"I honestly don't know. I wish I did."
Edie was all clammy shakes, roiled emotions. In the motel room, depositing Mr. Stichler with the two hookers, she'd caught something on the TV that got her daydreaming-a news clip of the President of the United States touring the hurricane damage. At his side was a tall, boyishly attractive man in his thirties, whom the TV newscasters identified as the President's son. When they said he lived in Miami, Edie Marsh got a whimsical flash. So what if he wasn't a Kennedy? And maybe he was too much of a good young Republican to pick up some hot girl in a bar and get raunchy. Or just maybe he'd been waiting his whole repressed life to do exactly that. And he was the President's son. It was something to consider, Edie mused, for the future. Particularly if the hurricane scam continued to unravel at its current pace.
She put Snapper's gun on the seat. "Get out of here," she told Skink and Bonnie. "Go on. I'll tell him you pushed me down and got away."
Bonnie looked over at the governor, who said: "Now's your chance, girl."
"What about you?"
He shook his head. "I made a promise to Jim."
"Who the hell's Jim?" asked Edie Marsh.
Bonnie said: "Then I guess we're staying."
Skink encouraged her to make a dash for it. "Go call Augustine. Let him know you're OK."
"Nope," Bonnie said.
"And your husband, too."
"No! Not until it's over."
Edie was exasperated, her nerves worn ragged. Snapper was right; they are nuts. "Fine," she said, "you two fruitballs stay if you want, but I'm outta here."
Skink said: "Excellent decision."
"Tell him I went to use the bathroom."
"No problem," said Bonnie.
"I got my period or something."
"Right."
Skink leaned forward. "Could you hand me the gun?"
"Why not," Edie said. Perhaps the smiler would shoot Snapper dead. There were about forty-seven thousand reasons that Edie wasn't upset at the idea, not including the barrel-shaped bruise on her right breast.
She was passing the .357 to Skink when he waved her off, saying: "On second thought"
Edie turned and let out a gasp. It was Snapper's face, dripping wet, pressed to the window of the Jeep. The bent nose and misshapen mouth made him look like a gargoyle.
"Miss me, bay-beeee?" he crooned, pallid lips wriggling like flatworms against the glass.
Jim Tile was tempted to call for backup, though it would spell the end of the governor's elaborate reclusion.
Long ago they'd made a pact: no cavalry, unless innocent lives were in peril. The trooper was thinking of the tourist woman as more or less innocent. She and Skink might be dead already.
Glumly Jim Tile watched the rain drench the passing cars on Highway One. Again he castigated himself for letting his emotions get the better of his brain. Brenda was alive. He should've thanked God, then let it go.
But he didn't. And the governor had had little trouble talking him out of the license-tag number.
"Pest control" was what Skink had called it, as they were leaving the hospital.
"Whoever did that to Mrs. Rourke is not a viable member of the species. Not a welcome donor to the gene pool. Wouldn't Darwin himself agree?"
And the trooper had merely said: "Be careful."
"Jim, we're infested with these mutant shitheads. Look what they've done to the place."
The trooper, locked in some cold distant zone: "The tag's probably stolen off another car. It may lead you nowhere."
The governor, momentarily shaking loose of his friend's firm grip: "They're turning it into a sump hole. Some with guns, some with briefcases-it's all the same goddamn crime."
"Pest control."
"We do what we can."
"Be careful, captain."
Then he'd flashed those movie-star pearlies, the ones that had gotten him elected. And Jim Tile stood back and let him go. Let him stalk the man in the black Jeep Cherokee.
Which was now parked in a windy drizzle outside the Paradise Palms. The trooper counted three figures inside the truck; two of them, he hoped, were Skink and Bonnie Lamb.
A dark shape near the road caught his attention.
The tall man in the suit was hurrying along the gravel shoulder of Highway One. There was a tippiness to his gait; he seemed well challenged to keep a straight course, clear of the speeding cars. He flinched when the high beams of a gasoline tanker caught him in the face.
This time Jim Tile got a good look at the misaligned jaws.
He watched the man pass beneath the bright electric sign in front of the motel. He saw him walk up to the Jeep, lean close to a window. Then the man ran around to the driver's side, opened the door and got in. Smoke puffed from the truck's exhaust: pipe. The brake lights flickered.
Jim Tile said, "Hello," and started his engine.
Suddenly, all around, the night was diced into blues and whites.
Snapper was backing the Jeep out, chortling about what had happened to Avila: "Dumb fuck went straight off the bridge, you shoulda seen Hey! Hey, what the hell..."
Bright lights started strobing everywhere. In the reflection of the puddles. On the coral-colored walls of the motel. In the fronds of the sabal palms.
Snapper shoved the Jeep into Neutral. "Fucking cops!"
"No way," Edie said. But she knew he was right.
A figure in gray was approaching the Cherokee. Snapper rolled down the window. It was a state trooper; big black sonofabitch, too. He'd parked his patrol car at an angle, to block the exit.
Snapper's mind raced, half drunk, half wired: Christ Almighty, would Momma and Pappy pitch a fit they ever heard I got taken down by a nigger cop. Momma especially.
In a flash Snapper figured out what must've happened: The lady trooper either was alive, or had survived long enough after the beating to give a description of the Jeep, and maybe even of Snapper himself.
So this was the big black posse.
Snapper knew he should've ditched the Cherokee after it happened. Sure, park the fucker in the nearest canal and call it a deal. But, oh Jesus, how he loved that stereo system! Reba, Garth, Hank Jr., they'd never sounded so sweet. His whole life Snapper had wanted a car with decent speakers. So he'd stayed with the stolen Jeep because of its awesome stereo-and here was the price to be paid.
A big black motherfucker of a cop, coming across the parking lot, drawing his gun.
The one-eyed man tapped him on the shoulder. "Haul ass, chief."
"Huh?"
"That's what I'd do."
"No," murmured Edie Marsh. "We've had it."
Snapper told her to shut up. He snatched the .357 off the seat, pointed it out the window and somehow managed to shoot the trooper in the center of the chest. The man fell backward, landing with a splash.
"Good night, nigger," Snapper said.
Skink went rigid. Bonnie and Edie screamed. Snapper slammed the Jeep into gear and peeled rubber.
"You see thaa-aatt?" he whinnied. "One shot, one nigger cop! Whooheee! One shot!"
In the cargo well of the Cherokee, Augustine popped up on one knee. The stubby dart rifle was at his shoulder, the sights trained on the ragged hairline of Snapper's neck. He was surprised when Skink turned and shoved him back to the floor.
That's when the rear window of the Jeep vaporized.