Now, ladies and gentlemen, what it is proposed to do is, in fact, to find a new self-supporting public school; with this additional feature, that it is to be available for both sexes. This, of course, presupposes two separate distinct schools. As these schools are to be built on land belonging to the Dramatic College, there will be from the first no charge, no debt, no incumbrance of any kind under that important head. It is, in short, proposed simply to establish a new self-supporting public school, in a rapidly increasing neighbourhood, where there is a large and fast accumulating middle-class population, and where property in land is fast rising in value. But, inasmuch as the project is a project of the Royal Dramatic College, and inasmuch as the schools are to be built on their estate, it is proposed evermore to give their schools the great name of Shakespeare, and evermore to give the followers of Shakespeare's art a prominent place in them. With this view, it is confidently believed that the public will endow a foundation, say, for forty foundation scholars - say, twenty girls and twenty boys - who shall always receive their education gratuitously, and who shall always be the children of actors, actresses, or dramatic writers. This school, you will understand, is to be equal to the best existing public school. It is to be made to impart a sound, liberal, comprehensive education, and it is to address the whole great middle class at least as freely, as widely, and as cheaply as any existing public school.
Broadly, ladies and gentlemen, this is the whole design. There are foundation scholars at Eton, foundation scholars at nearly all our old schools, and if the public, in remembrance of a noble part of our standard national literature, and in remembrance of a great humanising art, will do this thing for these children, it will at the same time be doing a wise and good thing for itself, and will unquestionably find its account in it. Taking this view of the case - and I cannot be satisfied to take any lower one - I cannot make a sorry face about "the poor player." I think it is a term very much misused and very little understood - being, I venture to say, appropriated in a wrong sense by players themselves. Therefore, ladies and gentlemen, I can only present the player to you exceptionally in this wise - that he follows a peculiar and precarious vocation, a vocation very rarely affording the means of accumulating money - that that vocation must, from the nature of things, have in it many undistinguished men and women to one distinguished one - that it is not a vocation the exerciser of which can profit by the labours of others, but in which he must earn every loaf of his bread in his own person, with the aid of his own face, his own limbs, his own voice, his own memory, and his own life and spirits; and these failing, he fails. Surely this is reason enough to render him some little help in opening for his children their paths through life. I say their paths advisedly, because it is not often found, except under the pressure of necessity, or where there is strong hereditary talent - which is always an exceptional case - that the children of actors and actresses take to the stage. Persons therefore need not in the least fear that by helping to endow these schools they would help to overstock the dramatic market. They would do directly the reverse, for they would divert into channels of public distinction and usefulness those good qualities which would otherwise languish in that market's over-rich superabundance.
This project has received the support of the head of the most popular of our English public schools. On the committee stands the name of that eminent scholar and gentleman, the Provost of Eton. You justly admire this liberal spirit, and your admiration - which I cordially share - brings me naturally to what I wish to say, that I believe there is not in England any institution so socially liberal as a public school. It has been called a little cosmos of life outside, and I think it is so, with the exception of one of life's worst foibles - for, as far as I know, nowhere in this country is there so complete an absence of servility to mere rank, to mere position, to mere riches as in a public school. A boy there is always what his abilities or his personal qualities make him. We may differ about the curriculum and other matters, but of the frank, free, manly, independent spirit preserved in our public schools, I apprehend there can be no kind of question. It has happened in these later times that objection has been made to children of dramatic artists in certain little snivelling private schools - but in public schools never. Therefore, I hold that the actors are wise, and gratefully wise, in recognizing the capacious liberality of a public school, in seeking not a little hole-and- corner place of education for their children exclusively, but in addressing the whole of the great middle class, and proposing to them to come and join them, the actors, on their own property, in a public school, in a part of the country where no such advantage is now to be found.
I have now done. The attempt has been a very timid one. I have endeavoured to confine myself within my means, or, rather, like the possessor of an extended estate, to hand it down in an unembarrassed condition. I have laid a trifle of timber here and there, and grubbed up a little brushwood, but merely to open the view, and I think I can descry in the eye of the gentleman who is to move the first resolution that he distinctly sees his way. Thanking you for the courtesy with which you have heard me, and not at all doubting that we shall lay a strong foundation of these schools to-day, I will call, as the mover of the first resolution, on Mr. Robert Bell.
SPEECH XXVIII