ALEX GUIDRY WAS FURIOUS. He came through the front door of the sheriffs department at eight o'clock Monday morning, not slowing down at the information desk or pausing long enough to knock before entering my office.
"You're getting Ida Broussard's case reopened?" he said.
"You thought there was a statute of limitations on murder?" I replied.
"You took splinters out of my old house and gave them to the St. Mary Parish sheriffs office?" he said incredulously.
"That about sums it up."
"What's this crap about me suffocating her to death?"
I paper-clipped a sheaf of time sheets together and stuck them in a drawer.
"A witness puts you with Ida Broussard right before her death. A forensic pathologist says she was murdered, that water from a tap was forced down her nose and mouth. If you don't like what you're hearing, Mr. Guidry, I suggest you find a lawyer," I said.
"What'd I ever do to you?"
"Sullied our reputation in Iberia Parish. You're a bad cop. You bring discredit on everyone who carries a badge."
"You better get your own lawyer, you sonofabitch. I'm going to twist a two-by-four up your ass," he said.
I picked up my phone and punched the dispatcher's extension.
"Wally, there's a man in my office who needs an escort to his automobile," I said.
Guidry pointed one stiffened finger at me, without speaking, then strode angrily down the hallway. A few minutes later Helen came into my office and sat on the edge of my desk.
"I just saw our ex-jailer in the parking lot. Somebody must have spit on his toast this morning. He couldn't get his car door open and he ended up breaking off his key in the lock."
"Really?" I said.
Her eyes crinkled at the corners.
FOUR HOURS LATER OUR fingerprint man called. The shell casing found on the carpet of Swede Boxleiter's apartment was clean and the apartment contained no identifiable prints other than the victim's. That same afternoon the sheriff called Helen and me into his office.
"I just got off the phone with the sheriffs department in Trinidad, Colorado. Get this. They don't know anything about Harpo Scruggs, except he owns a ranch outside of town," he said.
"Is he there now?" Helen said.
"That's what I asked. This liaison character says, 'Why you interested in him?' So I say, 'Oh, we think he might be torturing and killing people in our area, that sort of thing.'" The sheriff picked up his leather tobacco pouch and flipped it back and forth in his fingers.
"Scruggs is a pro. He does his dirty work a long way from home," I said.
"Yeah, he also crosses state lines to do it. I'm going to call that FBI woman in New Orleans. In the meantime, I want y'all to go to Trinidad and get anything you can on this guy."
"Our travel budget is pretty thin, skipper," I said.
"I already talked to the Parish Council. They feel the same way I do. You keep crows out of a cornfield by tying a few dead ones on your fence wire. That's a metaphor."
EARLY THE NEXT MORNING our plane made a wide circle over the Texas panhandle, then we dropped through clouds that were pooled with fire in the sunrise and came in over biscuit-colored hills dotted with juniper and pine and pinyon trees and landed at a small windblown airport outside Raton, New Mexico.
The country to the south was as flat as a skillet, hazed with dust in the early light, the monotony of the landscape broken by an occasional mesa. But immediately north of Raton the land lifted into dry, pinyon-covered, steep-sided hills that rose higher and higher into a mountainous plateau where the old mining town of Trinidad, once home to the Earps and Doc Holliday, had bloomed in the nineteenth century.
We rented a car and drove up Raton Pass through canyons that were still deep in shadow, the sage on the hillsides silvered with dew. On the left, high up on a grade, I saw a roofless church, with a facade like that of a Spanish mission, among the ruins and slag heaps of an abandoned mining community.
"That church was in one of Megan's photographs. She said it was built by John D. Rockefeller as a PR effort after the Ludlow massacre," I said.
Helen drove with one hand on the steering wheel. She looked over at me with feigned interest in her eyes.
"Yeah?" she said, chewing gum.
I started to say something about the children and women who were suffocated in a cellar under a burning tent when the Colorado militia broke a miners' strike at Ludlow in 1914.
"Go on with your story," she said.
"Nothing."
"You know history, Streak. But it's still the good guys against the shit bags. We're the good guys."
She put her other hand on the wheel and looked at me and grinned, her mouth chewing, her bare upper arms round and tight against the short sleeves of her shirt.
We reached the top of the grade and came out into a wide valley, with big mountains in the west and the old brick and quarried rock buildings of Trinidad off to the right, on streets that climbed into the hills. The town was still partially in shadow, the wooded crests of the hills glowing like splinters of black-green glass against the early sun.
We checked in with the sheriffs department and were assigned an elderly plainclothes detective named John Nash as an escort out to Harpo Scruggs's ranch. He sat in the back seat of our rental car, a short-brim Stetson cocked on the side of his head, a pleasant look on his face as he watched the landscape go by.
"Scruggs never came to y'all's attention, huh?" I said.
"Can't say that he did," he replied.
"Just an ordinary guy in the community?"
"If he's what you say, I guess we should have taken better note of him." His face was sun-browned, his eyes as blue as a butane flame, webbed with tiny lines at the corners when he smiled. He looked back out the window.
"This definitely seems like a laid-back place, yes-siree," Helen said, her eyes glancing sideways at me. She turned off the state highway onto a dirt road that wound through an arroyo layered with exposed rock.
"What do you plan to do with this fellow?" John Nash said.
"You had a shooting around here in a while?" Helen said.
John Nash smiled to himself and stared out the window again. Then he said, "That's it yonder, set back against that hill. It's a real nice spot here. Not a soul around. A Mexican drug smuggler pulled a gun on me down by that creek once. I killed him deader than hell."
Helen and I both turned around and looked at John Nash as though for the first time.
Harpo Scruggs's ranch was rail-fenced and covered with sage, bordered on the far side by low bills and a creek that was lined with aspens. The house was gingerbread late Victorian, gabled and paintless, surrounded on four sides by a handrailed gallery. We could see a tall figure splitting firewood on a stump by the barn. Our tires thumped across the cattle guard. John Nash leaned forward with his arms on the back of my seat.
"Mr. Robicheaux, you're not hoping for our friend out there to do something rash, are you?" he said.
"You're an interesting man, Mr. Nash," I said.
"I get told that a lot," he replied.
We stopped the car on the edge of the dirt yard and got out. The air smelled like wet sage and wood smoke and manure and horses when there's frost on their coats and they steam in the sun. Scruggs paused in his work and stared at us from under the flop brim of an Australian bush hat. Then he stood another chunk of firewood on its edge and split it in half.
We walked toward him through the side yard. Coffee cans planted with violets and pansies were placed at even intervals along the edge of the gallery. For some reason John Nash separated himself from us and stepped up on the gallery and propped his hands on the rail and watched us as though he were a spectator.
"Nice place," I said to Scruggs.
"Who's that man up on my gallery?" he said.
"My boss man's brought the Feds into it, Scruggs. Crossing state lines. Big mistake," I said.
"Here's the rest of it. Ricky Scar is seriously pissed because a poor-white-trash peckerwood took his money and then smeared shit all over southwest Louisiana," Helen said.