A while later, to my loudly expressed amazement, a young officer discovered an entire set of criminal ledgers in the bottom two drawers of a salesmen’s desk in the front room.
The rest of the story would strike you as both foregone and anticlimactic, I’m sure. We nailed Sterrick. We didn’t have time to prevent Sterrick’s man from being nominated in the gubernatorial primary but he was forced to resign from the race as a result of the revelations that came out in the trial evidence. A party caucus nominated another candidate — a reasonably honest one — and he was elected in due course; it was a one-party state in those days, of course.
Sterrick spent seventeen years in the state penitentiary and finally died there. And your obedient servant, the ambitious young assistant DA, went on to become county prosecuting attorney and then a judge.
Now the question is: was justice served?
Harris uncrossed his legs and sat up. “They must have suspected those books were forgeries.”
“Of course they did,” the judge said imperturbably. “The defense brought in a whole gaggle of experts to try and prove that the documents had been forged — that those weren’t the handwriting of Sterrick and his bookkeepers.”
“Then why wasn’t your case thrown out?”
“The experts went away without testifying.”
Harris said, “I don’t understand.”
“Well, they determined that the books weren’t forgeries. When they told that to the defense lawyers, the lawyers bundled them out of town as fast as possible. We had to bring in our own experts to testify to the legitimacy of the books. Naturally I’d have preferred to have the testimony of the defense experts but they’d skipped town too fast.”
“I’m not sure I’m keeping up with you.”
The judge flashed his shrewd smile again. “They weren’t fakes, you see. That night we broke into the safe to photograph the books, my safecracker friend noted the combination down for me after he’d opened it. I had the combination. The night before we raided the place, I had two policemen roust the watchman again. They never took him farther than their car, which was parked just around the corner. He wasn’t out of sight of the safe for more than three minutes. But it was time enough for me to slip in and substitute our forgeries for the real books. Then, the next day, I planted the real ones in that front office desk. So you see we weren’t defrauding anybody. We came with a warrant and a subpoena. We found exactly what we were trying to find: Sterrick’s books. The real ones. And we presented them in evidence.”
The judge lit a fresh cigar. “Of course Sterrick didn’t know how we’d done it. When he learned we were on our way with our warrant, he had the safe emptied and its contents removed to some secret hiding place — possibly over in another county, I have no idea. He didn’t realize, of course, that the ledgers and books he was so carefully hiding away were fakes, designed to resemble the real thing. We’d switched books on him, that’s all.”
Harris grinned at him. “You old fox.”
“We played it absolutely straight, as far as the trial was concerned. We faked no evidence. We defrauded no one. But, at the same time, I’d broken half a dozen laws to nail this one. Now how would you judge the case, Jim? Ends justifying means? Or absolute moral justice?”
Harris shook his head slowly. “I’m just not sure.”
“To tell you the truth — even after all these years — neither am I.”
SCRIMSHAW
“Scrimshaw” is, you should permit the immodesty, one of my favorites among these yarns. It was written where it is set — in the town of Lahaina and along the coast of Maui — and was provoked by a conversation with a waterfront scrimshaw shopkeeper who complained at length about the high cost of real ivory in the age of Endangered Species laws…. This story was filmed as a half-hour TV play and shown as an episode of the “Tales of the Unexpected” anthology series in 1981; the stars were Joan Hackett and Charles Kimbrough, and their performances were so good they — and John Houseman’s Hitchcockian introduction — nearly made up for the show’s questionable production values.
She suggested liquid undulation: a lei-draped girl in a grass skirt under a windblown palm tree, her hands and hips expressive of the flow of the hula. Behind her, behind the surf, a whaling ship was poised to approach the shore, its square-rigged sails bold against a polished white sky.
The scene was depicted meticulously upon ivory: a white fragment of tusk the size of a dollar bill. The etched detail was exquisite: the scrimshaw engraving was carved of thousands of thread-like lines and the artist’s knife hadn’t slipped once.
The price tag may have been designed to persuade tourists of the seriousness of the art: it was in four figures. But Brenda was unimpressed. She put the piece back on the display cabinet and left the shop.
The hot Lahaina sun beat against her face and she went across Front Street to the Sea Wall, thrust her hands into the pockets of her dress and brooded upon the anchorage.
Boats were moored around the harbor — catamarans, glass-bottom tourist boats, marlin fishermen, pleasure sailboats, outrigger canoes, yachts. Playthings. It’s the wrong place for me, she thought.
Beyond the wide channel the islands of Lanai and Kahoolawe made lovely horizons under their umbrellas of delicate cloud, but Brenda had lost her eye for that sort of thing; she noticed the stagnant heat, the shabbiness of the town, and the offensiveness of the tourists who trudged from shop to shop in their silly hats, their sun-burnt flab, their hapless T-shirts emblazoned with local graffiti: “Here Today, Gone to Maui.”
A leggy young girl went by, drawing Brenda’s brief attention: one of those taut tan sunbleached creatures of the surfboards — gorgeous and luscious and vacuous. Filled with youth and hedonism, equipped with all the optional accessories of pleasure. Brenda watched gloomily, her eyes following the girl as far as the end of the Sea Wall, where the girl turned to cross the street. Brenda then noticed two men in conversation there.
One of them was the wino who always seemed to be there: a stringy unshaven tattered character who spent the days huddling in the shade sucking from a bottle in a brown bag and begging coins from tourists. At night he seemed to prowl the alleys behind the seafood restaurants, living off scraps like a stray dog: she had seen him once, from the window of her flyspecked room, scrounging in the can behind the hotel’s kitchen; and then two nights ago near a garbage bin she had taken a short cut home after a dissatisfying lonely dinner and she’d nearly tripped over him.
The man talking with the wino seemed familiar and yet she could not place the man. He had the lean bearded look of one who had gone native; but not really, for he was set apart by his fastidiousness. He wore sandals, yet his feet seemed clean, the toenails glimmering; he wore a sandy beard but it was neatly trimmed and his hair was expensively cut, not at all shaggy; he wore a blue denim short-sleeved shirt, fashionably faded but it had sleeve pockets and epaulets and had come from a designer shop and his white sailor’s trousers fit perfectly.
I know him, Brenda thought, but she couldn’t summon the energy to stir from her spot when the bearded man and the wino walked away into the town. Vaguely and without real interest she wondered idly what those two could possibly have to talk about together.