“Are you bored?”
“Yes.” I was honest.
“It’s fun to watch your face,” she said. “See your mind wander.”
“I just don’t know how much we’re going to be able to help Nick DeSimone clear his grandfather. I wonder why he even cares that much. I probably have several horse thieves and worse in my woodpile.”
“You’re just afraid of getting pulled into Peralta’s orbit. Becoming a private dick.” She said the two words with lewd glee. And it was true enough: I could see Peralta using this project as the “point of entry” drug to get me in his new game.
“What would be so bad about that?”
“I’m just tired of it.”
“He’s very entertaining,” she said. “I remember the first time he said he wanted to tell me his philosophy. That’s exactly what he said, ‘my philosophy.’ I was ready for something heavy and wise.”
I quoted Peralta from rote: “ ‘If you find yourself in a fair fight, your tactics suck.’ Don’t get me wrong, Peralta probably saved my life when I came back to Phoenix. I really enjoyed the job. But I’m ready for something new.”
“What?”
I just put my lips together and shook my head.
“There’s no more market for history professors than there is for private art curators.” Her face assumed a half-smile. “It wouldn’t be bad. I’d work with you. We could make him fix that old neon sign.”
“You’re a dreamer,” I said. “You could find work outside Phoenix.”
“Do you want that?”
“No.” I said it too fast.
“If you’re done with the job, why did you bring home all those boxes of case files?”
“Maybe I’d write a book.”
She gave me a disbelieving smile. “You were going to work those old cases. Admit it. I admire you for it.”
“A few of them. I thought, in my spare time.”
“That’s the David Mapstone I know and love.” She stopped and we looked at each other, not sure what to say next. Finally, she said, “For now, why don’t we try to fight for Paolo? It doesn’t sound like anybody did it when he was alive. This Harley Talbott sounds like a total creep, a big man with power. I know you want to be the objective historian, so I’ll be the little cartoon creature on your shoulder, whispering in your ear, ‘fight for Paolo.’ It’s a matter of simple justice.”
“Fair enough.”
I went back to the transcript.
“This is a funny name.” Robin ran her fingers down one Xeroxed page. “Detective Navarre. Sounds like something out of a Bogart movie.”
I slapped down the sheaf of papers. “You have got to be shitting me.”
Frenchy Navarre. Sometimes it was spelled “Frenchie.” I told Robin what I knew. He wore two guns and was one of the most brutal and dangerous cops the Phoenix force ever produced. If there had been a Bad Phoenix Cops blog in the forties, Frenchy would have generated a post a day. The worst Frenchy story was from 1944, when he was off-duty and given a ticket by another officer, one of the few African-Americans on the force, a man named David “Star” Johnson. Frenchy went into one of his rages, shot and killed Johnson right on Second and Jefferson streets. A jury acquitted him and he went back to work. Johnson’s partner caught him at headquarters one day and shot him to death in revenge. The legend was that Frenchy went down shooting and the bullet holes remained in the stationhouse-then located in the old Courthouse-for years afterwards.
Now here was Frenchy Navarre as a detective on the DeSimone case.
Robin handed me the paper. It was a typed confession signed by Paolo DeSimone, given to Detective Navarre. Paolo said he was drunk and mad because Big Sam McNamara wouldn’t sell him liquor. Later that night he came back with a can of gasoline and set fire to trash at the back of the building. I could imagine Frenchy beating the confession out of him. But that would be letting my prejudices get the better of me.
“The arson investigator’s report.” Robin held up two pages. “It says a firebomb was thrown through the front window of the store. That jibes with the newspaper accounts.”
I looked it over and handed it back to her. The transcript was incomplete but raised questions, too. There was no public defender then. It appeared that DeSimone received legal counsel from a local lawyer either paid by the county or doing pro-bono work. He introduced several motions that were denied by the judge. One was to throw out the confession as coerced.
“You’re onto something, History Shamus.”
“Here’s Navarre on the stand. He’s asked why he arrested Paolo. Says he was given a tip by another man who had been in the drunk tank where Paolo spent the night on September 29th. Name of Eugene Costa. He told Frenchy that Paolo told him he burned down McNamara’s.”
I flipped through, trying to find if Costa had testified and what he had told Paolo’s lawyer on cross-examination. The pages were missing.
“The joys of historic research: more questions than answers. All the cops and lawyers are long dead. I can try some of my retired police buddies, but they were too young. I don’t see the hand of Harley Talbott in any of this. If he owned the judge and jury, we can’t prove it.”
“Don’t give up.” Robin went back to her half of the record.
We kept at it for three days. The police records betrayed a slipshod investigation. McNamara himself said he believed Talbott had ordered his store burned because he wouldn’t pay the extra “taxes” demanded for Talbott’s liquor. The cops never interviewed Talbott. The tip from Eugene Costa and the “confession” by Paolo kept them on a single, simple theory: one drunk Italian burned down the liquor store.
At the Arizona Room of the central library, we went through old city directories and phone books. Eugene Costa was listed from 1939 through 1948 and then he disappeared. Phoenix was a city of transients. I called around to the law firms to see if they had any information on the man who had defended Paolo-it was a long shot and came back empty. The fire department’s arson records from 1940 were long gone. I couldn’t find any manuscripts or diaries about Harley Talbott during this period. He had probably donated a fair amount to the library.
“So give me something else to do.” Robin gathered up the legal pad on which she had been making notes. The Arizona Room hours had been cut back again and we were being told it was time to leave.
I admired her passion and persistence, saw something of myself in her. So I let her go down to the county offices to research land transactions from the period involving any of the principals we were tracking: Paolo, Talbott, Costa, Frenchy, the judges and lawyers involved. I would go home to Cypress where I would start to write a very incomplete report for Judson Lee. I would feel bad about taking his money. She kissed me goodbye beneath the shade screens of the light-rail station. She took the train south and I waited for the one heading north. I realized it would be the first time she was out of my sight since that last week in December.
21
We worked together on the computer to finish the final report. We couldn’t exonerate Paolo DeSimone. We could give a history of the case, from the initial firebombing to Paolo receiving a ten-year sentence and then being paroled after five years. The report also had background on Paolo working for Talbott as a driver and the power that the big man wielded in the city, as well as some of the allegations that dogged him past the grave. Most critically, we listed the investigative errors and inconsistencies, including Paolo wanting to take back his confession-given under duress to one of the most famously nasty cops in Phoenix history. Robin had added an appendix that painstakingly listed properties that Talbott owned in 1940, and some land bought by the otherwise mysterious Eugene Costa a few years later.