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"Aw, Frank," I said, my voice still hoarse. "Why should Tony have all the fun?"

Something flared in Grice's eyes. I suddenly noticed how cold I was, soaked with sweat and muddy water out here in the winter night.

"Go on, Tony," Grice said, still looking at me. "You bring me all the smartass muscle you want. It won't help you, Tony." He coughed.

“I don't need no help, you son of a bitch," Tony snarled, taking two fast steps toward Grice.

From off to my right a voice like gears grinding said, "Don't do that." I spun around. Ten feet away, the little bony guy was planted, legs spread apart, holding an automatic pointed at the centre of Tony's chest.

Grice and Tony saw the gun the same time I did. Everyone froze, and for a long moment no one moved in the gravelled lot under the blue-black sky, scattered now with more stars than a man could count, even in a long lifetime.

My gun was pressed to my ribs under my flannel shirt, as out of reach as the stars.

Then Grice laughed, a short, guttural sound, as of something being ripped in two. "Oh, Christ, Wally. What the hell is that for? Put it away. Come on, let's go." He looked at me, then at Tony. "Next time," he said.

He turned sharply and walked to a big blue Ford, got in the front passenger door. The little guy hesitated, swore, then tucked the gun into his belt. He grabbed the big man, who looked as if he wasn't sure what day it was. Steering him to the car, he shoved him through the rear door, got behind the wheel, and sprayed gravel tearing out of the lot.

Tony and I watched the red glow of their tail lights vanish down 30. "I don't like your friends," I told him.

"You got Frank pissed off at you now," he said.

I fingered my left cheek carefully. It felt hot and sore. "You owe him, Tony?"

Tony turned to me. A lead curtain fell behind his eyes. "I don't owe nobody, Smith." He wiped his hand down his sweaty face. "You shoulda stayed out of it."

"Yeah." I shrugged. "But I was hungry. Grice beats the shit out of you, I don't get my lasagna."

We turned together, headed back toward the door. The ancient, pitted tin sign that read "Antonelli's," Tony's father's sign, creaked as it swung in the wind. A smile cracked Tony's face. "Sucker," he said. "I'm outta lasagna."

Two hours later, full of food, warmer, I turned my six- year-old Acura onto the dirt road that leads from 30 down to my cabin. The single lane was rutted and slippery, ruts that fit my tires exactly because almost no one drove that road but me. I parked in the flat field next to my place and spent a long time leaning on the car, looking at the stars through the black cross-hatching of tree branches.

Inside, I turned on the lamp in the front room. The cedar-panelled walls soaked up most of the light, except where the glass frame of a photograph or drawing caught it, threw it back. When I bought the cabin it wasn't winterized, so I'd done that, insulating, finishing with cedar because it stood up well to damp and I liked the smell. I'd reroofed, too, and rebuilt the porch; this year, as soon as the weather was warm enough, I was going to replace the chimney.

I shed my jacket, threw it over the broken-in reading « hair by the window. As I turned, lamplight glinted on the child's silver-framed photograph in the middle of the bookshelves. Days, weeks could go by without my looking at that picture, knowing it was there but feeling it only as a source of warmth, a hand on my shoulder. At those times I felt almost at peace; sometimes I even thought I wanted to talk about it, although I didn't know with whom and I never tried.

And then other times, like now, I'd walk by too close, too close, and slice my heart on the sharp edges of Annie's smile. Then the old pain would well up from where it lived in the hollows of my bones, and my eyes would grow hot. Ambushed by this aching, I would stare, as I did now, into this picture that never changed, and wonder why I kept it here, where it was so dangerous. Seven years ago I'd packed away the pictures I'd had in New York, and all her things. Her things were gone from here, too; this was all that I had left, all I'd kept, and I wondered why.

But I knew.

Because although the fresh prettiness of her face, the round cheeks and soft brown eyes and the wave in her hair, had all been her mother's, that sharp, slanted smile was mine.

And because, in all her nine years, I had never seen Annie afraid.

I turned away from the picture. I poured myself some Maker's Mark, left the bottle out. I drank, then flexed my

hands, palms up, palms down; they seemed all right, so I carried the bourbon to the piano bench and raised the cover off the keyboard of the old, battered Baldwin.

I ran through a series of scales, the keys cold and smooth and hard under my fingers; then, after a still minute and a few deep breaths, I started on the Mozart B minor Adagio, trying out the phrasing that had been running around my head since morning. It didn't really work, but I played through the piece anyway, twice, and then went on to more Mozart, the Sonata in A minor, which I'd been playing a lot longer and played better.

As I moved into it, the power and the tension in me grew until my whole body rang with them, with the exhilaration of balancing on a very narrow beam, barely controlling the lines of the music as they wove toward and away from each other, building, fading, stopping and not stopping, only my hands preventing chaos, creating just enough order for just enough time that the immense beauty of the music could exist here, now, in this dark, small place halfway down a wooded winter hillside, under a million stars.

Chapter 2

Morning came, cold, clear, and much too early.

Groggy, I rolled across the bed out of the sunlight, tried to remember why I ached, why my cheek was stiff and sore and my jaw was tender. There must have been a fight, but I didn't remember it, and a sick, familiar feeling began in the pit of my stomach. The fights I couldn't remember were usually ones I'd started, usually over nothing, usually with men I didn't know and had no quarrel with except the quarrel that comes in a bottle of bourbon like the prize in a box of Cracker Jacks. Time had been when I would often wake sick and aching, finding nothing in my memory but shadows and regret. It had been a long time since the last time, though, and it had never happened up here. That was one of the reasons I came here, and so I worked at remembering, pushing my way through the bourbon haze and the dull thudding in my skull.

Nothing came. I groped on the table by the bed for a cigarette. I lit one, missed the ashtray with the match, rolled onto my back. I looked slowly around, to the window, the charcoal drawing on the wall, the bureau, the straight-backed chair with yesterday's clothes slung over it. Nothing. A cloud covered the sun, left the room gray and cold.

Early-morning smoke caught in my throat and I coughed, felt a pain I wasn't expecting. I touched my neck, feeling the sore, bruised places, and then memory and relief flooded in together like tide in a sand castle. It was all there: Tony, Frank Grice, the bony hands around my neck. The muddy puddle. The gun.

I finished the cigarette, threw off the quilt. Standing at the window I watched the high thin clouds drifting east. Birds searched my yard for breakfast. They moved with the jerky speed of a silent movie, flashing from branches to the ground.

I shrugged into a robe, went out to the front room. As always, it was warmer there than in the rooms in the back, the one I slept in and the other, rarely used now.

I flicked on the hot water heater in the corner of the kitchen. I built a fire in the wood stove and put some water on to boil. When the coffee was ground and waiting I took a quick shower, in water I wouldn't have called hot anywhere but here.

I dressed quickly in clothes as cold as the air. I thought about shaving, but I looked in the mirror at my cheek, streaked and raw, and decided to skip it. Eve Colgate would just have to live with it.