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Waiting for the stacks to steady under him, he thought about all the paperwork involved in a shooting, the many forms required to appease the bleeding hearts who were always certain that every victim of police gunfire was as innocent as Mother Teresa. He wished that Skagg had not forced the issue so soon. He wished that the killer had been more clever, had managed a more involved game of cat and mouse before the climactic scene. Thus far the chase had not provided half enough fun to compensate for the mountain of paperwork ahead.

The crates quickly steadied, and Frank got to his feet. He moved to the edge of the wall, to the place where Skagg had been flung into empty space by the impact of the slug. He looked down into the aisle. The concrete floor was silvery in the glow of the security lamp.

Skagg was not there.

Storm light flickered at the windows in the warehouse eaves. At his side, Frank's shadow leaped, shrank back, leaped, and shrank again, as though it belonged to Alice in one of her potion-swilling fits beyond the looking glass.

Thunder pummeled the night sky, and an even harder fall of rain dissolved against the roof.

Frank shook his head, squinted into the aisle below, and blinked in disbelief.

Skagg was still not there.

3

HAVING DESCENDED THE CRATES WITH CAUTION, FRANK SHAW LOOKED left and right along the deserted aisle. He studied the shadows intently, then crouched beside the spots and smears of blood where Karl Skagg had hit the floor. At least a liter of blood marked the point of impact, so fresh that a portion had still not soaked into the porous concrete but glistened in small, red, shallow puddles.

No man could take a.38 hollow-point in the chest at pointblank range, get up immediately, and walk away. No man could fall three stories onto concrete and spring straight to his feet.

Yet that seemed to be what Skagg had done.

A trail of gore indicated the man's route. With his.38 tightly in hand, Frank traced the psycho to an intersection, turned left into a new aisle, and moved stealthily through alternating pools of shadow and light for a hundred and fifty feet. There, he came to the end of the blood trail, which simply stopped in the middle of the passage.

Frank peered up at the piled crates on both sides, but Skagg was not clinging to either partition. No offshoot passageways between the boxes and no convenient niches provided a good hiding place.

Although badly hurt and hurrying to get out of his pursuer's reach, Skagg appeared to have carefully bound his grievous wounds to control the bleeding, had literally bound them on the run. But with what? Had he torn his shirt into strips to make tourniquets, bandages?

Damn it, Skagg had a mortal chest wound. Frank had seen the terrible impact of bullet in flesh, had seen Skagg hurled backward, had seen blood. The man's breastbone was shattered, splinters driven inward through vital organs. Arteries and veins were severed. The slug itself surely passed through Skagg's heart. Neither tourniquets nor bandages could stanch that flow or induce mangled cardiac muscles to resume rhythmic contractions.

Frank listened to the night.

Rain, wind, thunder. Otherwise silence.

Dead men don't bleed, Frank thought.

Maybe that was why the blood trail ended where it did — because Skagg died after going that far. But if he had died, death had not stopped him. He had kept right on going.

And now what am I chasing? A dead man who won't give up?

Most cops would have laughed off such a thought, embarrassed by it. Not Frank. Being tough, hard, and unbreakable did not mean that he had to be inflexible as well. He had the utmost respect for the mysterious complexity of the universe.

A walking dead man? Unlikely. But if that was the case, then the situation was certainly interesting. Fascinating. Suddenly Frank was more thoroughly involved in his work than he had been in weeks.

4

THE WAREHOUSE WAS VAST BUT, OF COURSE, FINITE. AS FRANK EXPLORED the gloom-filled place, however, the chilly interior seemed to be larger than the space enclosed by its walls, as if portions of the building extended into another dimension, or as if the actual size of the structure changed magically and constantly to conform to his exaggerated perception of its immensity.

He searched for Skagg in aisles formed by crates and along other aisles between towering metal shelves filled with cardboard cartons. He stopped repeatedly to test the lids of crates, suspecting that Skagg had hidden in an empty one, but he found no makeshift coffin belonging to the walking dead man.

Twice he briefly suspended the search to take time to stay in touch with the throbbing pain in his side. Intrigued by the mystery of Skagg's disappearance, he had forgotten that he'd been hammered with a length of steel rebar. His extraordinary ability to block pain contributed to his hardboiled reputation. A good buddy in the department once said that Hardshell Shaw's pain threshold was between that of a rhinoceros and a wooden fence post. But there were times when experiencing pain to the fullest was desirable. For one thing, pain sharpened his senses and kept him alert. Pain was humbling as well; it encouraged a man to keep his perspective, helped him to remember that life was precious. He was no masochist, but he knew that pain was a vital part of the human condition.

Fifteen minutes after having shot Skagg, Frank still hadn't found him. Nevertheless, he remained convinced that the killer was in the warehouse, dead or alive, and had not fled into the rainy night. His conviction was based on more than a hunch; he possessed the reliable intuition that distinguished great cops from good cops.

A moment later, when his intuition proved unnervingly accurate, Frank was exploring a corner of the building where twenty forklifts of various sizes were parked beside a dozen electric carts. Because of their knobby hydraulic joints and blunt tines, the lifts resembled enormous insects, and in the smoky yellow glow of the overhead lamp, they cast praying-mantis silhouettes across other machinery.

Frank was moving quietly through those spiky shadows when Karl Skagg spoke behind him:

"You looking for me?"

Frank turned, bringing up his gun.

Skagg was about twelve feet away.

"See me?" the killer asked.

His chest was intact, unwounded.

"See me?"

His three-story fall had resulted in no shattered bones, no crushed flesh. His blue cotton shirt was stained with blood, but the source of those stains was not visible.

"See me?"

"I see you," Frank said.

Skagg grinned. "You know what you're seeing?"

"A piece of shit."

"Can your small mind possibly conceive of my true nature,

"Sure. You're a dog turd."

"You can't offend me," Skagg said.

"I can try."

"Your petty opinions are of no interest or concern to me."

"God forbid that I should bore you."

"You're getting tiresome."

"And you're nuts."

Skagg cracked a humorless smile of the sort that earlier had reminded Frank of a crocodile's grin. "I'm so far superior to you and to all of your kind that you're incapable of judging me."

"Oh, then forgive me for my presumption, great lord."

Skagg's grin faded into a vicious grimace, and his eyes widened. They no longer seemed like ordinary brown eyes. In their dark depths was a hungry, chilling reptilian watchfulness that made Frank feel as if he were but a fieldmouse staring into the mesmeric eyes of a blacksnake.

Skagg took one step forward.

Frank took one step backward.

"Your kind have only one use — you're interesting prey."

Frank said, "Well, I'm glad to hear we're interesting."