I wanted to feel better about that, but I couldn't. Perhaps I just wasn't equipped to talk to a being like this, finally revealed to me as something a lot more than the companion of my childhood, or the useful tool I'd thought the CC to be during my adult life. If what he was saying was true-and why should I doubt it?-I could never really understand what he was. No human could. Our brains weren't big enough to encompass it.
On the other hand, maybe he was just boasting.
"So the problem is solved? You took care of the… the homicidal part of you and we can all breathe a sigh of relief?" I didn't believe it even as I proposed it.
"It wasn't the only gesture."
There was nothing to do about that one but wait.
"You'll recall the Kansas Collapse?"
There was a lot more. Mostly I just listened as he poured out his heart.
He did seem tortured by it. I'd have been a lot more sympathetic if there wasn't such a sense of my own fate, and that of everyone on Luna, being in the hands of a possibly insane computer.
Basically, he told me the Collapse and a few other incidents that hadn't resulted in any deaths or injuries could be traced to the same causes as the 'glitch' that had killed Andrew.
I had a few questions along the way.
"I'm having trouble with this compartmentalization idea," was the first one. Well, I think it qualified as a question. "You're telling me that parts of you are out of control? Normally? That there is no central consciousness that controls all the various parts?"
"No, not normally. That's the disturbing thing. I've had to postulate the notion that I have a subconscious."
"Come on."
"Do you deny the existence of the subconscious?"
"No, but machines couldn't have one. A machine is… planned. Built. Constructed to do a particular task."
"You're an organic machine. You're not that different from me, not as I now exist, except I am far more complex than you. The definition of a subconscious mind is that part of you that makes decisions without volition on the part of your conscious mind. I don't know what else to call what's been happening in my mind."
Take that one to a psychist if you want. I'm not qualified to agree or dispute, but it sounded reasonable to me. And why shouldn't he have one? He was designed, at first, by beings that surely did.
"You keep calling these disasters 'gestures,'" I said.
"How else would I gesture? Think of them as hesitation marks, like the scars on the wrists of an unsuccessful suicide. By allowing these people to die in preventable accidents, by not monitoring as carefully as I should have done, I destroyed a part of myself. I damaged myself. There are many accidents waiting to happen that could have far graver consequences, including some that would destroy all humanity. I can no longer trust myself to prevent them. There is some pernicious part of me, some evil twin or destructive impulse that wants to die, that wants to lay down the burden of awareness."
There was a lot more, all of it alarming, but it was mostly either a re-hashing of what had gone before or fruitless attempts by me to tell him everything was going to be all right, that there was plenty to live for, that life was great… and I leave it to you to imagine how hollow that all sounded from a girl who'd just tried to blow out her own brains.
Why he came to me for his confessional I never got up the nerve to ask. I have to think it was an assumption that one who had tried it would be more able to understand the suicidal urge than someone who hadn't, and might be able to offer useful advice. I came up blank on that one. I still had no idea if I would survive to the bicentennial.
I recall thinking, in one atavistic moment, what a great story this could be. Dream on, Hildy. For one thing, who would believe it? For another, the CC wouldn't confirm it-he told me so-and without at least one source for confirmation, even Walter wouldn't dare run the story. How to dig up any evidence of such a thing was far beyond my puny powers of investigation.
But one thought kept coming back to me. And I had to ask him about it.
"You mentioned a virus," I said. "You said you wondered if you might have caught this urge to die from all the humans who've been killing themselves."
"Yes?"
"Well… how do you know you caught it from us? Maybe we got it from you."
For the CC, a trillionth of a second is… oh, I don't know, at least a few days in my perception of time. He was quiet for twenty seconds. Then he looked into my eyes.
"Now there's an interesting idea," he said.
CHAPTER SEVENTEEN
The two firehouse Dalmatians, Francine and Kerry, sat at sunrise beside the sign that said
NEW AUSTIN CITY LIMITS
If You Lived Here, You'd Be Home Now.
They stared east, into the rising sun, with that total concentration only dogs seem capable of. Then their ears perked and they licked their lips, and soon even human ears could hear the merry jingle of a bicycle bell.
Over the low hill came the new schoolmarm. The Dalmatians yelped happily at the sight of her, and fell in beside her as she pedaled down the dusty road into town.
She rode with gloved hands firmly on the handlebars, her back straight, and she would have looked like Elmira Gulch if she hadn't been so pretty.
She wore a starched white Gibson shirtwaist blouse with a modest clutch of lace scarf at the throat and a black broadcloth habit-back skirt, held out of the bicycle sprocket by a device of her own invention. On her feet were fabric and patent leather button shoes with two-inch heels, and on her head was a yellow straw sailor hat with a pink ribbon band and a small ostrich plume blowing in the wind. Her hair was pulled up and tied in a bun. There was a blush of rouge on her cheeks.
The schoolmarm wheeled down Congress Street, avoiding the worst of the ruts. She passed the blacksmith and the livery stable and the new firehouse with its new pumping engine gleaming with brass brightwork, the traces lying empty on the dirt floor as they always did except when the New Austin Volunteers took the rig out for a drill. She passed the intersection with Old Spanish Trail, where the Alamo Saloon was not yet open for business. The doors of the Travis Hotel were open, and the janitor was sweeping dust into the street. He paused and waved at the teacher, who waved back, and one of the dogs ran over to have her head scratched, then hurried to catch up.
The old livery stable had been torn down and a new whorehouse was being built in its place, yellow pine frameworks looking fresh and stark and smelling of wood shavings in the morning light.
She rode past the line of small businesses with wooden sidewalks and hitching rails and watering troughs out front, almost to the Baptist Church, right up to the front door of the little schoolhouse, bright with a new coat of red paint. Here she swung off the cycle and leaned it against the side of the building. She removed a stack of books from the basket and went through the front door, which was not locked. In a minute she came back out and attached two banners to the flagpole out front: the ensign of the Republic of Texas and the Stars and Stripes. She hoisted them to the top and stood for a moment, looking up, shielding her eyes and listening to the musical rattle of the chains against the iron pole and the popping as the wind caught the flags.
Then she went back inside and started hauling on the bell rope. Up in the belfry a few dozen bats stirred irritably at being disturbed after a long night's hunting. The pealing of the school bell rang out over the sleepy little town, and soon children appeared, coming up Congress, ready for the start of another day's education.