“Are we ready?” Tobias asks her. Wilma’s heart warms to him. We. So much for Jo-Anne and Noreen, who are, once again, merely they. She leans on him as he takes her elbow, and together they make what she’s free to picture as a dignified exit.
“But what is the worst?” she says to him in the elevator. “And how can we prepare for it? You don’t think they’ll burn us down! Not here! The police would stop them.”
“We cannot count on the police,” says Tobias. “Not any more.”
Wilma is about to protest — But they have to protect us, it’s their job! — but she stops herself. If the police were all that concerned, they would have acted by now. They’re holding back.
“These people will be cautious, at first,” says Tobias. “They will proceed by small steps. We still have a little time. You must not worry, you must sleep well, to build up your strength. I have my preparations to make. I will not fail.”
It’s strange how reassuring she finds this snippet of melodrama: Tobias taking charge, having a deep plan, outfoxing Fate. He’s only a feeble old man with arthritis, she tells herself. But she’s reassured and soothed all the same.
Outside her apartment they exchange their standard peck on the cheek, and Wilma listens while he limps away down the hall. Is this regret she’s feeling? Is this a fluttering of ancient warmth? Does she really want him to enfold her in his stringy arms, make his way in towards her skin through the Velcro and zippers, attempt some ghostly, creaky, arthropod-like reprise of an act he must have committed effortlessly hundreds, indeed thousands of times in the past? No. It would be too painful for her, the silent comparisons that would be going on: the luscious, chocolate-sampling mistresses, the divine breasts, the marble thighs. Then only her.
You believed you could transcend the body as you aged, she tells herself. You believed you could rise above it, to a serene, non-physical realm. But it’s only through ecstasy you can do that, and ecstasy is achieved through the body itself. Without the bone and sinew of wings, no flight. Without that ecstasy you can only be dragged further down by the body, into its machinery. Its rusting, creaking, vengeful, brute machinery.
When Tobias is out of earshot she closes the door and embarks on her bedtime routine. Shoes replaced by slippers: best to take that slowly. Then the clothes must come off, one Velcro tab after another, and must be arranged on hangers, more or less, and placed in the closet. Underwear into the laundry hamper, and none too soon: Katia will deal with that tomorrow. Peeing accomplished with not too much effort, toilet flushed. Vitamin supplements and other pills washed down with ample water, because having them dissolve in the esophagus is unpleasant. Death by choking avoided.
She also avoids falling down in the shower. She takes hold of the grips and doesn’t overuse the slippery shower gel. Drying is best done sitting down: many have come to grief attempting to dry their own feet while standing up. She makes a mental note to call Services for an appointment at the salon to get her toenails trimmed, which is another thing she can no longer do herself.
Her nightgown, clean and folded, has been placed ready on her bed by silent hands at work behind the scenes during the dinner hour, and the bed itself has been turned down. There’s always a chocolate on the pillow. She gropes for it and finds it, and peels off the foil paper, and eats the chocolate greedily. It’s the details that differentiate Ambrosia Manor from its rivals, said the brochure. Cherish yourself. You deserve it.
Next morning Tobias is late for breakfast. She senses this lateness, then confirms it with the talking clock in the kitchen, another gift from Alyson: you hit the button — if you can find the button — and it tells you the time in the voice of a condescending grade two arithmetic teacher. “It is eight thirty-two. Eight thirty-two.” Then it’s eight thirty-three, then eight thirty-four, and with every minute Wilma can feel her blood pressure shooting up. Maybe something has happened to him? A stroke, a heart attack? Such things occur in Ambrosia Manor every week: a high net worth is no defence against them.
Finally, here he is. “There is news,” he tells her, almost before he’s inside the door. “I have been to the Dawn Yoga Class.”
Wilma laughs. She can’t help herself. It’s the idea of Tobias doing yoga, or even being in the same room with yoga. What had he chosen to wear for this event? Tobias and sweatpants don’t compute. “I understand your mirth, dear lady,” says Tobias. “This yoga business is not what I would choose, given other pathways. But I have made a sacrifice of myself in the interests of obtaining information. In any case there was no class, because there was no instructor. So the ladies and I — we could chat.”
Wilma sobers up. “Why wasn’t there any instructor?” she asks.
“They have blockaded the gate,” Tobias announces. “They refuse to let anyone in.”
“What’s happened to the police? And the Manor security?” Blockaded: this is not frivolous. Blockades require heavy lifting.
“They are nowhere in sight,” says Tobias.
“Come in and sit down,” says Wilma. “Let’s have some coffee.”
“You are right,” says Tobias. “We must think.”
They sit at the little table and drink their coffee and eat their oat cereal; there’s no more bran, and — Wilma realizes — scant hope of getting any. I must appreciate this cereal, she thinks as it crunches inside her head. I must savour this moment. The little people are agitated today, they’re whirling around in a fast waltz, they sparkle all over with silver and gold sequins, they’re putting on a grand show for her; but she can’t attend to them right now because there are more serious matters to be considered.
“Are they letting anyone out?” she asks Tobias. “Through the blockade.” What was that book she read about the French Revolution? Versailles blockaded, with the royal family stewing and fretting inside.
“Only the staff,” says Tobias. “They are more or less ordering them to go. Not the inhabitants. We have to stay. So they appear to have decreed.”
Wilma thinks about this. So the staff are allowed to leave, but once out, they won’t be readmitted. “And no delivery vans,” she says, a statement rather than a question. “Such as chickens.”
“Naturally not,” says Tobias.
“They want to starve us to death,” she says. “In that case.”
“It would appear so,” says Tobias.
“We could disguise ourselves,” says Wilma. “To get out. As, well, as cleaners. Muslim cleaners, with our heads covered up. Or something.”
“I doubt very much that we would pass unchallenged, dear lady,” Tobias says. “It is a question of the generations. Time leaves its markings.”
“There can be some quite old cleaners,” Wilma says hopefully.
“It is a matter of degree,” says Tobias. He sighs, or is it a wheeze? “But do not despair. I am not without resources.”
Wilma wants to say that she is not despairing, but she refrains because it could get too complicated. She can’t pinpoint exactly what it is that she’s feeling. Not despair, not at all. And not hope. She only wants to see what will happen next. It certainly won’t be the daily routine.
Before doing anything else, Tobias insists that they fill up Wilma’s bathtub, as a provision for the future. His own bathtub is already filled. Sooner or later the electricity will be cut, he says, and then the water will cease to flow; it is only a matter of time.
Then he makes an inventory of the supplies in Wilma’s kitchen and mini-fridge. There isn’t much because she keeps no lunch or dinner staples on hand. Why would she, why would any of them? They never cook those meals.