I don't need you to explain that to me, damn you again!
"You don't agree?" Wohl asked.
"I suppose that's true," Amy said. "Where's he going tonight? What's the Eff Oh Pee?"
"Fraternal Order of Police," Wohl said. "They have a building on Spring Garden, just off Broad. He's meeting two of my men there. They' re going to look for a man we think is connected with a couple of burglaries in Chestnut Hill. I told them to take Matt with them, to give him an idea how things are, on the street."
"Oh," she said.
"That chocolate whateveritis looks good," Wohl said. "Would you like a piece?"
"No, thank you," Amy snipped. "Nothing for me, thank you."
"You don't mind if I do?"
"No, of course not," Amy said.
Damn this man, he has a skin like an elephant, the smug sonofabitch!
Matt got out of the taxi in front of the Fraternal Order of Police Building on Spring Garden Street and looked at his watch. He was five minutes late.
Damn! he thought, and then Double Damn, either I've got the wrong place, or this place is closed!
Then, on the right corner of the building, he saw movement, a couple going into a door. He walked to it, and saw there were stairs and went down them. He had just relaxed with the realization that he had found "the bar at the FOP," even if five minutes late, when a large man stepped in front of him.
"This is a private club, fella," he said.
"I'm meeting someone," Matt replied. "Officer McFadden."
The man looked at him dubiously, but after a moment stepped out of his way, and waved him into the room.
Matt wondered how one joined the FOP; he would have to ask.
The room was dark and noisy. There was a dance floor crowded with people and what he thought at first was a band, but quickly realized was a phonograph playing records, very loudly, through enormous speakers. At the far end of the room, he saw a bar, and made his way toward it.
He found Officers McFadden and Martinez standing at the bar, at the right of it.
"Sorry to be late," Matt said.
"We was just starting to wonder where you were," Charley McFadden said. "Talking about you, as a matter of fact."
"You got to learn to be on time," Jesus Martinez said.
"He said he was sorry, Hay-zus," McFadden defended him.
McFadden, Matt saw, was drinking Ortleib's beer, from the bottle. Martinez had what looked like a glass of water.
"You want a beer, Matt?"
"Please," Matt said. "Ortleib's."
"Hey, Charley," McFadden called to the bartender. "Give us another round here!"
"Two beers and a glass of water?" the bartender said. "Or is Jesus still working on the one he has, taking it easy?"
"Call him, Hay-zus," McFadden said. "He likes that better. Charley, say hello to Matt Payne."
Matt was at the moment distracted by something to his right. A woman leaned up off her bar stool, supported herself with one hand on the bar, and threw an empty cigarette package into a plastic garbage can behind the bar. In doing so, her dress top fell open, and her brassiere came into view. Her brassiere was one that Matt had yet to see in the flesh, but had seen inPlayboy, Penthouse, and other magazines of the type young men buy for the high literary content of their articles and fiction.
It was black, lacy, and instead of the cloth hemispheres of an ordinary brassiere, this one had sort of half hemispheres, on the bottom only, which presented the upper portion of the breast to Matt's view, including the nipple.
Matt found this very interesting, and was grossly embarrassed when the woman glanced his way, saw him looking, said "Hi!" and then returned to her bar stool.
She was old, he thought, at least thirty-five, and she had caught him looking down her dress.
Oh, shit! If she says something…
"Matt, say hello to Charley Castel," Charley McFadden repeated.
Matt offered his hand to Charley Castel. "How are you?"
"Matt's out with us in Special Operations," Charley said.
"Is that so?" Charley Castel said.
"He just got out of the Academy," Jesus Martinez offered.
Thanks a lot, pal, Matt thought.
"Is that so?" Charley Castel repeated. "Well, welcome to the job, Matt."
"Aren't you going to introduce me to your friend?" a female voice said in Matt's ear. Out of the corner of his eye, he saw it was the woman who had caught him peering down her dress.
"Yeah, why not?" Charley said, chuckling. "Matt, this is Lorraine Witzell, Lorraine, this is Matt Payne."
"How are you, Matt Payne?" Lorraine said, putting her arm between Matt and Charley to shake his hand, which action served to cause her breast to press against Matt's arm. "Is that short for Matthew, or what?"
"Yes, ma'am," Matt said.
"Yes, ma'am," Jesus Martinez parroted sarcastically.
"You're sweet," Lorraine Witzell said to Matt, looking into his eyes and not letting go of his hand. "Did I hear Charley say you've been assigned to Special Operations?"
"That's right," Matt said.
For an older woman, she's really not too bad-looking. And she either didn't really catch me looking down her dress, or, Jesus, she doesn't care.
"That should be an interesting assignment," Lorraine said.
"We're on the job now, Lorraine," Charley McFadden said. "We was just talking about that."
"You're working plainclothes?" she asked. Matt sensed the question was directed to him, but Charley answered it.
"We're looking for a fag burglar," Charley replied. "Been hitting some rich woman in Chestnut Hill."
"Well, if you're going to work the fag joints," Lorraine said, again directly to Matt, "you better keep your hand you-know-where, and I don't mean on your gun. They're going to love you!"
"What we was talking about," Charley McFadden said, "is maybe splitting up. Hay-zus taking the unmarked car-he don't drink, and it's better that way-and you and me go together."
"Whatever you say, Charley," Matt said.
"You got your car? Mine's a dog."
"I came in a cab," Matt said.
"Oh," Charley said.
Matt saw the look of disappointment on McFadden's face.
"But I don't live far; getting it wouldn't be any trouble."
McFadden's disappointment diminished.
"What I was thinking was that in a car like yours, we could cruise better," McFadden said.
"I understand," Matt said. "You mean it's the sort of car a fag would drive?"
"I didn't say that," McFadden said, embarrassed. "But, no offense, yeah."
"What kind of car do you have?" Lorraine asked.
"A Porsche 911T," Charley answered for him.
"Oh, they're darling!" Lorraine said, clutching Charley's arm high up under the armpit, which also caused her breast to press against his arm again.
Which caused a physical reaction in Matt Payne that he would rather not have had under the circumstances, at this particular point in space and time.
"Where do you live, Payne?" Jesus Martinez asked.
"On Rittenhouse Square," Matt said.
"Figures," Martinez said. "Let's get the hell out of here, somebody's liable to spot that car in the parking lot and start asking questions."
"To which we answer, we were picking up Payne, and you were drinking water," McFadden replied, but Matt saw that he picked up his fresh Ortleib's and drank half of it.
"Hay-zus is a worrier," Charley said to Matt.
"You better be glad I am," Martinez replied.
Lorraine Witzell pushed between Charley and Matt to sit her glass on the bar, which served to place her rear end against Matt's groin and the physiological phenomenon he would have rather not had manifesting itself at that moment. It didn't seem to bother Lorraine Witzell at all; quite the contrary. She seemed to be backing harder against it.