I was feeling pretty good. In spite of last night. Or in an even funnier way, because of it. It was like I had two days out of time. Everything was on hold until…either the vampire-something worked, or it didn’t. Jesse and Theo had been at a table under the awning when Aimil and I left Charlie’s, and I’d nodded and kept going. I hoped nothing had come up they wanted to talk to me about. Nothing was allowed to come up for the next two days. I was on vacation in my own mind, cinnamon rolls at four a.m. or not.
It must have been Paulie’s influence, but I was positively humming a tune—an old folk song about keeping a vampire talking till sunrise: not one of your brighter vampires—while I burrowed through a big sagging cardboard box of junk. Chipped china teacups. Dented tin trays. Small splintery wooden boxes with lids that no longer closed. A bottle opener shaped like a dragon with an extremely undershot lower jaw and pink glass eyes. Pink. The Dragon Anti-Defamation Society should hear about this.
At the bottom, when I touched it, it fizzled right through me, like I’d put my arm in a cappuccino machine. I knew it had to be some kind of ward—nonwarding charms are kind of stickier—but a live ward shouldn’t be in the bottom of a box of cheap junk at a garage sale. Maybe it had fallen out of one of the splintery boxes. I hesitated, then picked it up to get a better look. Gingerly. It had now got my attention, so presumably it wouldn’t feel the need to scramble my arm like an egg again.
I didn’t recognize the style or the design. It was an oval, not quite the length of the palm of my hand, with a slightly raised edge, the whole of it thick and heavy, like an old coin, before the mints got mean and started stamping out pennies that sometimes bent if you dropped them edgewise on a hard floor. It was silver, I thought, or plate; it was so tarnished I couldn’t make out clearly what was on it, except that something was. Three somethings: one each on top, middle, and bottom, rather like an old Egyptian glyph. The only thing I could say for sure was that they weren’t any of the standard Other-preventive sigils I knew of, nor the all-purpose circle-star-and-cross one.
The most interesting thing was that it was live. Very live. Wards aren’t necessarily as master-specific as most charms, and if they aren’t actively in use they can molder quietly for a long time and still be capable of being wakened and doing some warding; but even one that’s been tuned to you specifically shouldn’t leap avidly out at you and wag its tail like a dog wanting to go for a walk.
I could have put it back. I could have taken it to someone in charge and said “You’ve made a mistake. This one still works.” But I didn’t. It seemed to like lying there in my hand. Don’t be ridiculous, I thought. It’s not responding to me personally.
As a soldier in the dented-tin-tray army they shouldn’t be expecting real money for it, but that could only be because they hadn’t noticed it was live. It was still worth a try. I took the two books and the tarnished ward to the suspicious-looking character at the card table with the rusty money box, who snatched them out of my hands as if he knew I was trying something on. But he was so preoccupied with whether or not he should sell me Altar of Darkness (in which it takes the heroine four hundred pages to die), which was certainly worth more than the seventeen blinks for two, which is what the sign on the drooping book table said, that he barely registered my little glyph. I’d done piously outraged innocence when he started haranguing me about Altar and a few of his other customers scowled at him and muttered about fairness. I won that round. So when he looked at the glyph and said “fifty blinks” I sniffed so he would know that I knew he was a brigand and a bandit, and let it pass. He knew more about books. Even a dead ward made out of silver plate was worth more. A blink is a dollar, and has been since after the Wars, when our economy went to pieces, and the average paycheck disappeared in the blink of an eye.
What was more interesting was that he’d touched the glyph and hadn’t said “Wow! That was like putting my hand in a cappuccino machine!”
Aimil had been watching my performance with a straight face. “Well done,” she said, when we got back to the car. “Dark Blood Four as two for seventeen blinks! Zora will be mad with jealousy. Now what is that little thing?‘’ I was balancing my glyph on the top of the books, and I watched as she picked it up. That Mr. Rusty Money Box hadn’t registered anything was one thing; if Aimil didn’t register either it was something else.
She didn’t say anything about a feeling like having her funny bone hit with a hammer. “Hmm. It’s quite—appealing, isn’t it? Even all blackened like this.”
“Appealing”? Maybe it had decided that making people’s hair stand on end wasn’t such a good way of making friends and influencing people. “Can you figure out any of what’s on it?”
She frowned, turning it this way and that in the light. “No clue. Maybe after you get it polished.”
Dessert shift that night was notable only for the number of people who wanted cherry tarts. They were catching on. Rats. I didn’t really like little electrical gadgets—most of the other so-called home bakeries in town used kneading machines, for example, which I thought beneath contempt—but there was no way I was going to be making cherry tarts without one. I’d already said I would only make individual tarts and customers had to order them with the main course to give me enough lead time. And they were still catching on. I didn’t want cherry tarts to turn into another Death of Marat. When I was first installed in my new bakery and messing around with the heady implications of Charlie’s having built it for me, I’d been having fun with puddings that look like one thing and you stick a fork in them and they become something else. A Gothic sensibility in the bakery is not necessarily a good thing. I’d made this light fluffy-looking number in a white oval dish with high sides and presented the first one with a flourish to a group of regulars who had volunteered to be experimented on. Aimil was the one with the knife, and she stuck it in and the raspberry-and-black-currant filling had exploded down the side and over the edge of the dish onto the counter. It was, I admit, a trifle dramatic. “Gods, Sunshine, what is this, the Death of Marat?” she said. Aimil reads too much. Everybody at Charlie’s that night wanted a taste, and the Death of Marat, the first of Sunshine’s soon-to-be-notorious, implausibly named epic creations, was born, although I think most of our clientele thought Marat was some kind of master vampire. (Aimil is good at names. She’s responsible for Tweedle Dumplings and Glutton’s Grail and Buttermost Limit too.) The problem is that for months after I was getting constant requests for the damn thing, and light, fluffy puddings with heavy fillings are a brute to make. Our long-time regulars still ask for it occasionally, but I’m older and meaner now and say “no” better. I will make it if I like you enough. Maybe.
Well, the cherry season doesn’t last long around here; I’d be back to apple pie before Billy’d had time to miss doing the peeling. (Unless I found some other source of cheap child labor I might have to get an electric peeler in another year.) It was true that Charlie’s did almost everything from scratch and that anything that one of us wasn’t good at didn’t get done at all, but it was also true that our loyal customers were compelled to be biddable. If I decided I didn’t feel like doing cherry tarts outside of fresh cherry season they could like it or eat at Fast Burgers ‘R’ Us.
When I got home I fished last night’s sheets and nightgown out of the tub where they’d been soaking the bloodstains out (just like the Death of Marat without Marat), hauled them downstairs, and stuffed them in the washing machine. If Yolande had noticed the amount of laundry I’d been doing in the last two months she never said anything.