Sometimes stubbornness was the only thing that kept you going.
Eleanor settled into a trot. Rose gritted her teeth and managed to shuffle-jog along behind her, up the ghastly steep path until it finally, mercifully, leveled off onto the plateau. The jungle smelled rank with life but it was hard enough to keep going without trying to look around her to see. Wiry little dappled pigs, sleek as missiles, scattered away into the underbrush.
By the time they came out into the clearing-the Zona Arqueolуgica-Rose's shift was plastered to her body with sweat. Eleanor, of course, looked cool, her utility suit-wired to adjust for temperature and other external conditions-uncreased and without any of the dark splotches that discolored Rose's shift. At the tuft of hairline, on the back of the woman's neck, Rose detected a thin sheen of sweat, but Eleanor brushed it away with a swipe of her long fingers.
They stepped out from under the cover of jungle onto a broad, grassy clearing, and at once an automated nesh-recorded welcome program materialized and began its preprogrammed run.
"Buenas dias!" it sang as outrageously bedecked Olmec natives danced while recorded prehispanic musicians played clay flutes, ocarinas, and turtle shells, and shook rain sticks, beating out rhythms on clay water pots. Fat, flat-faced babies sat forward, leaning onto their knuckles like so many leering prize fighters trying to stare down their opponents, and jaguars growled and writhed and morphed into human form in the interstices of the background projections. "Bienvenidos al Parque Arqueolуgico Olmeca! Aquн es San Lorenzo, la casa de las cabezas colosales y el lugar de la cultura Madre de las civilizaciones Mexicanas! Que id-ioma prefieren? Espaсol. Nahuatl. Inglйs. Japonйs. Mandarнn. Cantonйs. Swahili." The chirpy voice ran down a cornucopia of translation possibilities.
The place looked like a ruin, two reasonably modern whitewashed buildings stuck on the edge of the clearing with doors hanging ajar and windows shattered, three thatched palapas fallen into disrepair. A herd of cattle grazed among the mounds, which were themselves nothing much to look at, nothing like what she expected of the ancient and magnificent home of the mother culture of the Mexican civilizations.
But the technology worked just fine.
Eleanor gave her a tug. They followed a path across the ruins toward the larger of the two whitewashed buildings. Every few meters 3-D nesh projections flashed on and began their fixed lec-ture-and-display: the old ruins came to life, if nesh could be called life or perhaps more correctly only the simulation of life.
Poles stuck in the ground were the storehouses for the treasure-the knowledge, the reconstruction of the past. Between them, quartered, angled, huge image displays whirled into being: here, a high plaza topped with a palace built of clay with a stone stele set upright in front; there, one of the great stone heads watching out across a reconstructed plaza with the quiet benevolence of a ruler whose authority rests on his unquestioned divinity; suddenly and all of a piece, the entire huge clearing flowering into being to reveal the huge complex, plaza, steps, temples, and courtyards paved with green stone, as it might have looked three thousand years before during the fluorescence of this earliest of the great Mesoamerican civilizations.
Eleanor yanked her inside the building. Rose stumbled over the concrete threshold and found herself in a dilapidated museum, long since gone to seed with the collapse of the tourist trade in nesh reconstructions of ancient sites. All that investment, in vain once the novelty had worn off and people stopped coming. Most tourists took their vacations upstairs, these days. Mere human history couldn't compete with the wonders of the solar system and the adventure promised by the great net, and affordable prices, that opened out into human and Chapelli space.
The museum had been abandoned, maybe even looted. Empty cases sat on granite pedestals; tarantulas crowded along the ceiling; a snake slithered away through a hole in the floor.
"Shit," swore Eleanor again. "Did it have bands? Did you notice?"
"Did what have bands?"
"The snake. Goddess above, you ever taken any eco courses? There are poisonous snakes here. Real poisonous snakes." Dropping Rose's wrist, she stuck two fingers in her mouth and blew a piercing whistle. Rose clapped hands over her ears, but Eleanor did not repeat the whistle. Her ears still itched and with her fingers there in such proximity, Rose could not help but scratch them but it only made them sting more. She yanked her hands away and clutched the damp hem of her shift, curling the loose spinsil fabric around her fingers, gripping hard.
A trap in the floor opened, sliding aside, and a ladder unfolded itself upward out of the hole. Moments later a head emerged which resolved itself into a woman dressed in an expensive business suit, solar gold knee-length tunic over plaid trousers; the tunic boasted four narrow capelets along its shoulders. She also wore tricolor hair, shoulder length, all of it in thin braids of alternating red, black, and gold-the team colors of the most recent Solar Cup champions. Rose knew her fashionable styles, since in her father's set fashion was everything, and to wear a style six months out of date was to invite amused pity and lose all one's invitations to the best and most sunny parties. This woman was fashionable.
Two men, dressed in utility suits, followed the woman up from the depths. Both carried tool cases.
"Eleanor," said the businesswoman. They touched palms, flesh to flesh, by which Rose saw-though it already seemed likely given her entrance-that this was the real woman and not her nesh analogue. "All has gone as planned?"
"I'm afraid not. The Ra is disabled, but we seem to have run into some competition." She gestured toward the two men. "Go quickly. We'll need to transfer the array to our hover before they can call in reinforcements." They hurried out the door.
"And this one?" asked the businesswoman. "Is this another of your ugly puppies?"
Rose wanted desperately to ask, What are you going to do with me? but the phrase stuck in her throat because it sounded so horribly like a line in one of her dad's acties. Maybe she sweated more, because of nerves, but who could tell in this heat?
"When the operation is over, we can let her go." Eleanor spoke almost apologetically. "I just wanted her out of the way in case there are complications. And she's a good rabbit to keep in the hat, in case there are complications. She's the daughter of the actor."
"Oh!" the businesswoman crooked one eyebrow in surprised admiration. "Oh! Well, I mean, there was so much publicity about it. She's not nearly as pretty. And that-" She stopped herself, although her hand brushed her own cheek in the place the mark stood on Rose's face. She lowered the hand self-consciously. "Vasil Veselov is your father?"
Rose didn't know what to say. She nodded.
The businesswoman waved invitingly toward the trap. "Put her in the basement."
Eleanor took hold of Rose's wrist again and pulled her toward the extruded ladder.
"Go on."
A touch of cool air drifted up from the hole, quickly subsumed in the heat. Rose glanced toward the businesswoman, now making calculations on a slate; she had apparently forgotten about her partner and Rose, much less the great actor.
"Go on." Eleanor snapped her fingers. "Go."
Rose climbed down. Beneath lay a basement consisting of a corridor and six storerooms. Water beads like the sweat of the earth trickled down the concrete walls. Eleanor shoved her along to the end of the row where a door stood ajar. Waving Rose in, she began to push the door shut.
"What are you going to do with me?" Rose demanded, finally succumbing to the cliche.
"Nothing with you. You're a nice kid, Rose, unlike those obnoxious spoiled brats who have nothing better to do with their time than waste it circling the Earth as if that somehow makes them more especial than the rest of humanity. Like they're paying for it! What a sick advertising stunt! I didn't want you to get hurt."