C-11 was an old man who wanted to get off the streets and back to Camarillo. Rice falsely reported him as a shit-smearer for three nights running, and gave him three fake beatings, thumping the ding-donger into the mattress and screaming himself. On the third night, Meyers got tired of the noise and turned the old man over to the head jailer of the hospital ward, who said the geezer was Camarillo quail for sure.
The tattooed man in C-3 was the hardest to deal with, because the white trash Rice grew up with in Hawaiian Gardens all had tattoos, and he early on figured tattooing as the mark of the world's ultimate losers. C-3, a youth awaiting a conservatorship hearing, had his entire torso adorned with snarling jungle cats, and was trying to tattoo his arms with a piece of mattress spring and the ink off newspapers soaked in toilet water. He had managed to gouge the first two letters of "Mom" when Rice caught him and took his spring away. He started bawling then, and Rice screamed at him to quit marking himself like a low-life sleazebag. Finally the young man quieted down. Every time he walked by the cell, Rice would roust him for tattooing tools. After a few times, the youth snapped into a frisking position when he heard him coming.
Around midnight, when the dings began falling asleep, Rice joined Gordon Meyers in his office and listened to his dinged-out ramblings. Biting his cheeks to keep from laughing, Rice nodded along as Meyers told him of the crime scams he'd dreamed up in his sixteen years working the tank.
A couple were almost smart, like a plan to capitalize on his locksmith expertise-getting a job as a bank guard and pilfering safe-deposit box valuables to local beat cops who frequented the bank, staying above suspicion by not leaving the bank and letting the beat cops do the fencing; but most were Twilight Zone materiaclass="underline" prostitution rings of women prisoners bused around to construction sites, where they would dispense blowjobs to horny workers in exchange for sentence reductions; marijuana farms staffed by inmate "harvesters," who would cultivate tons of weed and load it into the sheriff's helicopters that would drop it off into the backyards of highranking police "pushers"; porno films featuring male and female inmates, directed by Meyers himself, to be screened on the exclusive "all-cop" cable network he planned to set up.
Meyers rambled on for three nights. Rice moved his plan up a day and started telling him about Vandy, about how she hadn't written to him or visited him in weeks. Meyers sympathized, and mentioned that he was the one who made sure his photo of her wasn't destroyed when the bulls choked him out. After thanking him for that, Rice made his pitch: Could he use the phone to make calls to get a line on her? Meyers said no and told him to write her name, date of birth, physical description and last known address on a piece of paper. Rice did it, then sat there gouging his fingernails into his palms to keep from hitting the dinged-out deputy.
"I'll handle it," Gordon Meyers said. "I've got clout."
Over the next forty-eight hours Rice concentrated on not clouting the dings or the inanimate objects in the tank. He upped his push-up count to two thousand a day; he laid a barrage of brownnosing on the daywatch jailer, hoping for at least a phone call to Louie Calderon, who could probably be persuaded to check around for Vandy. He stayed away from Gordon Meyers, busying himself with long stints of pacing the catwalks. And then, just after midnight when the ding noise subsided, Meyers's voice came over the tank's P.A. system: "Duane Rice, roll it to the office. Your attorney is here."
Rice walked into the office, figuring Meyers was fried and wanted to bullshit. And there she was, dressed in pink cords and a kelly green sweater, an outfit he'd told her never to wear. "Told you I had clout," Meyers said as he closed the door on them.
Rice watched Vandy put her hands on her hips and pivot to face him, a seduction pose he'd devised for her lounge act. He was starting toward her when he caught his first glimpse of her face. His world crashed when he saw the hollows in her cheeks and the blue-black circles under her eyes. Strung out. He grabbed her and held her until she said, "Stop, Duane, that hurts." Then he put his hands on her shoulders, pushed her out to arm's length and whispered, "Why, babe? We had a good deal going."
Vandy twisted free of his grasp. "These cops came by the condo and told me you were really sick, so I came. Then your friend tells me you're not really sick, you just wanted to see me. That's not fair, Duane. I was going to taper off and be totally clean by the time you got out. It's not fair, so don't be mad at me."
Rice stared at the wall clock to avoid Vandy's coke-stressed face. "Where have you been? Why haven't you been to see me?"
Vandy took her purse off Meyers's desk and dug through it for cigarettes and a lighter. Rice watched her hands tremble as she lit up. Exhaling a lungful of smoke, she said, "I didn't come to see you at camp because it was too depressing, and you know I hate to write."
Rice caught his hands shaking and jammed them into his pants pockets. "Yeah, but what have you been doing, besides sticking shit up your nose?"
Vandy cocked one hip in his direction, another move he'd taught her. "Making friends. Cultivating the right people, like you told me I should do. Hanging out."
"Friends? You mean men?"
Vandy flushed, then said, "Just friends. People. What about your friends? That guy Gordon is looney tunes. When he brought me up from the parking lot, he told me he was going to organize this hit squad of Doberman pinschers. What kind of friends have you been making?"
Rice felt his anger ease; the fire in Vandy's eyes was hope. "Gordon's not a bad guy, he's just been hanging around wackos too long. Listen, are you okay on bread? Have you got any of the money I gave you left?"
"I'm okay."
Vandy lowered her eyes; Rice saw the fire die. "You holding out on me, babe? Ten K wouldn't have lasted you this long if you were on a coke run. You feel like telling me about these fr-"
Vandy threw her purse at the wall and shrieked, "Don't be so jealous of me! You told me I should get in with people in the Industry, and that's what I've been doing! I hate you when you're this way!"
Rice reached out for her wrist, but she batted his hand and moved backward until she bumped the wall and there was no place to go except forward into his arms. With her elbows pressed into herself, she let him embrace her and stroke her hair. "Easy, babe," he cooed, "easy. I'll be out in a few days, and I'll get working on your videos again. I'll make it happen. We'll make it happen."
Wanting to see Vandy's face, Rice dropped his arms and stepped back. When she brought her eyes up to him, he saw that she looked like the old Anne Atwater Vanderlinden, not the woman he molded and loved. "How, Duane?" she said. "You can't steal cars anymore. Another job at Midas Muffler?"
Rice let the ugly words hang there between them. Vandy walked past him and picked her purse up off the floor, then turned around and said, "This whole thing wasn't fair. I've been making friends who can help me, and I deserve to do a little blow if I want to. Your control trip is really uptight. Uptight people don't make it in the Industry."
There was a rapping at the door, and Meyers poked his head in and said, "I hate to break this up, but the watch commander is walking, and I don't think he'll buy Vandy here as an attorney."
Rice nodded, then walked to Vandy and tilted her chin up so that their eyes locked. "Go back to the pad, babe. Try to stay clean, and I'll see you on the thirtieth." He bent over and kissed the part in her hair. Vandy stood still and mute with her eyes closed. "And don't ever underestimate me," Rice said.