It was an old, old pattern: innocent people caught in a trade route or strategic power position, being fought over by every ambitious empire-builder who came along. "So the Kailth are just the latest batch of conquerors?"
"The Kailthaermil are not conquerors," she said. "They are liberators. They forced the Aoeemme from Sagtt'a, but then pulled their own warriors back to orbiting stations and proclaimed that our people were once again free to rule ourselves."
"Ah." Another old pattern, though one that was far less frequently seen: conquerors who were smart enough to allow local self-rule in exchange for cooperation and the payment of tribute. It was more efficient than trying to run everything directly, and you could always go in and stomp them if they tried pushing their autonomy too far. "This was in exchange for certain rules of conduct from your society?"
"All societies have rules of conduct," she pointed out.
"Of course," I said. "How much tribute do you pay each year?"
She stopped and frowned up at me. "Why do you persist in thinking ill of the Kailthaermil?" she asked. "Have they done ill to you?"
"Well, no, not exactly," I had to admit. "Actually, we don't know all that much about them yet. But we know they've conquered a large number of other races and peoples, and we've seen enough conquerors to know how they usually behave."
"But you do not know the Kailthaermil," she insisted. "They do not demand our lives or our property. Only some of our artwork. And for this they give us safety."
Aha, I thought, there it is. Artwork. "What artwork?" I asked.
She pointed toward a squat volcano with a wide crater. "I will show you.
Come."
I was not, to say the least, thrilled at the prospect of climbing into a volcano crater, particularly one that was smoldering restlessly with sulfur and the occasional burst of steam from some vent or other. Tawni's people obviously felt differently: there were already five others moving briskly around the crater at various tasks as we entered through a gap in the side of the cone.
"This is our curing chamber," Tawni said at my side. "Over there—" she pointed to a rough shelf along one side of the wall—"are our calices."
I stared at them, forgetting the sulfur corroding my lungs, forgetting even that I was standing inside a volcano. The calices were that riveting. Roughly spherical in shape, about twenty centimeters across each, they were composed of intricate twistings of brilliant gold metal fibers interwoven with equally slender twistings of some richly dark-red material. There were eight of them lined up on the shelf, with the kind of small variations that said they were individually handmade.
"Come," Tawni said softly, taking my arm. "Come and see."
We walked across the uneven rock to the shelf. Up close, I could see that the dark red strands were some kind of wood or plant fiber, not quite as flexible as the metal wires but with a stiffness that introduced a textural counterpoint into the design. At the very center of the woven threads was some kind of crystalline core that reflected the gold and red that swirled around it, as well as adding a pale blue-white to the color scheme.
It took me a while to find my voice. "They're beautiful," I said. My voice came out a husky whisper.
"Thank you," Tawni said. She took a step closer to the shelf and gently ran a hand down around the top of one of them. "They are unique, Stane, among all the worlds. Or at least those worlds visited by the Kailthaermil. The wood is from a
tree that grows in only five places on Sagtt'a, and the crystals and metal are nearly as rare. Each calix can take a crafter a year to create."
She lowered her hand, almost reluctantly. "But the result is so beautiful. So very beautiful."
I nodded. "And this is what the Kailth take as their tribute?"
"They take a few," Tawni said. "No more than a tenth of those we make." Her face took on a slightly stubborn expression. "And for this small price they give us protection from all who would invade us, and leave us otherwise in peace. Do you still wish to speak ill of them?"
As tributes went, I had to admit, this was a pretty minor one. "No," I conceded.
"Good." The stubbornness vanished and she smiled, the sun coming out from behind a threatening storm cloud. "Then let us go back to the village. The Elders will wish to speak with you." I wound up spending nearly two days in Tawni's village. Her people were amazingly open and trusting, willing to let me see anything I wanted and to answer any question I could think to ask. This group had only recently been brought to Quibsh from their world of Sagtt'a, I learned, though the Kailth had previously set up other human colonies on worlds that had the necessary volcanic activity for the calix curing process. Among the six hundred people in this colony were twelve calix artisans and twenty apprentices, of whom Tawni was apparently one of the most promising.
It was clear that there was an enormous amount we needed to learn about these people, but it was equally clear that I had neither the time nor the expertise to handle the job. So after those two days, I reluctantly told Tawni I had to leave. She thanked me again for rescuing her from her balky Scroller—which the village mechanics still hadn't gotten working yet—extracted a promise from me to come back if I could, and offered me a parting gift.
A calix.
"No," I protested, holding the sculpture up to the sunlight. It wasn't nearly as heavy as I would have expected, with a pleasantly tingling sensation where I held it. "Tawni, I couldn't possibly take this. It wouldn't be right."
"Why not?" she asked, that stubborn look of hers threatening to cloud her face again. "You are my friend. Can a friend not give a friend a gift?"
"Of course," I said. "But won't the Kailth be angry with you?"
"Why would they?" she countered. "They will receive those they are due. They do not own all calices, Stane. Nor do they own us."
"I know, but—" I floundered. "But this is just too much. I didn't do enough for you to justify a gift like this."
"Do you then reduce friendship to a balance of plus and minus?" she asked quietly. "That does not sound like a friendship to be cherished."
I sighed. But she had me, and we both knew it. And to be honest, I didn't really want to give up the calix anyway. "All right," I said. "I accept, with thanks.
And I will be sure to come visit you again some day."
It was a four-day voyage back to Earth. I spent a fair amount of that time dictating my report on this new verloren colony, adding my thoughts and impressions to the running record the half-wing's sensors had taken. I spent an equal amount of time studying the calix.
I'd seen right away, of course, the ethereal beauty that had been frozen into the sculpture. But it wasn't until I began spending time with the calix that realized that there was far more to it than I'd realized. There was the metal-work, for starters: a filigree of threads far more intricate than it had appeared at first sight. I found I could spend hours just tracing various lines from start to finish with my eyes, then seeing if I could track them backwards again without getting sidetracked by one of the other loops or branchings.
The intertwined wood fibers were just as fascinating. Virtually never the same color twice, they had a varying texture that ranged from smooth and warm to sandpapery and oddly cool. After the first day, my searching hands found two spots on opposite sides that seemed to particularly fit my palms and fingertips, and from that point on I nearly always held the calix that way.
Then there was the crystal that peeked out from the center. Like the wood and metal, it never seemed to look quite the same way twice. From one angle it would look like nothing more esoteric than a lump of quartz; from another it might seem to be pale sapphire or diamond or even delicately stained glass.