His sifu, a short, smooth-figured boy named Douglas Chan, who Evelyn figured couldn’t be over eighteen, sat like the Dalai Lama in their tiny kitchen as if he owned it, sipping her tea, which Rudolph laced with Korean ginseng. Her husband lit Chan’s cigarettes as if he were President Carter come to visit the common man. He recommended that Rudolph study T’ai Chi, “soft” fighting systems, ki, and something called Tao. He told him to study, as well, Newton’s three laws of physics and apply them to his own body during kumite. What she remembered most about Chan were his wrist braces, ornamental weapons that had three straps and, along the black leather, highly polished studs like those worn by Steve Reeves in a movie she’d seen about Hercules. In a voice she thought girlish, he spoke of eye gouges and groin-tearing techniques, exercises called the Delayed Touch of Death and Dim Mak, with the casualness she and Shelberdine talked about bargains at Thriftway. And then they suited up, the boyish Sifu, who looked like Maharaj-ji’s rougher brother, and her clumsy husband; they went out back, pushed aside the aluminum lawn furniture, and pommeled each other for half an hour. More precisely, her Rudolph was on the receiving end of hook kicks, spinning back fists faster than thought, and foot sweeps that left his body purpled for weeks. A sensible man would have known enough to drive to Swedish Hospital pronto. Rudolph, never known as a profound thinker, pushed on after Sifu Chan left, practicing his flying kicks by leaping to ground level from a four-foot hole he’d dug by their cyclone fence.
Evelyn, nibbling a Van de Kamp’s pastry from Safeway — she was always nibbling, these days — watched from the kitchen window until twilight, then brought out the Ben-Gay, a cold beer, and rubbing alcohol on a tray. She figured he needed it. Instead, Rudolph, stretching under the far-reaching cedar in the backyard, politely refused, pushed the tray aside, and rubbed himself with Dit-Da-Jow, “iron-hitting wine,” which smelled like the open door of an opium factory on a hot summer day. Yet this ancient potion not only instantly healed his wounds (said Rudolph) but prevented arthritis as well. She was tempted to see if it healed brain damage by pouring it into Rudolph’s ears, but apparently he was doing something right. Dr. Guylee’s examination had been glowing; he said Rudolph’s muscle tone, whatever that was, was better. His cardiovascular system was healthier. His erections were outstanding — or upstanding — though lately he seemed to have no interest in sex. Evelyn, even she, saw in the crepuscular light changes in Rudolph’s upper body as he stretched: Muscles like globes of light rippled along his shoulders; larval currents moved on his belly. The language of his new, developing body eluded her. He was not always like this. After a cold shower and sleep his muscles shrank back a little. It was only after his workouts, his weight lifting, that his body expanded like baking bread, filling out in a way that obliterated the soft Rudolph-body she knew. This new flesh had the contours of the silhouetted figures on medical charts: the body as it must be in the mind of God. Glistening with perspiration, his muscles took on the properties of the free weights he pumped relentlessly. They were profoundly tragic, too, because their beauty was earthbound. It would vanish with the world. You are ugly, his new muscles said to Evelyn; old and ugly. His self-punishment made her feel sick. She was afraid of his hard, cold weights. She hated them. Yet she wanted them, too. They had a certain monastic beauty. She thought: He’s doing this to hurt me. She wondered: What was it like to be powerful? Was clever cynicism — even comedy — the by-product of bulging bellies, weak nerves, bad posture? Her only defense against the dumbbells that stood between them — she meant both his weights and his friends — was, as always, her acid southern tongue:
“They’re all fairies, right?”
Rudolph looked dreamily her way. These post-workout periods made him feel, he said, as if there were no interval between himself and what he saw. His face was vacant, his eyes — like smoke. In this afterglow (he said) he saw without judging. Without judgment, there were no distinctions. Without distinctions, there was no desire. Without desire…
He smiled sideways at her. “Who?”
“The people in your kwoon.” Evelyn crossed her arms. “I read somewhere that most body builders are homosexual.”
He refused to answer her.
“If they’re not gay, then maybe I should take lessons. It’s been good for you, right?” Her voice grew sharp. “I mean, isn’t that what you’re saying? That you and your friends are better’n everybody else?”
Rudolph’s head dropped; he drew a long breath. Lately, his responses to her took the form of quietly clearing his lungs.
“You should do what you have to, Evelyn. You don’t have to do what anybody else does.” He stood up, touched his toes, then brought his forehead straight down against his unbent knees, which was physically impossible, Evelyn would have said — and faintly obscene.
It was a nightmare to watch him each evening after dinner. He walked around the house in his Everlast leg weights, tried push-ups on his fingertips and wrists, and, as she sat trying to watch “The Jeffersons,” stood in a ready stance before the flickering screen, throwing punches each time the scene, or shot, changed to improve his timing. It took the fun out of watching TV, him doing that — she preferred him falling asleep in his chair beside her, as he used to. But what truly frightened Evelyn was his “doing nothing.” Sitting in meditation, planted cross-legged in a full lotus on their front porch, with Mr. Miller blissfully curled on his lap, a Bodhisattva in the middle of houseplants she set out for the sun. Looking at him, you’d have thought he was dead. The whole thing smelled like self-hypnosis. He breathed too slowly, in Evelyn’s view — only three breaths per minute, he claimed. He wore his gi, splotchy with dried blood and sweat, his calloused hands on his knees, the forefingers on each tipped against his thumbs, his eyes screwed shut.
During his eighth month at the kwoon, she stood watching him as he sat, wondering over the vivid changes in his body, the grim firmness where before there was jolly fat, the disquieting steadiness of his posture, where before Rudolph could not sit still in church for five minutes without fidgeting. Now he sat in zazen for forty-five minutes a day, fifteen when he awoke, fifteen (he said) at work in the mailroom during his lunch break, fifteen before going to bed. He called this withdrawal (how she hated his fancy language) similar to the necessary silences in music, “a stillness that prepared him for busyness and sound.” He’d never breathed before, he told her. Not once. Not clear to the floor of himself. Never breathed and emptied himself as he did now, picturing himself sitting on the bottom of Lake Washington: himself, Rudolph Lee Jackson, at the center of the universe; for if the universe was infinite, any point where he stood would be at its center — it would shift and move with him. (That saying, Evelyn knew, was minted in Douglas Chan’s mind. No Negro preacher worth the name would speak that way.) He told her that in zazen, at the bottom of the lake, he worked to discipline his mind and maintain one point of concentration; each thought, each feeling that overcame him he saw as a fragile bubble, which he could inspect passionlessly from all sides; then he let it float gently to the surface, and soon — as he slipped deeper into the vortices of himself, into the Void — even the image of himself on the lake floor vanished.
Evelyn stifled a scream.
Was she one of Rudolph’s bubbles, something to detach himself from? On the porch, Evelyn watched him narrowly, sitting in a rain-whitened chair, her chin on her left fist. She snapped the fingers on her right hand under his nose. Nothing. She knocked her knuckles lightly on his forehead. Nothing. (Faker, she thought.) For another five minutes he sat and breathed, sat and breathed, then opened his eyes slowly as if he’d slept as long as Rip Van Winkle. “It’s dark,” he said, stunned. When he began, it was twilight. Evelyn realized something new: He was not living time as she was, not even that anymore. Things, she saw, were slower for him; to him she must seem like a woman stuck in fast-forward. She asked: