Speaking in Bones is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.
Copyright © 2015 by Temperance Brennan, L.P.
All rights reserved.
Published in the United States by Bantam Books, an imprint of Random House, a division of Penguin Random House LLC, New York.
BANTAM BOOKS and the HOUSE colophon are registered trademarks of Penguin Random House LLC.
Library of Congress Cataloging-in-Publication Data
Reichs, Kathy.
Speaking in bones: a novel / Kathy Reichs.
pages cm
ISBN 978-0-345-54404-9
eBook ISBN 978-0-345-54405-6
1. Brennan, Temperance (Fictitious character)—Fiction. 2. Women forensic anthropologists—Fiction. I. Title.
PS3568.E476345S64 2015
813'.54—dc23 2015012541
eBook ISBN 9780345544056
randomhousebooks.com
eBook design adapted from printed book design by Carole Lowenstein
Cover design: Carlos Beltrán
v4.1
ep
Contents
Cover
Title Page
Copyright
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Dedication
Acknowledgments
By Kathy Reichs
About the Author
“I’m unbound now. My wrists and ankles burn from the straps. My ribs are bruised and there’s a lump behind my ear. I don’t remember hitting my head. I’m lying very still because my whole body aches. Like I’ve been in a wreck. Like the time I crashed my bike. Why doesn’t my family save me? Is no one missing me? I have only my family. No friends. It was just too hard. I’m all alone. So alone. How long have I been here? Where is here? The whole world is slipping away. Everything. Everyone. Am I awake or asleep? Am I dreaming or is this real? Is it day or night?
“When they return they will hurt me again. Why? Why is this happening to me? I can’t hear a sound. No. That’s not true. I can hear my heart beating. Blood working inside my ears. I taste something bitter. Probably vomit stuck in my teeth. I smell cement. My own sweat. My dirty hair. I hate when my hair isn’t washed. I’m gonna open my eyes now. Got one. The other’s crusted shut. Can’t see much. It’s all blurry, like I’m looking up from way down underwater.
“I hate the waiting. That’s when the pictures take over my brain. Not sure if they’re memories or hallucinations. I see him. Always in black, his face crazy red and beaded with sweat. I avoid his eyes. Keep looking at his shoes. Shiny shoes. The candle flame’s a little yellow worm dancing on the leather. He stands over me, all big and nasty. Thrusts his horrid, smelly face close to mine. I feel his icky breath on my skin. He gets mad and yanks me by the hair. His veins go all bulgy. He screams and his words sound like they’re coming from another planet. Or like I’ve left my body and I’m listening from far away. I see his hand coming at me, clutching the thing so tight it quivers. I know I’m shaking but I’m numb. Or am I dead?
“No! Not now! Don’t let it happen now!
“My hands are going all cold and tingly. I shouldn’t be talking about him. I shouldn’t have said he was horrid.
“Yes. They’re coming.
“Why is this happening to me? What did I do? I’ve always tried to be good. Tried to do what Mama said. Don’t let them kill me! Mama, please don’t let them kill me!
“My mind is going all fuzzy. I have to stop talking.”
Silence, then the click-creak of a door opening. Closing.
Footsteps, unhurried, firm on the floor.
“Take your place.”
“No!”
“Don’t resist me.”
“Leave me alone!”
The cadence of frantic breathing.
The thunk of a blow.
“Please don’t kill me.”
“Do as I say.”
Sobbing.
Sound as if dragging.
Moaning. Rhythmic.
“Are you in my hands?”
“Filthy bitch!” Louder, deeper.
A soft rasp.
The tic of metal snapping into place.
“You will die, slut!”
“Will you answer me now?”
“Whore!”
The drumming of agitated fingers. Scratching.
“Give me what I need!”
Pfff! The violent hurling of spit.
“You will not answer?”
Moaning.
“This has only begun.”
Click-creak. The furious slam of a door.
Absolute stillness. Soft sobbing.
“Please don’t kill me.
“Please don’t kill me.
“Please.
“Kill me.”
The woman’s knuckles bulged pale under skin that was cracked and chapped. Using one knobby finger, she depressed a button on the object in the Ziploc.
The room went still.
I sat motionless, the hairs on my neck lifted like grass in a breeze.
The woman’s eyes stayed hard on mine. They were green flecked with yellow, and made me think of a cat. A cat that could bide, then pounce with deadly accuracy.
I let the silence stretch. Partly to calm my own nerves. Mostly to encourage the woman to explain the purpose of her visit. I had flight reservations in just a few hours. So much to do before heading to the airport. To Montreal and Ryan. I didn’t need this. But I had to know the meaning of the terrible sounds I’d just heard.
The woman remained angled forward in her chair. Tense. Expectant. She was tall, at least six feet, and wore boots, jeans, and a denim shirt with the cuffs rolled up her lower arms. Her hair was dyed the color of the clay at Roland Garros. She’d yanked it into a bun high on her head.
My eyes broke free from the cat-gaze and drifted to the wall at the woman’s back. To a framed certificate declaring Temperance Brennan a diplomate of the American Board of Forensic Anthropology. D-ABFA. The exam had been a bitch.
I was alone with my visitor in the 120 square feet allocated to the Mecklenburg County Medical Examiner’s consulting forensic anthropologist. I’d left the door open. Not sure why. Usually I close it. Something about the woman made me uneasy.
Familiar workplace sounds drifted in from the corridor. A ringing phone. A cooler door whooshing open then clicking shut. A rubber-wheeled gurney rolling toward an autopsy suite.
“I’m sorry.” I was pleased that my voice sounded calm. “The receptionist provided your name but I’ve misplaced my note.”
“Strike. Hazel Strike.”
That caused a little ping in my brain. What?
“Folks call me Lucky.”
I said nothing.
“But I never rely on luck. I work hard at what I do.” Though I guessed Strike’s age at somewhere north of sixty, her voice was still twentysomething strong. The accent suggested she was probably local.
“And what is it you do, Ms. Strike?”
“Mrs. My husband passed six years back.”
“I’m sorry.”
“He knew the risk, chose to smoke.” Slight lift of one shoulder. “You pay the price.”