The phone rang.
Lloyd jerked back in his chair; the shrill noise registered as a gunshot. Realizing it wasn't, he picked up the receiver and said, "Yes?"
The seething voice on the line was McManus's: "You're back on the investigation. Two heavy hitters pulled strings. Don't fuck up."
Lloyd hung up. A hideous thought crossed his mind: the condemned killer was being let out on parole. Getting to his feet and stretching, he ran mental itineraries: review the case with Kapek? No-this was his. Roust Calderon? No-Judge Penzler would be back in twenty-four hours to sign his warrant, and with Buddy Bagdessarian assisting they could squeeze Likable Louie to perfection. It was time to find out why Gordon Meyers was shot in the back. Another hideous thought made him wince. The.45 he had killed Richard Beller with was in his desk drawer, oiled, dum-dum loaded and encased in a shoulder rig.
Them.
Me.
Me or them.
Us.
Lloyd strapped on the weapon that had stood him through his baptism of fire, then went out to quash his murder indictment.
On Sepulveda southbound to Redondo Beach, he spotted a tail two car lengths in back of him. Decelerating and weaving into the slow lane, he saw that it was a Metro Division unmarked unit, distinguished from his own Matador by an olive-drab paint job and a giant whip antenna. Slowing to a crawl, he let the car come up on his bumper. When the driver applied the brakes, he stared in his rearview, fuming when he saw two classic Metro hot dogs in the front seat-burly, crew-cut white men in their mid-thirties wearing identical navy windbreakers: Gaffaney's or McManus's insurance against possible fuckups.
Lloyd gave the cops the finger and hung a hard right through a liquor store parking lot, fishtailing into the alley behind it. Seeing no cars or pedestrians, he punched the gas until the alley ended and angled off into a quiet residential street. He took the street at ninety, then slowed and zigzagged in a random pattern until he was within sight of the Redondo Beach Pier. Parking by a chowder stand, he looked around for the Metro unit. It was nowhere in sight. Exhilarated by the speed, Lloyd drove slowly to 411 Seaglade.
It was a garage apartment in the shadow of the pier. Lloyd parked and surveyed the front house. There was no car in the driveway, and the old white wood frame stood quiet in the early morning sunlight. No media vehicles were anywhere to be seen, and by squinting he could tell that there was no "Crime Scene" notice tacked to the door of 411. Knowing that MacManus's "two heavy hitters" were Gaffaney and in all likelihood the Big Chief himself, he grabbed an evidence kit from the backseat, walked up the driveway and kicked the door in.
The burst of sunlight illuminated a dreary living room, spotlessly clean, but featuring mismatched sofa, chairs, coffee table and bookshelves. Lloyd stood in the doorway and made repeated eyeball circuits of the room, picking up a profusion of small details that spelled loner: expensive TV, the only wall adornments photographs of Meyers himself, alone in his sheriff's uniform and standing by himself holding a fishing reel and string of trout, no magazines or ashtrays or portable bar for guests.
Lloyd shut the door and walked into a small dining room, catching a first anomaly: all the living room furniture was squared off at right angles; here the table and chairs were haphazardly arranged. The kitchen was more loner confirmation: nothing but frozen dinners in the refrigerator, plates and dishes for one in the sink, a dozen bottles of cheap bourbon in the cupboard.
The bedroom was off to the side of the kitchen. Lloyd flicked on a wall light and tingled. Everything in the small rectangular space was immaculately clean and tidy, from the G.I. made-up bed to the perfectly aligned end table with an alarm clock dead in its middle. But the dresser had been pulled out, and the three scrapbooks stacked across it had been replaced unevenly, one upside down. The pad had been crawled.
Lloyd retraced his steps to the front door, opened his evidence kit and took out a vial of fingerprint powder and a print brush. Removing surgical rubber gloves from the kit, he put them on and limbered his fingers with a series of stretching exercises. Then he went to work to find out just how solitary Gordon Meyers was, and if the pad crawler knew his stuff.
He discovered that Meyers was a stone loner, and the crawler was a pro.
For two solid hours Lloyd dusted print-sustaining surfaces and compared fingerprint points under a magnifying glass. Concentrating on doors, doorknobs and doorjambs, he found overlap smudges and viable latents for thumb and index finger, all "grab" prints likely to have been made by a person walking through the apartment, opening and closing doors behind them. There were also smooth glove prints on the same surfaces, and on the living room bookshelves and the dust covers of the books there. All the left and right thumb and index prints matched to the tune of ten comparison points, and there were no conflicting latents to be found. Meyers and the man who searched his apartment.
For what?
Lloyd looked under the furniture, behind the books. Nothing. He checked the kitchen and dining room; nothing but cooking and eating utensils. The desk in Meyers's bedroom was nothing but a tidy or tidily rearranged collection of bankbooks, pens, pencils, paycheck stubs and I.R.S. forms, and his closet held nothing but L.A.S.D. uniforms and cheap civilian clothes.
Which left the scrapbooks.
Lloyd dusted the spines and held his magnifying glass and penlight on them to assess the results. Seeing smudged latents and what looked to be glove streaks, he began a page-by-page scrutiny of the books.
The first two books contained photographs of Gordon Meyers posing with various trophy fish, neatly mounted to the black paper in gummed edge-holders. Lloyd dusted three snapshots at random and got pristine glossy surfaces-no latents; no glove prints.
The third scrapbook was cop memorabilia-candid group shots of sheriff's deputies in uniform and Meyers himself with jail inmates in blue denim. Lloyd leafed through the book, going cold when he came to a page of snapshots with the corners poking out of their edge-holders, going colder when he saw that the opposite page held two empty photo squares.
Thinking, check the back for writing, just like the crawler did, Lloyd fumbled at the snapshot immediately in front of him. When his gloves made the task too unwieldy, he went ice cold, then dusted the crookedly replaced photos, coming away with a perfect left thumbprint on a snap of Meyers and another deputy. Holding his magnifying glass over it, he recalled comparison points from the left thumbs assumed to be Meyers's. This print was markedly different in whorls and ridges. Lloyd replaced the scrapbook, put the snapshot in an evidence envelope, packed up his kit and got the hell out of the tidy loner apartment.
Forty minutes later, Lloyd was at Parker Center, handing the powdered snapshot to Officer Artie Cranfield of S.I.D., saying, "Feed to the central source computer, the one with the D.M.V. and armed forces input. I'll be up in my office. If you score, get me a printout from R amp;I."
Artie laughed. "You're very authoritative today, Lloyd."
Lloyd's laugh was humorless. "I'm authorized on this, the big man himself. It's the cop killings, so please fucking hurry."
Artie took off at a jog, and Lloyd busied himself arranging the surveillance reports on Louie Calderon that littered his desk. Thoughts of calling Peter Kapek for an interagency confab crossed his mind, then he saw a memo propped up against his phone: Sgt. Hopkins-meet or call S.A. Kapek at downtown Fed bldg.-12/14-0940. He was debating whether to call or roll when Artie returned, breathless, and handed him a manila folder. "I ran the print. He's one of ours, Lloyd."