A retirement home would provide company for her, at least. And it would take away the burden from her, the responsibility, because a house like hers needs upkeep, it needs attention, and why should she be saddled with all those chores any more? That was the idea set forth in some detail by the daughters-in-law. Constance could take up bridge-playing, or Scrabble, they suggested. Or backgammon, said to be popular again. Nothing too stressful or exciting to the brain. Some mild communal game.
“Not yet,” says Ewan’s voice. “You don’t need to do that yet.”
Constance knows this voice isn’t real. She knows Ewan is dead. Of course she knows that! Other people — other recently bereaved people — have had the same experience, or close. Aural hallucination, it’s called. She’s read about it. It’s normal. She isn’t crazy.
“You’re not crazy,” Ewan says comfortingly. He can be so tender when he thinks she’s having some anguish.
He’s right about the salt. She ought to have stocked up on some form of ice melt earlier in the week but she forgot, and now if she doesn’t get some, she’ll be a prisoner inside her own house because the street will be a skating rink by tomorrow. What if the layer of ice doesn’t melt for days and days? She could run out of food. She could become one of those statistics — old recluse, hypothermia, starvation — because, as Ewan has pointed out before now, she can’t live on air.
She’ll have to venture out. Even one bag of salt mix will be enough to do the steps and the walk and keep other people from killing themselves, much less herself. The corner store is her best bet: it’s only two blocks away. She’ll have to take her two-wheeled shopping bag, which is red and also waterproof, because the salt will be heavy. It was only Ewan who drove their car; her own licence lapsed decades ago because once she got so deeply involved in Alphinland she felt she was too distracted to drive. Alphinland requires a lot of thought. It excludes peripheral details, such as stop signs.
It must be quite slippery out there already. If she tries this escapade, she might break her neck. She stands in the kitchen, dithering. “Ewan, what should I do?” she says.
“Pull yourself together,” Ewan says firmly. Which isn’t very instructive, but which was his habitual way of responding to a question when he didn’t want to be pinned down. Where’ve you been, I was so worried, did you have an accident? Pull yourself together. Do you really love me? Pull yourself together. Are you having an affair?
After some rummaging, she finds a large zip-lock freezer bag in the kitchen, dumps out the three shrivelled, whiskery carrots inside it, and fills it with ashes from the fireplace, using the little brass fireplace shovel. She hasn’t lit a fire since Ewan ceased to be present in visible form, because it didn’t seem right. Lighting a fire is an act of renewal, of beginning, and she doesn’t want to begin, she wants to continue. No: she wants to go back.
There’s still a stack of wood and some kindling; there are still a couple of partially burnt logs in the grate from the last fire they had together. Ewan was lying on the sofa with a glass of that disgusting chocolate nutrient drink beside him; he was bald, due to the chemo and the radiation. She tucked the plaid car rug around him and sat beside him, holding his hand, with the tears running silently down her cheeks and her head turned away so he couldn’t see. He didn’t need to be distressed by her distress.
“This is nice,” he’d managed to say. It was hard for him to talk: his voice was so thin, like the rest of him. But that isn’t the voice he has now. The voice he has now is back to normaclass="underline" it’s his voice of twenty years ago, deep and resonant, especially when he laughs.
She puts on her coat and boots, finds her mittens and one of her woolly hats. Money, she’ll need some of that. House keys: it would be stupid to lock herself out and be turned into a frozen lump right on her own doorstep. When she’s at the front door with the wheeled shopping bag, Ewan says to her, “Take the flashlight,” so she trudges upstairs to the bedroom in her boots. The flashlight is on the nightstand on his side of the bed; she adds it to her purse. Ewan is so good at planning ahead. She herself never would have thought of a flashlight. The front porch steps are sheer ice already. She sprinkles ashes on them from the zip-lock, then stuffs the bag into her pocket and proceeds down crabwise, one step at a time, holding on to the railing and hauling the wheeled shopper behind her with the other hand, bump bump bump. Once on the sidewalk, she opens the umbrella, but that’s not going to work — she can’t manage those two objects at once — so she closes it again. She’ll use it as a cane. She inches out onto the street — it’s not as icy as the sidewalk — and teeters along the middle of it, balancing herself with the umbrella. There aren’t any cars, so at least she won’t get run over.
On the especially sheer parts of the road she sprinkles more of the ashes, leaving a faint black trail. Perhaps she’ll be able to follow it home, if push comes to shove. It’s the kind of thing that might occur in Alphinland — a trail of black ashes, mysterious, alluring, like glowing white stones in a forest, or bread crumbs — only there would be something extra about those ashes. Something you’d need to know about them, some verse or phrase to pronounce in order to keep their no doubt malevolent power at bay. Nothing about dust to dust, however; nothing involving last rites. More like a sort of runic charm.
“Ashes, bashes, crashes, dashes, gnashes, mashes, splashes,” she says out loud as she picks her way over the ice. Quite a few words rhyme with ashes. She’ll have to incorporate the ashes into the storyline, or one of the storylines: Alphinland is multiple in that respect. Milzreth of the Red Hand is the most likely provenance for those spellbinding ashes, being a warped and devious bully. He likes to delude travellers with mind-altering visions, lure them off the true path, lock them into iron cages or shackle them to the wall with gold chains, then pester them, using Hairy Hank-Imps and Cyanoreens and Firepiggles and whatnot. He likes to watch as their clothing — their silken robes, their embroidered vestments, their fur-lined capes, their shining veils — are ripped to shreds, and they plead and writhe attractively. She can work on the intricacies of all that when she gets back to the house.
Milzreth has the face of a former boss of hers when she worked as a waitress. He was a rump-slapper. She wonders if he ever read the series.
Now she’s reached the end of the first block. This outing was maybe not such a good idea: her face is streaming wet, her hands are freezing, and meltwater is dribbling down her neck. But she’s underway now, she needs to see it through. She breathes in the cold air; pellets of blown ice whip against her face. The wind’s getting up, as the TV said it would. Nonetheless there’s something brisk about being out in the storm, something energizing: it whisks away the cobwebs, it makes you inhale.
The corner store is open 24/7, a fact that she and Ewan have appreciated ever since they moved to this area twenty years ago. There are no sacks of ice melt stacked outside where they usually are, however. She goes inside, trundling her two-wheeled shopping bag.
“Is there any salt left?” she asks the woman behind the counter. It’s someone new. Constance has never seen her before; there’s a high turnover here. Ewan used to say the place had to be a money-laundering joint because they couldn’t possibly be making a profit, considering the low traffic and the state of their lettuces.
“No, dear,” the woman says. “There was a run on it earlier. Be prepared, I guess is what they had in mind.” The implication is that Constance has failed to be prepared, which in fact is true. It’s a lifelong failing: she has never been prepared. But how can you have a sense of wonder if you’re prepared for everything? Prepared for the sunset. Prepared for the moonrise. Prepared for the ice storm. What a flat existence that would be.