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Luckily, the baby didn’t need to be in the NICU, which meant the girls could follow through with their plans of sneaking mother and baby out of the hospital that very night. At midnight, when there was a nurse shift change, the girls helped Emily out of bed and into her clothes. They dressed the baby as quietly as they could and tiptoed out of Emily’s room. The maternity ward was silent and still. Nurses were tending to newborns in the nursery. When a doctor rounded the corner, Spencer distracted her by asking for directions to the cafeteria. The others spirited Emily and baby into the elevator. Once they were on the main floor, no one looked at them twice.

They crept to the parking garage, the lights of Philadelphia blazing all around them. But as they were getting into Aria’s car, a flutter of activity behind one of the concrete beams caught Spencer’s eye. Nerves streaked through her belly. Was checking a baby out of the hospital before it was discharged illegal? She stood very still for a few moments, waiting for whomever it was to reveal herself, but no one did. She figured she was just tired, although now she wasn’t sure. Maybe A had been there. Maybe A had seen everything.

Snap.

Spencer returned to the present with a start. Dark trees surrounded her. Branches scratched her skin. The bark on the trees spiraled psychedelically; the stars were huge and garish in the sky, like a Van Gogh painting. What the hell was in this pot, anyway?

There was a whooshing sound of someone crunching through leaves. Spencer rubbed her eyes. “Hello? Who’s there?”

No answer. The crunching sounds grew louder and louder. Spencer blinked, searching for the path back to the Ivy House, but her vision was distorted and blurred. “Hello?” she cried again.

A hand clapped on her shoulder, and she screamed. She flailed her arms, trying to see who it was, but her senses were too muddled, the night too dark. Her legs gave out from under her, and she felt herself falling, falling, falling. The last thing she remembered seeing was a dark shape standing next to her, glaring. Maybe wanting to hurt her. Maybe wanting to get rid of her forever.

And then everything went black.

24

HANNA BRINGS HER A GAME

Hanna knew she was supposed to be in the stretch limo with her father, Isabel, and Kate, heading to the fund-raising ball, not balanced on her four-inch Louboutin platform heels outside the familiar Victorian house in Old Hollis that was home to Jeffrey Lebrecque’s photo studio. But here she was, like it or not. Ready to nail Colleen once and for all.

The porch light was on, throwing golden light onto Hanna’s professionally made-up face. The front parlor window was all lit up, too, which meant the photographer was home. Just before Hanna climbed the steps, her phone chimed. It was Richard, one of her dad’s campaign assistants. Just wanted to let you know the voter registration records database is back up, he wrote.

Perfect, Hanna replied. That meant she could search for where the Bakers had moved. The site had been down, and she’d had to resort to asking Richard about it, but she didn’t dare ask him to look up the family himself.

Then, rolling her shoulders back, she rang the bell. There were footsteps, and the door creaked open and the same graying man she’d seen the day before answered.

“Hello?” Jeffrey Lebrecque looked Hanna up and down, from the big ringlets in her hair to her navy chiffon dress to the faux-mink shrug around her shoulders she’d picked out for the ball. There was a gaudy gold ring on his pinkie finger, and he had the top two buttons of his shirt unbuttoned, exposing quite a bit of chest hair. Ick.

“Hi!” Hanna said brightly. “Are you Mr. Lebrecque?”

“That’s right.” The man furrowed his brow. “Do we have an appointment?”

“Actually, I’m here to pick up photos for Colleen Bebris,” Hanna said in her most innocent voice, batting her eyelashes at him. “I’m her best friend, and she asked me to do it. She got held up at an exercise class. She’s a pole dancer, did you know that?”

The photographer frowned. “I’m not sure I can do that. Ms. Bebris didn’t say someone else was going to pick them up. Maybe I should call her.” He reached into his shirt pocket and pulled out a cell phone.

“No need!” Hanna said quickly, whipping out her own phone and showing him a text on the screen. “See?” The sender was Colleen Bebris, and the text asked if Hanna could pick up her photos. Of course it wasn’t really from Colleen—Hanna just used her mom’s phone to send the text, temporarily changing her mom’s contact information to Colleen’s name.

Jeffrey Lebrecque read the text, and his caterpillar-esque eyebrows knitted together. “There’s also the matter of payment.”

“Oh, she told me to pay for it and then she’d pay me back,” Hanna piped up, proud she’d thought to raid her emergency cash shoebox before coming.

The photographer peered at Hanna, and for a moment, she was afraid he was going to call her bluff. Did Mona-as-A and Real Ali-as-A worry they were going to get caught when they skulked, stole, and lied to get top-secret information on Hanna and the others? Was it wrong of her to do this? It wasn’t like she was ruining Colleen’s life, though. All she wanted was her boyfriend back.

“Follow me,” Mr. Lebrecque said, turning and heading down the hallway and into his studio. Slides and printouts covered a work desk, and a large-screen Apple monitor glowed in the corner. A fluffy white cat padded lazily through the room, and a calico preened itself on the windowsill. The place smelled like a mix of dust and cat litter and seemed sketchy in a way Hanna couldn’t quite put her finger on. She hunted around for telltale signs that this guy was running a covert Internet-porn operation, though she wasn’t entirely sure what she should be looking for. Playboy magazines? Blackout shades? Bottles of Cristal, like they drank in hip-hop videos?

Mr. Lebrecque shuffled to a table at the back of the room, sorted through a pile of envelopes, and pulled one out. “I picked these up from the printer today. Tell Colleen that I printed all of them, just like she asked, but if she wants more copies it’ll cost her extra.” He punched some numbers into a calculator. “So . . . that’ll be $450.”

Hanna gritted her teeth. Couldn’t Colleen have chosen a slightly cheaper photographer? Begrudgingly, she traded the cash for the envelope of photos and bid the photographer good-bye, scurrying out of the apartment as fast as she could. Her eyes were starting to itch from all that cat hair.

Her phone chirped when she stepped onto the porch, but it was just her father—he, Isabel, and Kate were at the event space, and he was wondering where Hanna was. Be there soon, Hanna typed back before slipping her phone into her bag and excitedly ripping open the envelope. She wondered if the various As had sometimes felt like this, too, when they’d gotten their hands on valuable evidence. There was something satisfying about it.

She stared at the stack of photos under the street lamp. The first was of Colleen looking fresh-faced and oh-so-sweet, like an actress on a Disney Channel show. The next shots were pretty much the same, just with slightly different facial expressions and camera angles. Hanna flipped through the stack, gazing at Colleen looking elated, then brooding, then bookish. Before she knew it, Hanna was looking at the last photo, a shot of Colleen winking at the camera from over her shoulder. She riffled through them once more just to make sure she hadn’t missed any, but she hadn’t.