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'This is the only job I want,' Ray said, and it was true. Ray could not imagine his life without The Paper, without his friends, without the comforting routines and rituals of rock and roll - going on the road, doing the singles, having somewhere to come every day, somewhere that felt more like home than the house where he lived. He had loved it as a reader, and he loved it as a -writer. On either side of the looking glass, it was in his blood.

'Then you're going to have to give me something fast,' White said, embarrassed that he had to act like the boss of IBM or something. 'Something I can use.'

At that moment Leon Peck burst into the editor's office. 'Let me read you something,' he said. 'Sorry and all that - this won't take long.'

White and Ray stared at Leon. 'Don't you knock?' White said. 'And what's with the stupid hat?'

'The Nazis are coming back,' Leon said, tugging self-consciously at his trilby. 'So maybe we should worry a little less about bourgeois convention and a little more about stopping them.' He cleared his throat and read from the copy of the Sunday Telegraph he was holding. 'It is a disquieting fact, recognised by all the major political parties, that more and more people are giving their support to groups which believe in taking politics to the street' 'What's the point?' White said.

Under the brim of his hat, Leon's eyes were shining with emotion. 'Boss, I was down there on Saturday. Look, look,' he said, pointing at the bruise under his eye. 'Look what they did to me.'

'You'll live,' White said. Ray noticed he was a lot rougher with Leon than he was with him. But then Leon hadn't been just a kid when he first walked into The Paper.

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'Let me write something,' Leon begged. 'Give me next week's cover. Hitler said that if they'd crushed him when he was small, he would never have succeeded.'

'This shower are just a bunch of skinheads, that's all,' White said, taking the Sunday Telegraph from Leon and looking at the picture of the flag-waving mob. 'They couldn't find their own arse without a road map, I can't see them invading Poland.' He handed back the newspaper. 'And Elvis Costello is on next week's cover.' White thought about it. 'But all right - you can give me 500 words on Lewisham. Anybody go to this demo?'

Leon smiled. 'I'm assuming you don't mean thousands of anti-Fascist protesters, boss. I guess you mean rock stars. Concerned rock stars.' White rolled his eyes. 'Anyone our readers might've heard of.'

'No, they were all too busy doing photo shoots and getting their teeth capped to fight Fascism. But I hear John Lennon is in town.'

Ray's jaw fell open. He stared at Leon, not believing a word of it. 'Lennon's in New York,' he said. 'In the Dakota with Yoko and baby Sean.'

Leon shook his head. 'Lennon's in London,' he said. 'For one night only. Someone at EMI just called me. Thought it might make an item in the diary. Passing through on his way to Japan.' Leon cackled. 'Give me McCartney any day of the week. At least Paul knows he's a boring old fart who sold out years ago. Think Beatle John would fancy pinning on his Chairman Mao badge and coming to the next riot? Has he still got his beret? Or should we start the revolution without him?'

'Well, he started it without you,' Kevin White said. 'Come on -what are you doing for us, Leon?'

Leon's face fell. Ray knew that's what they always said when they wanted you to get in line. What are you doing for us? 'Well, mostly I'll be working on this riot story,' Leon said. T thought we could call it Dedicated Followers of Fascism. Maybe -' White consulted a scrap of paper on his desk. 'Leni and the Riefenstahls are at the Red Cow tonight. You can give me a review of that by first thing tomorrow morning - 800 words.'

Leon nodded. 'So that's 500 words for the fight against Fascism, and 800 words for Leni and the Riefenstahls - who less than a year ago were parading around the 100 Club in swastika armbands. Right.' 'We're still a music paper, Leon.'

Leon laughed. 'That's right. We're doing the pogo while Rome burns.'

'A good journalist can write well about anything. Look at that piece by your father this morning. You see that?' White asked, turning to Ray. 'A piece about the cod war - what could be more boring than the cod war?'

T didn't see it,' Ray said, still thinking about John Lennon. But he knew that Leon's father wrote a column for a liberal broadsheet. He was one of the few journalists in Fleet Street that was read and respected up at The Paper.

'It was about the decline of Britain as an imperial power,' White told Ray. 'About how we used to go to war to fight for freedom. And now we go to war to fight about fish. Brilliant.' White shook his head. 'Brilliant. Tell him how much I liked it, would you?' 'Bit tricky that,' Leon said, edging towards the door. 'Why's that?' White said. T don't talk to my father.'

They were all silent for a bit. Leon caught Ray's eye and looked away. 'Oh,' White said. 'Okay.'

Leon closed the door behind him. Ray realised that the editor of The Paper was watching his face. 'So,' White said. 'Think you can get me John Lennon?'

Ray gawped, feeling the sweat break out on his face. 'Get you John Lennon? Who do I call? How do I get you John Lennon?'

White laughed. 'You don't call anyone. There's no one to call. No press officers, no publicists. EMI can't help you - this is a

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private trip. You just go out there and find him. Then you talk to him. Like a real grown-up reporter. Like a real journalist. Like Leon's father. Like that. Think you can do it?'

There was so much that Ray wanted to say to John Lennon that he was sure he would not be able to say a word. Even if he could find him among the ten million souls in that Waterloo sunset. 'I don't know,' Ray said honestly.

'If you find him,' White said, his blood starting to pump, his editor's instincts kicking in, 'we'll put him on the cover. World exclusive - John talks!' 'But - but what about pictures?'

White looked exasperated. 'Not Lennon the way he is now -he must be knocking on for forty! No, an old shot from the archives. Lennon the way he was in Hamburg - short hair and a leather jacket, skinny and pale. You know what that would look like, don't you?' Ray thought about it. 'That would look like… now.'

'Exactly! Very 1977. Totally 1977. Nothing could be more now than the way the Beatles looked in Hamburg. They were out of their boxes on speed, did you know that? I can see the cover copy: Another kid in a leather jacket on his way to God knows where…' 'But Leon says he's leaving tomorrow!'

White's fist slammed down on his desk. 'Come on, Ray. Are you a writer - or a fan?'

Ray needed to think about that. He had no idea if he was a real journalist, or if he would ever be. How could you tell? Who had ever dreamed that loving music would turn into a full-time job? He was a kid who had written about music because it was more interesting than a paper round, and because they didn't give you free records if you stacked shelves in a supermarket. 'I don't know what I am,' he said.

But Kevin White was no longer listening. The editor was staring over at the door, and Ray followed his gaze. On the other side of the rectangular pane of glass, there were men in suits waiting to see Kevin White. Men from upstairs, management, bald old geezers with ties and wrinkles who looked like your dad, or somebody's dad. They were waiting for White to finish with Ray. Sometimes White had to smooth things out with them. One time a cleaner found a wastepaper bin full of roaches, and suddenly there were men in suits everywhere, all having a fit. But White worked it out. He was a great editor. Ray didn't want to let him down.