The most tempting sources for biographers are always diaries and memoirs. These contain the sorts of three-dimensional treatments of people and events that are hard to extract from official paperwork. Such firsthand accounts permit biographers to fill their works with attention-grabbing details, but historians are well aware of these sources’ liabilities. Memoirists, even candid ones, are rarely disinterested, and they often muddle events and dates or simply lie. These perils are compounded in memoirs from the Soviet era. As far as we know, no member of Stalin’s inner circle kept a diary, depriving us of the kind of detailed source that Goebbels’s famous diaries provided to Hitler’s biographers. The situation with memoirs is not much better. Only two people close to Stalin left detailed reminiscences: Nikita Khrushchev and Anastas Mikoyan.9 While these memoirs represent major contributions, both men were silent on important topics (such as their participation in the mass repression), and there was much that they simply did not know. Within Stalin’s inner circle there was a strict rule: each man was privy only to information that he needed for the effective fulfillment of his duties. In the case of Mikoyan, some elements of his memoirs were distorted by his son, who prepared the manuscript for publication. He arbitrarily and without the customary disclosures simply inserted his own additions and revisions into the dictated text, supposedly based on subsequent accounts shared by his father.10
We also have memoirs by Soviet and foreign officials and other prominent figures who had some—usually extremely limited—interaction with Stalin. These works make a minor contribution to what we know about his life. In additional, many memoirs (for example by Red Army marshals) were published during the Soviet era and were therefore subjected to censorship (including self-censorship). After the fall of the USSR, many other people whose paths had crossed with Stalin’s spoke up. Freedom sparked a flood of memoirs from the children and relatives of Stalin-era leaders.11 This “children’s literature,” as the Russian historian Elena Zubkova so aptly labeled the genre, was mainly motivated by commerce and a passion for self-justification, and the results are indeed juvenile.12 Many relatives of Stalin and his comrades concocted fairy tales and cock-and-bull stories, blending personal impressions with fantasy. Naive pronouncements on politics serve to show that these offspring had only the faintest idea of what their fathers were up to. Third-hand information, rumors, and gossip abound. The primary factor detracting from the potential value of this literature is that Stalin’s underlings were obsessed with maintaining strict secrecy. They lived with unrelenting secret police surveillance and the constant fear of being provoked into a politically fatal slip of the tongue. It is difficult to imagine what could have compelled them to be candid within their own families. The price was too high.
In this book I have been restrained in my use of memoirs, even though many contain fascinating descriptions and anecdotes readers would certainly find of interest. Guided by the most basic rules of source verification, I have made every effort to compare memoir accounts with other materials, archival materials first and foremost. On one hand, memoirs that generally held up to scrutiny were given greater credence. On the other hand, numerous errors and flagrant fabrications were treated as clear signs of unreliability, even if some claims could not be proved false through other sources. Certain memoirs were put on my personal blacklist. While I do not condemn others for citing these works, I will never do so.
When all is said and done, however, a historian endeavoring to write a biography of Stalin is in a relatively good position. The abundance of archival documents and evidence offers opportunities for prolonged, intensive, and (one can hope) fruitful work. Significant lacunae and the inaccessibility of many materials are frustrating impediments; nevertheless, it is now possible to write a genuinely new biography of Stalin insofar as newly accessible archival material has forced changes in our understanding of both the man and his era.
I would like to add a few final words about the size and structure of this biography. Restraints in the former have inspired innovations in the latter. Exhaustive details had to be forsaken. References and notes had to be kept to a minimum, so priority has been given to the attribution of quotes, numbers, and facts. By no means all of the worthy works of my colleagues have been mentioned, for which I offer them my apologies. Such economies leave me ambivalent. I regret the omission of many telling facts and quotes, but I am glad for the reader. I know how it feels to gaze wistfully at stacks of fat tomes that will never be conquered.
Another aspect of the book that I hope will facilitate reading, in addition to its modest size, is its structure. A conventional chapter-section chronology did not lend itself to presenting the two interdependent strata of Stalin’s biography: the sequence of his life events and the most salient features of his personality and dictatorship. This difficulty gave rise to the idea of two alternating narratives, a sort of textual matryoshka or Russian nesting doll. One conceptual chain examines Stalin’s personality and system of rule against the backdrop of his final days. The other, more conventionally chronological, follows the main stages of his biography in sequence. As a result, the book can be read in two ways. Readers can trust my arrangement and follow the page order, or they can take one stratum at a time. I have tried to make both methods equally convenient.
THE SEATS OF STALIN’S POWER
The early morning hours of 1 March 1953 at the near dacha. The “Five’s” last supper.
On Saturday, 28 February 1953, Josef Stalin invited four of his senior associates to the Kremlin: Georgy Malenkov, Lavrenty Beria, Nikita Khrushchev, and Nikolai Bulganin.1 During the final six months of his life, Stalin and these four men constituted what was known as the “ruling group” or simply the “Five.” They met regularly in Stalin’s home. The leader’s other old friends—Vyacheslav Molotov, Anastas Mikoyan, and Kliment Voroshilov—were in disgrace, and he did not wish to see them.2 Assembling a small group of supporters to act as his right hand in ruling the country was a key element of Stalin’s modus operandi. He liked to name these groups according to the number of members: the Five (Piaterka), the Six (Shesterka), the Seven (Semerka), the Eight (Vos’merka), the Nine (Deviatka). These informal groups enjoyed supreme authority while formal party and state structures functioned as regular bureaucracies handling the day-today running of the country. Dividing government into formal and informal institutions allowed the dictator to exploit the capabilities of a vast, all-encompassing bureaucratic machine while keeping a firm hold on the true levers of power. Stalin often changed the composition of the ruling group. He maintained daily, hands-on control over this central node of power, keeping its members at his constant beck and call for meetings and “friendly” gatherings. The dictator’s approach to exercising power through a combination of bureaucratic institutions and patrimonial power inspired Yoram Gorlizki to coin the phrase “neopatrimonial state.”3