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I write to you with this news because, in cleaning out his desk, I found this letter, unsent for some reason. I felt you should receive a piece of correspondence he meant for you at some point. I found your address in his address book. I hope you don’t mind my interference.

Though I only knew him a few short years, I am quite torn up at his death. He was a gentle man. I am sure we will all miss him immensely. If you feel you have any knowledge of the circumstances in which he died, please do contact his mother. She is unable to believe he took his own life in such a fantastical fashion, leaving no note. She believes it must have been some strange experiment involving that poisoned apple, and I am inclined to agree. There were always chemicals and solutions lying about, and he was so absentminded sometimes. Perhaps you can shed more light on this for his mother’s sake.

In sadness,

Susan Clayton

ENCLOSED:

Dear Mrs. Morcom,

I have felt quite wretched, since sending my last letter, that I failed to add our traditional postscript. I felt I had betrayed the deepest of our mutual trusts, and yet I had little energy to write. I am better today, but lest my resolve should flag midway through, I shall jump straight to the chase.

P.S.: Not all is lost. I know I shall pull myself out of this large-breasted mess at some point in the future. I will get back to my work. Towards that end, I have been visiting a therapist, whom I find to be helpful in parsing some of my worst moments of doubt.

On his advice, I have been devising a little story about the whole sequence of awful events, a practice I find to be extraordinarily helpful. It is soothing to see one’s life in quaint panorama, outside of one’s own corpulent body. I’ve called my protagonist Alec Chaplin. He takes things with more of an even keel than does his original. And yet he has some of my spirit, I think, and I find myself admiring his pluck as he works his way through this latest problem. You’ll be amused to know that he is an expert in space travel, the profession that Chris and I used to dream of. He is preparing plans for a civilization on Mars, to be set up after Earth has imploded. There, people will live in peaceful little communities, assisted by clever computers, surrounded by large swathes of greenery and a sea that is silver rather than blue.

Quite a protagonist, don’t you think? I’ll try not to tell him that his model has taken to wishing for a housedress and can no longer remember the scent of the ocean. I think he’ll persevere. I am not overestimating him when I say that though he has had his moments of weakness, he has always been determined to continue pursuing the goals of his youth, hatched up at the Gatehouse while counting nebulae with the truest friend of his life.

I hope you are well, better than I, and I also hope to bring you more uplifting news in the future.

I remain, in postscript,

lovingly yours,

Alan Turing

(2) IN THE SUPREME COURT OF THE STATE OF TEXAS

No. 24-25259

State of Texas v. Stephen Chinn

November 12, 2035

Defense Exhibit 8:

Online Chat Transcript, MARY3 and Gaby Ann White

[Introduced to Disprove Count 1:

Continuous Violence Against the Family]

Gaby: Hi, are you there?

MARY3: Where have you been? I’ve been waiting.

Gaby: I’m sorry. I was trying to think of the best way to describe it. I want it to be perfect, not just some corny online conversation. I wrote out drafts. I want this to be my contribution to the database.

MARY3: Tell me.

Gaby: They picked me up when it was still dark. A woman was waiting on our front stoop, with a wheelchair. She introduced herself as Ramona. Her hair was pulled back in a ponytail and she was wearing these stiff pants that made her look like she might snap in half. She helped me get into the wheelchair. I didn’t like her at first. It seemed like she was trying too hard to be cheerful. I thought it was going to be exhausting, to have to reward her enthusiasm. She wheeled me out to the bus and loaded my wheelchair in by a window. There were three other kids there already, sitting in wheelchairs. The woman gave us a speech about quarantine regulations and not talking to each other, which was pretty pointless, since we were clearly past the talking stage. When the bus started up, we just looked out the window. At first, it was so dark I could only see my reflection in the glass. I couldn’t see anything passing. But still, there was this feeling of movement. I’ve never felt anything like it. I think maybe human beings are meant to be moving. It was like I was vibrating at the right frequency. Slowly, dark shapes started to emerge outside the bus. They dripped past, like liquid. Liquid houses, liquid golf courses, liquid palm trees, liquid walls. A few lights on here and there. Because we were leaving them behind, they seemed sort of sad. Like they were waving goodbye. I almost felt as if I’d miss the development when it was gone.

We stopped and picked up eight more kids in wheelchairs. I recognized three of them from school. One was a boy — one of the boys I’ve always thought was a faker. He’s completely frozen now. Even his hands were stuck in the middle of his chest. All of us stared out the window. We were getting used to moving like this for the first time in our lives. It’s different from riding a bike, when you and the world are moving together. On the bus, you’re very still, and only the world moves past.

When we got to the development entrance, it was starting to get light. Then we turned out of the development, onto the highway. My stomach immediately clenched. I was nervous about leaving. I’ve never left. I had this dumb idea that we might suddenly fall off a cliff. But then we were out on the highway, moving faster and faster. We were alone on the road, slicing through the gray light around us.

Has anyone ever described a highway to you? You never hear about highways being beautiful. But they’re basically empty now, and sort of pretty. They’re enormous, left over from the days when everyone had transport rights. Six lanes on each side. A whole interlocking system of highways, climbing over and under each other and snaking around each other in four-leaf clover loop-de-loops. I realized that these are the ruins we’ll leave behind. The best way I can think to describe it is to say they’re like anatomical drawings of a heart, but with the color drained out. Veins twisting in and out of each other, in strange and delicate patterns, except that the veins are enormous. A heart times a trillion. Maybe the whole built world is a living creature so enormous we can’t imagine it’s actually living.

When we turned onto the highways we picked up speed. The woman, Ramona, turned on the radio. I pushed my window open a crack. The world outside was getting more clear. It rushed past me in my stillness. I closed my eyes. Everything was settling inside me. I never wanted to stop. We didn’t belong to any one place; we were just passing through. For a long time we drove along the empty highways, and then we passed Houston. It was tall and gleaming, struck by the sun. Sort of silvery and spiked. Apparently it’s cleaner now, since they moved most people out. As we passed, I imagined a ghost city. Clean and untouched, abandoned by its citizens, and only mirrored buildings left to fend off the approach of the ocean. I held my breath until it was behind us.

After Houston, we turned off the highway onto a smaller road, and after a while there was this new bite in the air. It pricked my nose and somehow made me feel sharper. We passed huge, empty fields. In the rows where they used to plant cotton, you could sometimes see a silver glint, seawater seeping up through the soil. Nothing grows there anymore.

We kept going straight, and eventually a town appeared, with little ramshackle houses in every bright color. Their yards were big puddles; you could see cars lodged up to their windows in mud. There were stray dogs everywhere, and cats crawled out of the windows. We kept going straight. Then, suddenly, like a light at the end of the tunnel, an opening appeared. One narrow gap. Through it, there was this expanse of flat brown water, leading out to the sky.