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‘I want to do it properly.’

‘It’s a wall, not the Venus de Milo.’

It’s on the tip of my tongue to say he’s welcome to get someone from town to do it instead, but I stop myself. Although we haven’t spoken about what happened in town with Didier and his friends, I’m sure Arnaud will have heard about it from Mathilde or Gretchen. Mathilde had asked about the bruise on my face from where Didier punched me. Predictably, she didn’t pass any comment, although she’d looked shaken when I gave her Jean-Claude’s message. Equally predictably, Gretchen was delighted to hear that I’d been in a fight, especially when she discovered who it was with.

‘What did Didier say? Did he mention me?’

‘Not really.’ She’d be less pleased if she knew what he’d been boasting. ‘Who is he, an old boyfriend?’

‘Oh no. Just someone I see sometimes.’ She’d shrugged, archly. ‘I haven’t seen him for a while, though. He’s probably jealous. That’s why he picked a fight with you.’

I doubted that, but I was starting to guess why the gate was unlocked when I first came to the farm. It couldn’t be easy for Gretchen to meet any local boys with Arnaud watching over her.

‘I got the impression it was more to do with your father. What’s he done to upset everyone?’ I asked.

‘Papa hasn’t done anything. It’s them,’ she’d said, and retreated into one of her sulks.

Since then there’s been no further mention of the incident; if not for the new bruise on my face it might never have happened. But I’ve come to understand that the farm has a way of absorbing events, closing over them like the stones I toss into the lake.

A few ripples to mark their passing, then they’re gone.

Arnaud regards the wall for a moment longer then jerks his head at me. ‘That can wait. Come on.’

‘Where?’

But he’s already walking away. I’m tempted to stay where I am, then I give in and go after him. He crosses the courtyard to the stable block and goes behind the tractor occupying one of the archways. By the time I’ve squeezed past it myself he’s already lifting something down from the back wall.

‘Does this thing ever move?’ I ask, rubbing my elbow where I’ve skinned it on the tractor’s bodywork.

His voice comes from the back of the stables. ‘Not since someone put sugar in its tank.’

‘Who?’

‘They didn’t leave a business card.’

I think about Didier, and wonder if this could be the reason for the traps. ‘Can’t you drain it?’

Arnaud reappears. He’s carrying something but it’s too dark to make out what it is. ‘Do you know anything about engines?’

‘Not really.’

‘Then don’t ask stupid questions.’

He comes nearer and I see he’s holding a chainsaw. It’s bulky and grimed with oil, its long blade lined with snaggled teeth. I step back, but he’s only going to a petrol canister. Unscrewing the fuel cap on the chainsaw, he begins to fill its tank.

‘What are you going to do with that?’ I ask, as the air sweetens with petrol.

‘We need to stock up with firewood.’

‘In summer?’

‘Green wood takes a long time to dry out.’

I glance through the stable’s archway at the house. ‘What about the wall?’

‘It’ll still be there when you get back.’ He adds oil from another container, then reseals the fuel cap and lifts the chainsaw in one hand. ‘Get the barrow.’

There’s a wheelbarrow beside a workbench. I struggle with it past the tractor, then set it down while Arnaud unceremoniously dumps the chainsaw into it. I’ve got a bad feeling about what’s coming next, and he doesn’t disappoint.

‘Bring that with you.’

With that he sets off out of the stable block, leaving me to follow. Laying my walking stick in the barrow, I take hold of the handles. The heavy chainsaw unbalances it when I take the weight, almost upending the whole thing. I hurriedly set the barrow down again and shift the saw into its centre. Then, hobbling awkwardly, I wheel it after Arnaud.

He walks ahead of me, across the courtyard and through the grapevines to the woods. I only catch up with him when he stops in a semi-cleared area near the statues, where smaller tree stumps stand among the bigger trunks like broken teeth. Kneading his lower back, he goes to a tree as I set the barrow down.

‘Here,’ he says, slapping it. ‘This one.’

It’s a young silver birch that’s found space to grow among the bulkier chestnuts. I look blankly at Arnaud as he takes his pipe out of his pocket and begins filling it. ‘What am I supposed to do?’

‘Cut it down, what do you think?’

‘You want me to do it?’

‘I didn’t bring you down here to watch. What’s wrong? Don’t tell me you’ve never used a chainsaw before.’

‘Yes. No, I mean.’

‘So now you get to learn. Just remember that it’ll cut through bone as easily as wood, so if you’re not careful it’ll take you apart instead of the tree.’ He gives a smirk. ‘Wouldn’t want any more accidents, would we?’

I clutch at the first excuse I can think of. ‘Aren’t we too close to the statues?’

‘They haven’t been hit yet, and they won’t be now if you do it right.’ He kicks the tree trunk about eighteen inches off the ground. ‘Cut a notch about here, then saw through to it from the other side. That’s all there is to it. Even you should be able to manage that.’

With that he goes and settles himself on a tree stump. The chainsaw sits in the wheelbarrow between us, waiting. My walking stick lies next to it, but if I was going to use my foot as an excuse I should have done it before I pushed the barrow down here. Arnaud gestures irritably.

‘Well, what are you waiting for? It won’t bite.’

I don’t want to go anywhere near the thing, but pride won’t allow me to refuse. I bend down and lift the chainsaw out. It’s as heavy as it looks, old and ugly and stained with oil. I hold it warily, half-expecting it to roar into life by itself. There don’t seem to be any guards or safety features, and what I assume is the starter cord is dangling from it. Conscious of Arnaud watching me, I brace myself and pull. Nothing happens.

‘Try turning it on. And you might want to put it down first,’ Arnaud says. He’s enjoying this.

There’s a toggle on the side of the machine. I flick it, then take hold of the cord again. This time when I pull it the engine chuckles and dies.

‘Are you sure it works?’ I ask.

‘It works.’

Gripping the cord tightly, I yank as hard as I can. The chainsaw shakes as it flares into life, then settles into a buzzing roar.

The noise is deafening. The saw shudders in my hands as I approach the tree. It’s a slender thing, the delicate leaves like translucent green coins against the silver bark. I lower the blade to where Arnaud indicated but can’t bring myself to cut.

‘Get on with it!’ Arnaud shouts against the din.

I set myself so I’m balanced without putting too much weight on my bad foot, take a deep breath and touch the teeth to the tree.

The saw’s buzzing rises to a scream. Fragments of raw white wood and bark spray out, and I instinctively draw back. The saw subsides to a growl. Imagining Arnaud’s smile, I put it to the tree again.

The saw judders as it tears through the wood. I brace myself against it, squinting against the splinters and chips it spits into my face. I cut a V-shaped notch as Arnaud instructed, then knock out the wedge of wood and begin to saw through the other side of the trunk. I hope I’m doing it right, but I’m not going to ask. I’m almost all the way through when the tree creaks and begins to lean.

I quickly step back. There’s a sound of cracking, then the silver birch topples and crashes down, bouncing once before settling to rest in a snapping of branches. As Arnaud predicted, it’s well clear of the statues. I’m impressed, despite myself.