Everybody turned in their seats, including me, for the voice had come from the rear of the room.
Incredibly, there stood the murderer — beard, denim jacket, and all.
Several of the policemen started toward him, and one woman shrieked. At the same time, the bearded man extended his arm and pointed a long finger. “I,” he said, “am you.”
He was pointing at one of the young police cadets standing near the Iron Maiden.
The cadet backed away, startled, looking trapped. Immediately, the bearded man hunched in on himself and pulled the denim jacket over his head. When he stood up again, he was Steele — and the apparition that had been the murderer was a small bundle of clothing in his hand. Even the jeans had been replaced by Steele’s black suit trousers.
“You are the murderer of Philip Boltan,” Steele said to the cadet. “You—”
The cadet didn’t wait for any more; he turned and made a wild run for the nearest exit. He didn’t make it, but it took three other cops a full minute to subdue him.
Some time later, Steele, Ardis, Cedric, Jan, and I were sitting around the half-moon table waiting for Inspector Lupoff and Captain Dickensheet to return from questioning the murderer of Philip Boltan. The Cellar had been cleared of patrons and police, and we were alone in the large, dark room.
Steele occupied the seat of honor: an old wooden rocking chair in the dealer’s spot in the center of the half-moon. He had said little since the finale of his special midnight show. All of us had wanted to ask him how he knew the identity of the killer, and exactly how the vanishing act had been worked, but we knew him well enough to realize that he wouldn’t say anything until he had the proper audience. He just sat there smiling in his enigmatic way.
When the two officers finally came back, they looked disgruntled and morose. They sat down in the two empty chairs, and Dickensheet said grimly, “Well, we’ve just had an unpleasant talk with Spellman — or the man I knew as Spellman, anyway. He’s made a full confession.”
“The man you knew as Spellman?” I said.
“His real name is Granger. Robert Granger.”
Cedric frowned, looking at Steele. “Isn’t that the name of Boltan’s former partner, the one you told us committed suicide?”
“It is,” Steele told him. “I had an idea that might be who the young cadet was.”
“You mean he killed Boltan because of what happened to his father?” I asked.
“Yes,” Lupoff said. “He decided years ago that the perfect revenge was to kill Boltan on stage, in full view of an audience, and then disappear. He’s been planning it ever since, mainly by studying and mastering the principles of magic.”
“Then he intended from the beginning to murder Boltan in circumstances such as those tonight?”
“More or less,” Dickensheet said. “He wanted to do the job during one of Boltan’s regular performances, and the invitation to the Academy graduating class tonight convinced him that now was the time. It was only fitting, according to Granger, that Boltan die on stage under an aura of mystery.”
Jan said bewilderedly, “But why would a potential murderer join the police force?”
“Spellman, or Granger, is mentally unstable. We try to weed them out, but every once in a while one slips by. He believes in meting out punishment to those who would ‘do evil,’ in his own words just now. God only knows what he might have done if he’d gotten away with this murder and gone on to become an officer in the field.” Dickensheet shuddered at the possibility. “As if we don’t have enough problems...”
“I don’t understand how Granger could join the force under an assumed name,” Cedric said. “I mean, if his real name is Granger and you knew him as Spellman—”
“Spellman is the name of the family who adopted him out of the orphanage he ended up in after his father died. As far as our people knew, that was his real name. I mean, you usually don’t check back past a kid’s sixth birthday. We might never have known he was Boltan’s partner’s son if he hadn’t admitted it himself tonight.”
“What else did he say?” I asked.
“Not much. He talked freely enough about who he was and his motives, but when we started asking him about the details of the murder, he closed up tight.”
So we all looked at Steele, who continued to sit there smiling to himself.
“All right, Steele,” Lupoff said, “you’re on again. How did Spellman-Granger commit the murder?”
“With a gun,” Steele told him.
“Now look—”
Steele held up a placating hand. “Very well,” he said, “although you must realize that I dislike explaining any illusion.” He began to rock gently in the chair. “Granger used a clever variant on an illusion first employed by Houdini. As Houdini did it, the magician rode into an arena — this was a major effect done only in stadiums and arenas — on a white horse, dressed in flowing Arabian robes. His several assistants, clad in red work suits, would grab the horse. Houdini would then stand up in the saddle and fire a gun in the air, at which second a previously arranged action of some type would direct all eyes to another part of the arena. During that instant, Houdini would vanish; and his assistants would then lead the horse out.”
Dickensheet asked, “So how did he do it?”
“By a costume change. He would be wearing, underneath the Arabian robes, a red work suit like his assistants; the robes were specially-made breakaway garments, which he could get out of in a second, roll into a ball, and hide beneath his work suit. So he became one of the assistants and went out with them and the horse.
“Spellman’s vanishing act was worked in much the same way. He probably donned his breakaway costume and false beard in the men’s room just prior to Boltan’s act, over his police uniform, and made sure he was picked from the audience by being there standing up when Boltan did the selecting. After he shot Boltan and ran into the dressing room through the curtain, he pulled off his breakaway costume and false hair, rolled them into a bundle and stuffed them into one of the costume trunks. Then he backed against the side of the curtain, so that when the first cadets dashed through, he immediately became one of them.”
“But we looked in all of the trunks...”
“Yes, but you were looking for a man hiding, not for a small bundle of denim and hair stuffed in toward the bottom.”
Lupoff shook his head. “It sounds so simple,” he said.
“Much magic works that way,” Steele said. “You could never in a lifetime guess how it’s done, but if it’s explained it sounds so easy you wonder how you were fooled. Which is one reason magicians do not like to explain their effects.”
Ardis said, “You knew all along it had to be one of the cadets, Christopher?”
“By the logic of the situation,” Steele agreed. “But I had further confirmation when I remembered that, despite his somewhat scruffy appearance, the murderer was wearing well-shined black shoes — the one item he wouldn’t have time to change — just as were all the other graduating cadets.”
“But how did you know which of the cadets it was?”
“I didn’t until I was on stage. I had found the costume and the beard right before that, and I saw that the guilty man had fastened his face hair on with spirit gum, as most professionals do. It must have been very lightly tacked on so he could rip it off effectively, but the spirit gum would leave a residue nonetheless.”
“Of course!” I said. “Spirit gum fluoresces under ultraviolet light.”
Steele smiled. “Not very much, but enough for me to have detected the outline of a chin and upper lip when I looked for them in the darkness.”