He was never so happy to see his cab as that morning. Tumbling into it, he spent a moment breathing in the stale, wonderful smell of Rosario’s cigars. A fit of laughter burst from him. He pounded the steering wheel and yelled and yelled until he’d worn out the terror. Then he started the cab, drove back to the depot and parked.
Rosie would be showing up any minute for the day shift, but Meyers didn’t wait. He walked the few blocks home, stripped out of the wet clothes, and then, in dry shorts and undershirt, he opened a tin of beans, heated them up on the stove, and ate ravenously out of the pan, mopping up the red sauce with a hunk of bread. He wanted a pot of coffee and a steak.
The night’s events were bending into some warped dream. Meyers furiously scratched his cheek. He kept turning it all over in his head. Had everyone been killed? He tried to remember, but he wasn’t sure. Maybe one of the goons had escaped into the warehouse. And the woman, the witch, she’d gotten away, oh, yeah.
Getting away seemed like a very good idea. If any of Drozdov’s guys were still loose, they’d come after him to find her. Or maybe think he was part of it, in with her from the beginning. Sure. He’d been out for revenge for Kid. They’d think that, wouldn’t they? And what about the cops? The one he’d punched. He couldn’t be sure he hadn’t been recognized. And Bulbitch—imagine trying to sell him this story: a dingus that killed four armed men? Twice? Bulbitch had warned him to stay out of it, and unless the cops could buy into witches and papier-mвchй monsters conjured from coins and buttons and crap, they’d hang this on him. If he hadn’t been there, hadn’t seen it himself . . .
San Francisco sounded awfully good. Bound to be a morning bus—get him as far as Pittsburgh before anyone knew to look for him. Arnie Slocum had moved out to Frisco to train fighters two years ago. Arnie would hand him a job right away.
As he collected his whirling thoughts, he moved about the apartment, got out his suitcase, filled it with clothes. He needed a bath, but maybe not right now. Some clothes, some cash from the bank on the way. He grabbed his tip box out of the back of the closet and tossed two rolls of bills into the suitcase under the clothes. He’d call Rosie from the bus depot, tell him to hang onto the cab, he’d be in touch to work out the details later. Rosie’d find somebody to take the night shift for now.
Winter in California, that wasn’t such a bad fate. Let everything blow over and all the monsters wash out to sea.
That was the plan congealing as he hauled the suitcase into the foyer. He paused to pull on his pea jacket, then grabbed the door handle in the same moment he heard his feet splash and looked down to see dark dirty river water pooling as it trickled in over the threshold. Meyers thought of Red in his roadhouse reaching for a brass knob, blood soaking into the sawdust below him, as the door of the apartment came off the latch.
——
Gregory Frost is a writer of fantasy, horror, and science fiction who has been publishing steadily for more than two decades.
His latest work is the fantasy duology Shadowbridge and Lord Tophet, published by Del Rey Books. His earlier novels include Fitcher’s Brides, a World Fantasy Award and International Horror Guild Award finalist for Best Novel; Tain; Lyrec; and Nebula-nominated science-fiction work The Pure Cold Light. His short-story collection Attack of the Jazz Giants and Other Stories was called by Publishers Weekly “one of the best fantasy collections of the year.”
He is one of the Fiction Writing Workshop directors at Swarthmore College in Swarthmore, Pennsylvania, and has thrice taught the Clarion Science Fiction and Fantasy Writers’ Workshop.
His website is GregoryFrost.com; his blog, Frostbites, lurks at Frostokovich.LiveJournal.com.
Paul G. Tremblay
—
There’s this thing about living in Wormtown that my older brother Joe doesn’t get, or he does get it and doesn’t want to admit it. We live in Worcester, stuck like a dart in the middle of Massachusetts. This isn’t Boston. No ocean, just a river. No quaint historical bullshit that attracts tourists. Just hills, colleges, hospitals, and churches, making the urban decay look a little prettier. It’s not a good place to be, right? But Joe and the rest of the local artsy types, so desperate for the recognition they’ll never get, they pump up and promote the nickname Wormtown like it means Worcester is some legit big city that people would actually choose to live in, like Worcester is somehow important or any less damaged than it is because of a fucking name change. They brand themselves Wormtowners like they aren’t as doomed as the rest of us. So I still use their fun little nickname, but only because it makes me bust a gut laughing.
It’s five a.m. I’m sitting in the driver’s seat of Henry’s rusty Ford Explorer, tucked behind Ace’s Pawn Shop, which is on the corner of Main and Wellington. Engine on, tailgate up, interior lights off. Sitting here waiting for what’s next.
Joe always says I never think ahead, that I only use my lizard brain. Right. He’s a thirty-year-old painter who doesn’t sell any paintings. But he’s really a busboy at some restaurant over by Clark U, a trendy place that just opened and will probably close within the year. He cleans tables and gets no tips from the rich college kids and their yuppie professors. Joe has two maxed-out credit cards and lives with a between-jobs girlfriend and her five-year-old kid in a one-bedroom apartment. So much for thinking ahead, Joe. I’m the one pointed somewhere with both hands on the goddamn steering wheel.
My window is down when it doesn’t need to be. There’s nothing that I can’t see from behind the glass. Mike asked me to do it. He said pretty please before leaving the SUV and going inside.
Goddamn, it’s cold out. Didn’t wear the right clothes for this. Just a brown flannel and some black jeans, steel-toed boots laced to the ankle. No jacket, and I left my black hoodie at the apartment. If that’s my only fuckup, we’ll be okay. Winter is coming early. The black gloves don’t keep my hands warm. I take my hands off the wheel and rub them together, then I slouch into the seat.
Gunshots. A quick burst of two. I think. Then a third, after a pause long enough to be uncomfortable for everyone. The shots are all muffled, coming from inside the pawnshop, but still, somehow, they sound like city-sized phonebooks hitting the floor after a big drop. There weren’t supposed to be any gunshots. Gunshots mean big trouble. There wasn’t supposed to be any big trouble.
I suddenly have to go to the bathroom even though I did what Henry said and skipped my morning coffee. I stop breathing so loud. I can’t see anything through the pawnshop’s cage-covered windows. Still alone in the SUV and in the empty lot, I shift from park to drive. My foot is heavy on the brake, and I put my hands back on the wheel where they’re supposed to be. Ten and two.
The back door flies open and they all come running out at once, a group of shadows, arms and legs everywhere. No one shouts; they’re not dumb enough to be human alarms, but they hiss and whisper orders at me, their humble driver, subtle shit like “Go, go, go,” and “Let’s get the fuck outta here.”
Yes, sirs. I calmly roll up my window and watch them in the rearview mirror, everything happening slow and fast at the same time. They’re circus clowns going backwards, getting into the car instead of jumping out. Mike sits his heavy ass in the seat behind me, shaking the car. Greg slides in on the other side and rips off his ski mask like it’s burning him, and he throws it on the car floor. He better remember to pick that up later and dump it. Greg isn’t exactly known for paying attention to the details, for paying attention to anything. He shouldn’t be on this job at all, never mind getting to go inside. Yeah, he grew up on the same street as us, but he’s loose with everything, you know? Christ, he was just fired from his bartending gig at Irish Times because he was caught skimming on back-to-back nights. Henry was nuts to use him, but you can’t tell Henry anything. It’s his show. And Henry, his ski mask is still pulled over his ham-sized face. He throws the duffle bag in the trunk, jumps in after it. I take my foot off the brake, start inching forward, still watching Henry, and he kind of flickers in the shadows. He pulls his little jerry-rigged rope and shuts the tailgate behind him.