Wrapped very tight, Jack can see him starting to really shake.
“He showed me a dude in Plano. He followed him and zapped him and takes him to this ditch.” And he began telling Eichord and the monitoring eyes and ears how to find a new, watery grave in Plano, Texas. “Oh, shit, man, there's other dead people in there."
“Where?” Softly, a trickle of fear sweat chilling on him.
“In the WATER. He showed me under the water. These big trees right by the bank and you drive over this steep levee and right at the bottom of the blacktop part it turns to a gravel run and the road goes right. There's hardly any ditch bank at all. Looks like maybe four or five feet and the water is up real high near the road. It's a kind of bayou thing back along in there just as you come over the levee. And stop right there by the clump of tall trees and shit."
“Old dude in there already. Looked to be about seventy-five, eighty, shit I dunno how old, but he's been in the water for a while. And there's a big chain around him and he's bloated up and shit. And see, he's chained to these tree roots and"—he sniffles—"there's others chained up, another guy wired down in there and they're all kind of anchored in there together."
“Who is the killer, Ukie?"
“I don't fucking KNOW I SWEAR TO GOD I ... Oh, man, I don't know. I'll take a lie detector. Anything. Shit. I don't know.” He sobbed again and Eichord just sat there watching him blubber. Tears running down the face, down the Cary Grant chin.
“He never lets himself be seen. He stays back. In the shadows.” Ukie's body shook with an involuntary shudder. “You can see he's tall from the shadows. Tall like a professional basketball nigger. He likes to hurt me. He feeds on the pain. Takes reassurance from that feeling of awesome an deadly and terrorizing power the POWER you can't believe the power that he has to intrude upon your mind anytime he wants to and he gets right into the middle of your thoughts and you have no control of what you have in your head all of a sudden and, oh, my Christ, don't ask me.” Sobs and shaking spasms again but on his own snapping right out of it, wanting to spit the words out, “Don't ask me to explain who he is instead let me try to tell you what I'm not. Don't you know I've played this out in my head a hundred times acting out how I'd tell the cops when it was time and how I'd make fools of everybody oh Jesus sweet Jesus in heaven please don't let me die for the stupidity of what I've done I never meant to hurt anybody you can ask even that bitch Donna the most I ever did maybe twist the cunt's hair a little and make her dog-fuck me and shit she LIKED THAT it wasn't—a few slaps—I never hurt anybody—I'm no KILLER please please I didn't—"
“Okay, now.” Eichord sat back down. “Describe what you see on the, uh, pathway in your head."
“It's not the pathway in my head, man, you make it sound like I'm lying or some jive shit about a yellow brick road this is a fucking REAL PATHWAY it's a level of communication where he can REACH me. He takes me there instantly. What I see? I see the gray stone. The beads of moisture on the walls. I have to piss bad. I take a leak. I splash around. I want old Sly back in my pants before he comes along but see you always have a warning, not right before. He likes to surprise you but you know within a few minutes because you feel so ... dirty."
“Let me make sure I comprehend all this. You're saying you don't know who he is. But it's a man who stands in the shadows. But you can tell he's tall. He feeds on pain. And after he hurts you for a while he shows you where bodies of victims are buried. Is that pretty much it?"
“Yeah.” Subdued now.
“How does he hurt you?"
“In my mind somehow. I dunno. It's like he pulls the pain out of you. It's terrible. You think you're gonna die."
“I'm sure. Hey, listen, Ukie, what am I going to tell you. It's the Way of the Viper all over again. It's every bad horror movie cliché. It's some kid writers out in Hollyweird. They snorted too much blow and they're gonna write about this dude who clouds men's minds. But they'll call him Lamont Cranberry so we don't know they stole it from The Shadow. It's just crap, Ukie. Nobody's going to buy it. Nobody's going to buy it as a foundation for a nutsy number either.” Eichord shook his head and smiled. They just looked at each other.
“No, man,” Ukie whispered. “No. NOOOOOOOOOOO, this is no goddamn shuck I'm not nuts why would I try to—look, you already told me no no man, please, I don't—he takes me with the power of his mind,” crying now softly.
“On a secret neural pathway?"
“Yes."
Eichord sat unmoving. Watching. “Uh huh."
“You wouldn't be so fucking smug if you'd seen some of the ones he put down. This bitch with her whatchacallit carotid artery fucking severed and stuffed in this thing and one you still haven't found on top of a computer center and the ones he's thrown off of buildings and shit.” Lots of tears now.
Eichord couldn't resist. “I gotta ask you one more question, Ukie."
Hackabee took a deep breath and waited.
“Does this have anything at all to do with the katachthonian subworld's revenge?” he asked innocently. When Jack closed the door Ukie's parting “FUCK YOU” was still echoing from the institutional walls.
Either way he was going out the door and heading for the nearest bar. I'll fix this shit, he thought, licking his lips at the thought of the liquid remedy.
Dallas
Another day another time with the vibes a little different he wouldn't have been back behind a desk doodling in the middle of the afternoon. He'd have been out at the house waiting for the evidence techs to finish but he'd come back to the cop shop half-blitzed and he just wasn't up for it. It was something he wanted to do alone the first time, go in the house where Spooky Ukie, which is what he thought of him now, had taken Donna and kept her chained like an animal. Using her for sex. Showing her dirty pictures and dirtier news stories. It always broke him up how they ran sex and violence together—the media people and the morally outraged. They shouldn't be tied together at all. Nothing more pornographic than some front pages and TV newscasts. Nothing more obscene than raw violence.
He was doodling, half in the bag, drawing guns and glue bottles and trees and doors and beehives. He was doing his free-association doodle which he used to remember conversations. Eichord was not the believer in electronic gadgetry that so many of the younger cops were today. He seldom went into a situation wired. He liked to keep everything as organic as possible. Even now, waiting to shake off his half-bagged stupor before he viewed the videocassette again, he thought how little he cared for the new technologies. The computers, that was a little different. But he knew about masks and how easily the very clever and sociopathic perpetrator could fool you.
The biggest lie imaginable, right up there with “The check is in the mail” and “I promise not to cum in your mouth” was, “You can't fool the camera lens.” Bull. You could fool the living SHIT out of the camera lens, the microphone, the polygraph. There were in fact whole books on the subject and the books weren't really all that valuable either. When you were combining the uniqueness of people and the mechanical and programmable elements of high technology you ended up with a quasi-art form if not an enormously imperfect science. Even in his bagged fog he could envision himself watching Ukie say, “I never touched a hair on their fucking HEADS." Knowing that the combination of fear, malevolence, and sincere pleading he'd felt in the room and seen in the eyes would be flattened and distorted by the video surveillance tape.