"Well," I began awkwardly when neither of us said anything for a few moments, "I need to get to work here."
He nodded, the interest in his face turning to apprehension. "I..."
"Hmm?"
Swallowing, he looked away briefly then back to me, his eyes now focused with determination. "So, I'm going to this party on Sunday, and I wondered if maybe... maybe if you weren't busy or weren't working, you could maybe, that is, maybe you'd want to come with me."
I stared, speechless. Had Seth Mortensen just asked me out? And hadn't... hadn't we just had a coherent conversation for once? Combined with me suddenly noticing how attractive he was, the very world seemed to be turning on its side. Worse still, I wanted to accept. Something about Seth suddenly felt natural and right, even if it wasn't like the rollercoaster of excitement I felt with Roman. Somewhere in this bizarre, awkward relationship, I'd grown to genuinely like the writer independent of his novels.
But I couldn't accept. I knew I couldn't. I cursed myself for my initial flirtation; it had apparently stuck with him, despite my efforts to undo it and stay platonic. Part of me felt dismayed, part of me pleased. All of me knew what I had to do.
"No," I answered bluntly, still stunned.
"Oh."
I had no choice. No way could I have Seth attracted to me. No way could I risk anything but an arm's-length friendship with my favorite books' creator.
Realizing how rude I had sounded, I attempted a hasty recovery. I should have simply said I had to work, but instead, I found myself babbling on with a variant of what I had used on Doug over the years.
"You see... I'm not really interested in dating right now or getting involved with anyone. So, it's nothing personal, I mean, the party sounds great and all, but I just can't accept. I don't ever accept things like that, actually. Like I said, it isn't personal. It's just easier not to get involved. To not date. Um, ever."
Seth studied me for a long time, considering, and I was suddenly reminded of that first night when he looked much the same way while I explained my five-page rule with his books.
Finally, he said, "Oh. Okay. But... aren't you dating that guy? The really tall one with black hair?"
"No. We're not dating. Not really. We're just, uh, friends. Sort of."
"Oh," Seth repeated. "Friends don't go to parties together, then?"
"No." I hesitated, suddenly wishing I had a different answer. "They can maybe have coffee sometimes. Here in the bookstore."
"I don't drink coffee."
There was a sharpness to his voice. I felt like I'd been slapped. We stood there then in what was quite possibly among the top five most uncomfortable moments of my life. The silence stretched out between us. At last, I repeated my lame exit excuse: "I have to get back to work."
"Okay. See you around."
Just friends, just friends. How many times had I used that line? How many times had the lie been easier than facing up to the truth? I'd even used it on my husband so long ago, again hiding from the reality of a matter I didn't want to admit to when things had turned sour between us.
"Just friends?" Kyriakos had repeated, dark eyes staring at me.
"Of course. He's your friend too, you know. He just keeps me company when you're gone, that's all. It's lonely without you."
But I never told my husband how often his friend Ariston came to visit or how we always seemed to be finding excuses to touch each other. A casual brush here and there. His hand to help me up. Or the one day that still burned in my memory, when he had reached over me to grab a bottle, and his hand had grazed my breast. I'd given an involuntary gasp, and he'd lingered for a heartbeat before carrying on with his task.
And I didn't tell Kyriakos that Ariston made me feel like I had in the early days of my marriage, like I was clever, beautiful, and desirable. Ariston lavished me with the attention Kyriakos once had; Ariston loved the sharp wit that had once gotten me into trouble as an unmarried maiden.
As for Kyriakos... well, I assumed he loved those things too, but he didn't show it so much anymore. His father was making him work longer and longer hours, and when he finally got home, he would collapse into bed or seek the solitude of his flute. I hated that flute... hated it and loved it. I loathed that it seemed to hold his attention more than I did.
Yet, on some nights, when I sat outside and listened to him play, I felt awed at his skill and that ability to create such sweetness.
But that didn't change the fact that I slept untouched more often than not. When I told him I'd never get pregnant that way, he'd laugh and tell me we had all the time in the world for children. This troubled me because I honestly—and irrationally—believed that having a baby would somehow fix everything between us. I ached for one, missing the way my little sisters had once felt in my arms. I loved the honesty and the innocence of children and liked to think I might help guide one into becoming a good person. Nothing seemed so sweet to me in those days as cleaning cuts, holding small hands, and telling stories. Furthermore, I had reached a point where I needed to know that I could have a baby. Three years of marriage was a long time to go without a child in those days, and I'd seen the way others were starting to whisper that poor Letha might be barren. I hated their simpering and sickeningly sugared pity.
I should have told Kyriakos everything that was on my mind, every last detail. But he was so sweet and worked so hard to provide for us, I couldn't bear it. I didn't want to shake the contentment that ostensibly filled our household just for my own self-gratification and need for attention. Besides, it wasn't like he always neglected my body. A bit of coaxing, and I could sometimes get him to answer my desire. We'd come together in the middle of the night then, his body moving in mine with the same passion he used in his music.
Yet, looking at Ariston some days, I had the feeling he wouldn't need any coaxing at all. And as empty days without Kyriakos passed, that started to mean something.
Just friends, just friends. Standing there in the bookstore, watching Seth walk away, I half wondered how anyone could still use that line. But I knew why, of course. It was used because people still believed it. Or at least they wanted to.
When I returned downstairs—feeling sad, angry, and idiotic all at the same time—I stumbled upon a scenario guaranteed to make my day even weirder: Helena from Krystal Starz stood there in front of the registers, gesticulating wildly to the cashiers.
Helena here. On my turf.
Swallowing my confusion over Seth, I strode over in my best managerial way, still carrying the Bible. "Is there something I can help you with?"
Helena spun around, making the crystals around her neck tinkle as they hit each other. "It's her—she's the one. The one who stole my staff."
I glanced behind the counter. Casey and Beth stood there, looking relieved to see me. Tammi and her friend Janice must have been somewhere else in the store, for which I was grateful. Best to keep them out of this. I kept my voice cool, ever-conscious of the customers observing.
"I'm sure I don't know what you mean."
"Don't start that with me! You know exactly what I mean. You walked into my store, made a scene, and then lured away my staff. They left without notice!"
"People have recently applied for jobs here," I responded blandly. "I can't really keep track of where they used to work. As assistant manager, however, I can empathize with the inconvenience of employees who leave without giving notice."
"Stop that!" Helena exclaimed, hardly resembling the cool, collected diva from last week. "Do you think I can't see through your lies? You walk in darkness, your aura wreathed in fire!"
"What's on fire?"
Doug and Warren walked up, obviously attracted by the mounting spectacle.