He handed the trooper a stack of forms and a pen.
The body of Tony Torres inevitably became a subject of interest to a newspaper reporter working on hurricane-related casualties. The autopsy report did not use the term "crucifixion," but the silhouette diagram of puncture wounds told the whole grisly story. To avert embarrassing publicity, the police made a hasty effort to reignite the investigation, dormant since the aborted phone call from a woman claiming to be the dead man's widow. Within a day, a veteran homicide detective named Brickhouse was able to turn up a recent address for the murdered Tony Torres. This was done by tracing the victim's Carrier wristwatch to a Bal Harbour jeweler, who remembered Tony as an overbearing jerk, and kept detailed receipts of the transaction in anticipation of future disputes. The jeweler was not crestfallen at the news of Senor Torres's demise, and graciously gave the detective the address he sought. While the police department's Public Information division stalled the newspaper reporter, Brickhouse drove down to the address in Turtle Meadow.
There hefound an abandoned hurricane house with a late-model Chevrolet and a clunker Oldsmobile parked in front. The Chevy's license plate had been removed, but the VIN number came back to Antonio Rodrigo Guevara-Torres, the victim. The tag on the rusty Olds was registered to one Lester Maddox Parsons. Brick-house radioed for a criminal history, which might or might not be ready when he got back to the office in the morning; the hurricane had unleashed electronic gremlins inside the computers.
The detective's natural impulse was to enter the house, which would have been fairly easy in the absence of doors. The problem wasn't so much that Brickhouse didn't have a warrant; it was the old man next door, watching curiously from the timber shell of his front porch. He would be the defense lawyer's first witness at a suppression hearing, if an unlawful search of the victim's residence turned up evidence.
So Brickhouse stayed in the yard, peeking through broken windows and busted doorways. He noted a gas-powered generator in the garage, wine and flowers in the dining room, a woman's purse, half-melted candles, an Igloo cooler positioned next to a BarcaLounger definitive signs of post-hurricane habitation. Everything else was standard storm debris. Brickhouse saw no obvious bloodstains, which fit his original theory that the mobile-home salesman had been taken elsewhere to be crucified.
The detective strolled over to chat with the snoopy neighbor, who gave his name as Leonel Varga. He told a jumbled but colorful yarn about sinister-looking visitors, mysterious leggy women and insufferable barking dogs. Brickhouse took notes courteously. Varga said Mr. and Mrs. Torres were separated, although she'd recently phoned to say she was coming home.
"But it's a secret," he added.
"You bet," Brickhouse said. Before knocking off for the evening, he tacked his card to the doorjamb at 15600 Calusa.
That's where Neria Torres found it at dawn.
Matthew's pickup truck had followed her all the way from Fort Drum to the house at Turtle Meadow. The seven Tennesseeans swarmed the battered building in orgiastic wonderment at the employment opportunity that God had wrought. Matthew dramatically announced they should commence repairs immediately.
Neria said, "Not just yet. You help me find my husband, then I'll let you do some work on the house."
"I guess, sure. Where's he at?"
"First I've got to make some calls."
"Sure," Matthew said. "Meantime we should get a jump on things." He asked Neria's permission to borrow some tools from the garage.
"Just hold on," she told him.
But they were already ascending the roof and rafters, like a troop of hairless chimpanzees. Neria let it go. The sight of the place disturbed her more than she had anticipated. She'd seen the hurricane destruction on CNN, but standing ankle-deep in it was different; overwhelming, if the debris once was your home. The sight of her mildewed wedding pictures in the wreckage brought a sentimental pang, but it was quickly deadened by the discovery of flowers and a bottle of wine in the dining room. Neria Torres assumed Tony had bought them for a bimbo.
She fingered the detective's card. She hoped it meant that the cops had tossed her asshole husband in jail, leaving her a clear path toward reclaiming half the marital property. Or possibly more.
She heard a mechanical roar from the garage; the resourceful Tennesseeans had found fuel for the generator. A bare lightbulb flickered on and off in the living room.
Leonel Varga, still in his bathrobe, came over to say hello. He assured her that the police detective was a nice man.
"What did he want? Is it abput Tony?"
"I think so. He didn't say." Mr. Varga stared up at the busy figures of the men on the roof beams, backlit by the molten sunrise. "You found some roofers?"
Neria Torres said, "Oh, I seriously doubt it."
She dialed the private number that Detective Brick-house had penciled on the back of the business card. He answered the phone like a man accustomed to being awakened by strangers. He said, "I'm glad you called."
"Is it about Tony?"
"Yeah, I'm afraid it is."
"Don't tell me he's in jail," said Neria, hoping dearly that Brickhouse would tell her precisely that.
"No," the detective said. "Mrs. Torres, your husband's dead."
"Oh God. Oh God. Oh God." Neria's mind was skipping like a flat rock on a river.
"I'm sorry"
"You sure?" she asked. "Are you sure it's Antonio?"
"We should take a ride up to the morgue. You're home now?"
"Yes. Yes, I'm back."
Brickhouse said, "I've got to be in court this morning. How about if I swing by around noon? We'll go together. Give us some time to chat."
"About what?"
"It looks like Antonio was murdered."
"How? Murdered?"
"We'll talk later, Mrs. Torres. Get some rest now."
Neria didn't know what she felt, or what she ought to feel. The corpse in the morgue was the man she'd married. A corpulent creep, to be sure, but still the husband she had once believed she loved. Shock was natural. Curiosity. A selfish stab of fear. Maybe even sorrow. Tony had his piggish side, but even so ...
Her gaze settled for the first time on the purse. A woman's purse, opened, on the kitchen counter. On top was a note printed in block letters and signed with the initials "F.D." The note said the author was keeping the dogs at the motel. The note began with "My Sexy Darling" and ended with "Love Always."
Dogs? Neria Torres thought.
She wondered if Tony was the same man as "F.D." and, if so, what insipid nickname the initials stood for. Fat Dipshit?
Curiously she went through the contents of the purse. A driver's license identified the owner as Edith Deborah Marsh. Neria noted the date of birth, working the arithmetic in her head. Twenty-nine years old, this one.
Tony, you dirty old pen.
Neria appraised the face in the photograph. A ball-buster; Tony must've had his fat hands full. Neria took unaccountable satisfaction from the fact that young Edith was a dagger-eyed brunette, not some dippy blonde.
From behind her came the sound of roupy breathing. Neria wheeled, to find Matthew looming at her shoulder.
"Christ!"
"I dint mean to scare ya."
"What is it? What do you want?"
"It's started up to rain."
"I noticed."