She stepped away from the telephone, toward the door.
Through the ventilation duct she heard the soft, hollow, echoey, familiar thump-click-whoosh of the electronic pilot light on the basement furnace: the sparking of an electric arc to ignite the heating coils.
A fraction of a second later, before she could even take a second step, the house exploded.
FOLLOWING THE BLOODHOUND AND DEPUTY HOCKNER, FOLLOWED IN turn by three of his own men, Ben Parnell reached the northern perimeter of the woods and saw the faint lights of the house at Cascade Farm, dimly visible through the heavily falling snow, perhaps two hundred yards away across a sloping field.
"I knew it," he said. "That's where they've gone."
He thought of the woman and the boy in the station wagon, and he was overcome by a powerful sense of responsibility for them that went beyond his duties at Biolomech. For two years he'd felt that he had failed his own child, Melissa, by not saving her from cancer, which was irrational, of course, because he was not a doctor and did not have the knowledge to cure her. But his profound feeling of failure couldn't be assuaged. He'd always had an unusually strong sense of responsibility to and for others, a virtue that sometimes could be a curse. Now, as he looked down on Cascade Farm, he was gripped by a powerful and urgent need to ensure the safety of that woman, her boy, and whatever other members of their family shared the farmhouse.
"Let's move," he said to his men.
Deputy Hockner was unfolding a lightweight blanket made from one of those space-age materials with high insulation. "You go ahead," he said, dropping to his knees and wrapping Max in the blanket. "My dog has to warm up. He isn't built for prolonged exposure to this kind of weather. Soon as he's thawed out a bit, we'll follow you."
Ben nodded, turned, and took only two steps when, out on the lowlands, the farmhouse exploded. A yellow-orange flash of light was followed by a shock wave, a low and ominous wham that was felt as much as heard. Flames leaped from the shattered windows and raced up the walls.
THE FLOOR BUCKED, THROWING MEG OFF HER FEET; THEN IT FELL INTO place, and she fell with it, facedown in the torn packages, scattered food, and glass. The breath was knocked out of her, and she was temporarily deafened by the blast. But she was not so disoriented that she was unaware of the fire, which licked up the walls and spread across the floor with frightening speed, as though it were alive and intent upon cutting her off from the door.
As she pushed onto her knees, she saw that blood slicked her hand. She had been cut by the broken glass. It wasn't life-threatening, just a gash across the meaty part of her left palm, but deep enough to hurt. She felt no pain, probably because she was in a state of shock.
Still holding the shotgun tightly in her right hand, she rose to her feet. Her legs were shaky, but she stumbled toward the door as fire seethed over all four walls, across the ceiling.
She made it through the door just as the kitchen floor began to crack apart behind her. The porch was badly damaged by the blast, and the roof sagged toward the middle. When she moved off the bottom step into the yard, one of the corner posts snapped from the strain of dislocation. The porch collapsed in her wake, as if her passage had been sufficient to disturb its delicate balance, and her temporary deafness ended with that crash.
Tommy had been thrown off the sled by the shock wave of the explosion, and he had either rolled or crawled about twenty feet farther from the burning house. He was sprawled in the snow, and the Labrador was attending him solicitously. Meg raced to him, certain that he had been hurt, though nothing had fallen on him, and though he was beyond the reach of the fire. He was all right — frightened, crying, but all right.
She said, "It's okay, everything's going to be fine, baby," but she doubted that he could hear her reassurances above the howling of the wind and the roar of the flames that consumed the house.
Hugging him, feeling him alive against her, Meg was relieved and grateful — and furious. Furious with the rats and with the men who had made those gremlins.
She had once thought that her career as an artist was the most important thing in her life. Then for a while, when she and Jim were first married and struggling to build the ad agency into a thriving business, financial success seemed ever so important. But long ago she had realized that the most important thing in life was family, the caring relationships between husbands and wives, parents and children. In this world beneath Heaven and above Hell, it seemed that irresistible forces were bent on the destruction of the family; disease and death tore loved ones apart; war, bigotry, and poverty dissolved families in the corrosive acids of violence, hatred, want; and sometimes families brought themselves to ruin through base emotions — envy, jealousy, lust. She had lost Jim, half her family, but she had held on to Tommy and to the house that had harbored the memory of Jim. Now the house had been taken from her by those rat-form, man-made gremlins. But she was not going to let them take Tommy, and she was determined to make them pay dearly for what they had already stolen.
She helped Tommy move farther away from the house, into the open where the full force of the wind and cold would probably protect him from the rats. Then she set out alone for the barn at the back of the yard.
The rats would be there. She was certain that they had not immolated themselves. They had left the house after tampering with the furnace and setting the trap for her. She knew that they would not huddle in the open, which left only the barn. She figured that they had constructed a tunnel between the two structures. They must have arrived in mid-afternoon, which gave them time to scout the property and to dig the long, connecting, subterranean passage; they were big, stronger than ordinary rats, so the tunnel would not have been a major project. While she and Tommy had struggled from house to barn to house again, the rats had scampered easily back and forth through the ground beneath them.
Meg went to the barn not just to blast away at the rats out of a need for vengeance. More important, it was the only place where she and Tommy had a hope of surviving the night. With the cut in her left hand, she was limited to one arm with which to pull the sled. She was also in mild shock, and shock was draining. Previously she had realized that pulling the sled out to Black Oak Road in sixty-mile-per-hour winds and subzero cold, then waiting hours until a road crew came by, was a task at the extremity of her endurance; in her current condition, she would not make it, and neither would Tommy. The house was gone, which left only the barn as a shelter, so she would have to take it back from the rats, kill all of them and reclaim her property, if she and her son were to live.
She had no hope that anyone would see the glow of the fire from afar and come inquiring as to the cause. Cascade Farm was relatively isolated, and the cloaking effect of the blizzard would prevent the flames from being seen at much of a distance.
At the open barn door, she hesitated. The lone bulb still burned inside, but the shadows seemed deeper than before. Then, with the wind and the orange light of her burning home at her back, she entered the gremlins' lair.
BEN PARNELL DISCOVERED THAT THE SLOPING MEADOW WAS CUT BY A series of natural, angled drainage channels that made progress difficult. In the nearly blinding tempest of snow, the ground was dangerous, for he often realized that a ditch lay ahead only when he fell into it. Rapid progress across the field was sure to result in a sprained ankle or broken leg, so he and his three men maintained a cautious pace, although the sight of the burning house terrified him.