His eyes hardened, a fanatic's gleam. He spoke in two sharp little explosions of single syllables. "Sit. Down." He drew the sword out from its scabbard by a couple of inches.
I let my shoulders sag. I turned toward the table. I leaned against the back of one of the chairs for a moment, taking a little weight off of my injured leg, and drew the chair out from the table.
Then I picked it up, spun in a half circle with it to gather momentum, and smashed it into the Warden's stomach. Morgan tried to recoil, but I'd caught him off guard, and the blow struck home, hard and heavy with the weight of Mac's handmade wooden chair. In real life, the chair doesn't break when you slug somebody with it, the way it does in the movies. The person you hit is the one who breaks.
Morgan doubled forward, dropping to one hand and one knee. I didn't wait for him to recover. Instead, as the chair bounced off his ribs, I used the momentum of it to spin all the way around in a complete circle in the other direction, lifting the chair high, and brought it smiting down over the other man's back. The blow drove him hard into the floor, where he lay unmoving.
I sat the chair back at the table and looked around the room. Everyone was staring, pale. They knew who Morgan was, what his relationship to me was. They knew about the Council, and my precarious stance with it. They knew that I had just assaulted a duly appointed representative of the Council in pursuit of the execution of his duty. I'd rolled the stone over my own grave. There wasn't a prayer that I could convince the Council that I wasn't a rogue wizard fleeing justice, now.
"Hell with him," I said aloud, to no one in particular. "I haven't got time for this."
Mac came out from behind the bar, not moving in a hurry, but not with his usual laconic lack of concern, either. He knelt by Morgan and felt at his throat, then peeled back an eyelid and peered at the man. Mac squinted up at me and said, expressionless, "Alive."
I nodded, feeling some slight relief. However much of an ass Morgan was, he had good intentions. He and I wanted the same thing, really. He just didn't realize that. I didn't want to kill him.
But, I had to admit in some gleeful little corner of my soul, that the look of shocked surprise on his arrogant face as I hit him with the chair was a sight worth remembering.
Mac stooped and picked up the keys, where I'd dropped them on the floor as I swung the chair. I hadn't noticed that I had. Mac handed them back to me and said, "Council will be pissed."
"Let me worry about that."
He nodded. "Luck, Harry." Mac offered me his hand, and I took it. The room was still silent. Fearful, worried eyes watched me.
I took the keys and walked up, out of the light and shelter of McAnally's and into the storm, my bridges burning behind me.
Chapter Twenty-Four
I drove for my life.
Mac's car was an 89 TransAm, pure white, with a big eight-cylinder engine. The speedometer goes to 130 miles an hour. In places, I went past that. The falling rain made the roads dangerous at the speed I was driving, but I had plenty of incentive to keep the car moving as quickly as possible. I was still riding the steel-hard edge of anger that had carried me away from the ruins of my office and through Morgan.
The sky grew darker, a combination of building banks of storm clouds and the approaching dusk. The lighting was strange, greenish, the leaves of the trees as I left the city standing out too sharply, too harshly, the yellows of the lines in the road too dim. Most of the cars I saw had their headlights on, and streetlights were clicking alight as I barreled down the highway.
Fortunately, Sunday evening isn't a busy one, as far as traffic goes. I'd have been dead any other night. I must also have been driving during the watch rotation for the highway patrol, because not one of them tried to pull me over.
I tried to tune in the weather station, on the radio, but gave it up. The storm, plus my own agitation, was creating a cloud of squealing feedback on the radio's speakers, but nothing intelligible about the storm. I could only pray that I was going to get over to Lake Providence before it did.
I won. The curtains of rain parted for me as I whipped past the city-limits sign for Lake Providence. I hit the brakes to slow for the turn onto the lakefront road that led to the Sells house, started hydroplaning, turned into the slide with more composure and ability than I really should have had, and got the vehicle back under control in time to slide onto the correct road.
I pulled into the Sells' gravel drive, on the swampy little peninsula that stretched out into Lake Michigan. The TransAm slid to a halt in a shower of gravel and a roar of mighty engine, then sputtered and gasped into silence. I felt, for a giddy second and a half, like Magnum, P.I. Blue Beetle aside, I could get into this sports-car thing. At least it had lasted long enough for me to get to the Sells place. "Thanks, Mac," I grunted, and got out of the car.
The gravel driveway leading back to the lake house was half-sunk in water from the recent storms. My leg hurt me too much to run very fast, but I set off down the drive at a long-legged lope, rapidly eating the distance to the house. The storm loomed before me, rolling across the lake toward the shore—I could see columns of rain, dimly lit by the fading light, falling into its waters.
I raced the storm to the house, and as I did I drew in every bit of power and alertness that I could, keyed myself to a tighter level, tuned my senses to their sharpest pitch. I came to a halt twenty yards shy of the house and closed my eyes, panting. There could be magical traps or alarms strewn about, or spiritual or shrouded guardians invisible to the naked eye. There could be spells waiting, illusions meant to hide Victor Sells from anyone who came looking. I needed to be able to see past all that. I needed to have every scrap of knowledge I could get.
So I opened my Third Eye.
How can I explain what a wizard sees? It isn't something that lends itself readily to description. Describing something helps to define it, to give it limits, to set guardrails of understanding around it. Wizards have had the Sight since time began, and they still don't understand how it works, why it does what it does.
The only thing I can say is that I felt as though a veil of thick cloth had been lifted away from me as I opened my eyes again—and not only from my eyes, but from all of my senses. I could abruptly smell the mud and fish odor of the lake, the trees around the house, the fresh scent of the coming rain preceding the storm on the smoke-stained wind. I looked at the trees. Saw them, not just in the first green coat of spring, but in the full bloom of summer, the splendor of the fall, and the barren desolation of winter, all at the same time. I Saw the house, and each separate part of it as its own component, the timbers as parts of spectral trees, the windows as pieces of distant sandy shores. I could feel the heat of summer and the cold of winter in the wind coming off the lake. I Saw the house wreathed in ghostly flames, and knew that those were part of its possible future, that fire lay down several of the many paths of possibility that lay ahead in the next hour.
The house itself was a place of power. Dark emotions—greed, lust, hatred—all hung over it as visible things, molds and slimes that were strewn over it like Spanish moss with malevolent eyes. Ghostly things, restless spirits, moved around the place, drawn to the sense of fear, despair, and anger that hung over it, mindless shades that were always to be found in such places, like rats in granaries.
The other thing that I Saw over the house was a grinning, empty skull. Skulls were everywhere, wherever I looked, just at the edge of my vision, silent and still and bleach white, as solid and real as though a fetishist had scattered them around in anticipation of some bizarre holiday. Death. Death lay in the house's future, tangible, solid, unavoidable.