Her last visit was to the “Oriental” – an establishment singularly ill-adapted for espionage. It consisted of three very small rooms of irregular shape, dimly lit by forty-watt bulbs in Japanese shades, and further shrouded by bead curtains and draperies. Miss Climpson, in her inquisitive way, wandered into all its nooks and corners, disturbing several courting couples, before returning to a table near the door and sitting down to consume her fourth cup of coffee. Half-past twelve came, but no Miss Booth. “She can’t come now,” thought Miss Climpson, “she will have to get back and give her patient lunch.”
She returned to Hillside View with but little appetite for the joint of roast mutton.
At half-past three she sallied out again, to indulge in an orgy of teas. This time she included the Lyons and the fourth tea-shop, beginning at the far end of the town and working her way back to the ’bus-stop. It was while she was struggling with her fifth meal, in the window of “Ye Cosye Corner,” that a hurrying figure on the pavement caught her eye. The winter evening had closed in, and the street-lights were not very brilliant, but she distinctly saw a stoutish middle-aged nurse in a black veil and grey cloak pass along on the nearer pavement. By craning her neck, she could see her make a brisk spurt, scramble on the ’bus at the corner and disappear in the direction of the “Fisherman’s Arms.”
“How vexatious!” said Miss Climpson, as the vehicle disappeared. “I must have just missed her somewhere. Or perhaps she was having tea in a private house. Well, I’m afraid this is a blank day. And I do feel so full of tea!”
It was fortunate that Miss Climpson had been blest by Heaven with a sound digestion, for the next morning saw a repetition of the performance. It was possible, of course, that Miss Booth only went out two or three times a week, or that she only went out in the afternoon, but Miss Climpson was taking no chances.;She had at least achieved the certainty that the ’bus-stop was the place to watch. This time she took up her post at “Ye Cosye Corner” at 11 o’clock and waited till twelve. Nothing happened and she went home.
In the afternoon she was there again at three. By this time the waitress had got to know, her, and betrayed a certain amused and tolerant interest in her comings and goings. Miss Climpson explained that she liked so much to watch the people pass, and spoke a few words in praise of the café and its service. She admired a quaint old inn on the opposite side of the street, and said she thought of making a sketch of it.
“Oh, yes,” said the girl, “there’s a many artists comes here for that.”
This gave Miss Climpson a bright idea, and the next morning she brought a pencil and sketch-book with her.
By the extraordinary perversity of things in general, she had no sooner ordered her coffee, opened the sketch-book and started to outline the gables of the inn, than a ’bus drew up, and out of it stepped the stout nurse in the black and grey uniform. She did not enter “Ye Cosye Corner,” but marched on at a brisk pace down the opposite side of the street, her veil flapping like a flag.
Miss Climpson uttered a sharp exclamation of annoyance, which drew the waitress’s attention.
“How provoking!” said Miss Climpson. “I have left my rubber behind. I must just run out and buy one.”
She dropped the sketch-book on the table and made for the door.
“I’ll cover your coffee for you, miss,” said the girl, helpfully. “Mr. Bulteel’s, down near the ‘Bear,’ is the best stationer’s.”
“Thank you, thank you,” said Miss Climpson, and darted out.
The black veil was still flapping in the distance. Miss Climpson pursued breathlessly, keeping to the near side of the road. The veil dived into a chemist’s shop. Miss Climpson crossed the road a little behind it and stared into a window full of baby-linen. The veil came out, fluttered undecidedly on the pavement, turned, passed Miss Climpson and went into a boot-shop.
“If it’s shoe-laces, it’ll be quick,” thought Miss Climpson, “but if it’s tryingon it may be all morning.” She walked slowly past the door. By good luck a customer was just coming out, and, peering past him, Miss Climpson just caught a glimpse of the black veil vanishing into the back premises. She pushed the door boldly open. There was a counter for sundries in the front of the shop, and the doorway through which the nurse had vanished was labelled ‘Ladies’ Department.’
While buying a pair of brown silk laces, Miss Climpson debated with herself. Should she follow and seize this opportunity? Trying on shoes is usually a lengthy business. The subject is marooned for long periods in a chair, while the assistant climbs ladders and collects piles of cardboard boxes. It is also comparatively easy to enter into conversation with a person who is trying on shoes. But there is a snag in it. To give colour to your presence in the Fitting department, you must yourself try on shoes. What happens? The assistant first disables you by snatching off your righthand shoe, and then disappears. And supposing, meanwhile, your quarry completes her purchase and walks out? Are you to follow, hopping madly on one foot? Are you to arouse suspicion by hurriedly replacing your own footgear and rushing out with laces flying and an unconvincing murmur about a forgotten engagement? Still worse, suppose you are in an amphibious condition, wearing one shoe of your own and one of the establishment’s? What impression will you make by suddenly bolting with goods to which you are not entitled? Will not the pursuer very quickly become the pursued?
Having weighed this problem in her mind, Miss Climpson paid for her shoelaces and retired. She had already bilked a tea-shop, and one misdemeanour in a morning was about as much as she could hope to get away with.
The male detective, particularly when dressed as a workman, an errand-boy or a telegraph-messenger, is favourably placed for “shadowing.” He can loaf without attracting attention. The female detective must not loaf. On the other hand, she can stare into shop-windows for ever. Miss Climpson selected a hat-shop. She examined all the hats in both windows attentively, coming back to gaze in a purposeful manner at an extremely elegant model with an eye-veil and a pair of excrescences like rabbits’-ears. Just at the moment when any observer might have thought that she had at last made up her mind to go in and ask the price, the nurse came out of the boot-shop. Miss Climpson shook her head regretfully at the rabbits’ears, darted back to the other window, looked, hovered, hesitated – and tore herself away.
The nurse was now about thirty yards ahead, moving well, with the air of a horse that sights his stable. She crossed the street again, looked into a window piled with coloured wools, thought better of it, passed on, and turned in at the door of the Oriental Café.
Miss Climpson was in the position of one who, after prolonged pursuit, has clapped a tumbler over a moth. For the moment the creature is safe and the pursuer takes breath. The problem now is to extract the moth without damage.
It is easy, of course, to follow a person into a café and sit down at her table, if there is room there. But she may not welcome you. She may feel it perverse in you to thrust yourself upon her when other tables are standing empty. It is better to offer some excuse, such as restoring a dropped handkerchief or drawing attention to an open handbag. If the person will not provide you with an excuse, the next best thing is to manufacture one.
The stationer’s shop was only a few doors off. Miss Climpson went in and purchased an indiarubber, three picture post-cards, a BB pencil and a calendar, and waited while they were made up into a parcel. Then she slowly made her way across the street and turned into the “Oriental.”