with the music. The ranger’s head bobbed in time with the music, setting his long plait of yellow hair swaying like a pendulum. Elminster half-expected the brawny woodsman to get up and dance a jig. Morala had already expressed her displeasure that someone of Breck’s simplicity had been chosen for the tribunal, but Elminster was relieved to discover that at least one of the judges knew how to enjoy life.
Only the bard, Kyre, displayed a completely neutral reaction to the music. The beautiful half-elven woman tilted her head to listen, but Elminster suspected that her technical analysis of the tune precluded experiencing it on any emotional level. The sage wished he could tell what she thought of it. He wished he could tell what she thought of anything. Kyre was so remote and stiff whenever he addressed her that Elminster felt as if he were speaking with the dead, an experience with which he was not unfamiliar. As if to compensate for her reserved nature, Kyre wore a vivid red orchid in her lustrous black hair. Tb bloom in this climate, the sage realized, the orchid had to be enchanted, but who, he was left to wonder, was she trying attract with it?
“Heth,” Morala said, addressing the tower page assigned to the Harpers. “Request the captain of the guard to do something about that noise,” she commanded, “and close the door on your way out.”
“Oh, that won’t be necessary,” Breck said. “The music’s not half bad.”
Heth hesitated at the doorway.
Morala’s eyes narrowed as she looked to Kyre for support.
Kyre shrugged, indifferent to the priestess’s annoyance.
“The sound does not disturb me,” the half-elf said flatly.
“Elminster? Aren’t you distracted by the noise?” Morala asked, hoping the sage would at least have the decency to admit the inappropriateness of the music at the trial. They had already agreed that Nameless should not appear before the tribunal. Morala feared he might charm the younger Harpers with his wit, while Elminster feared he might disgust them with his ego. It certainly did not seem appropriate to the priestess that the man’s music should be heard. It was just such music that Nameless had used to justify his crimes, and the Harpers had not yet repealed their original judgment that all the prisoner’s music be banished from the Realms.
“I’m sorry, Morala,” Elminster replied. “My hearing’s not what it once was. Didst ye ask if I heard boys?”
Morala let her breath out in a huff. She motioned the page to sit. “Please, continue with your argument, wise Elminster,” Morala prompted.
Having gained the upper hand with Morala on so small a matter, Elminster hesitated before moving on to the more important issue at hand. Do I really dare speak on Nameless’s behalf? he wondered. Nameless’s ordeals don’t seem to have humbled him any. Is he any wiser for all his suffering? The sage sighed to himself and shook his head in an attempt to clear away his doubts. He had said he would speak on the prisoner’s behalf, so he would. He could only hope that the collective decision of the tribunal would prove at least as wise as his own uncertain counsel.
The sage rose to his feet and cleared his throat. “At my request,” he explained, “the Harpers have agreed to reconsider the case of the Nameless Bard. They have chosen ye from among their ranks to represent them and serve on this tribunal. For the benefit of Kyre and Breck Orcsbane, who were not yet born when Nameless was first tried, I will review the circumstances of his trial and the outcome. If it please thy grace,” the sage said, nodding politely in Morala’s direction, “feel free to add to or correct me at any point. Ye knew Nameless as well as I.”
Morala nodded politely in return, but Elminster realized it was unlikely she would interrupt him. His report would be scrupulously accurate, and Morala was astute enough to know she would only look like a fussy old woman if she began correcting him.
Elminster began his tale. “The Nameless Bard was born three hundred and fifty years ago in a small village in one of the northern nations, the second son of local gentry. At an early age, he completed his training at a renowned barding college and graduated with highest honors. He chose the life of a wandering adventurer, and his songs became popular wherever in the Realms he roamed. While he relished his fame, he also put it to good use, attracting other young adventurers to help in any cause he felt worthy. Thus he and his companions became the founding fathers of the Harpers.
“With the blessings of his gods and such aid as magic can give, he lived well beyond the natural span of years given to a human, yet there came a time when his mortality began to prey greatly on his mind. The bard became obsessed with preserving his songs for posterity. He was never satisfied with any other person’s performance of his works, so he would not settle for the tradition among most bards of passing the work on orally or leaving a written record. He began to experiment with magical means of recording his work and thus created a most marvelous piece of magic—the finder’s stone.”