The old man glanced again at Suttree. Suttree looked about, then leaned to his ear. You dont have a little drink hid do you?
The old man’s eyes careened about in their seamed sockets. Oh lord no, he said. I’ve plumb quit. Lord I wouldnt have nothin like that.
Well, said Suttree.
He’d scooted away a bit and he turned to watch the ceremonies. The grandniece smiled at those on the bank. Some waved.
The other old man leaned across and jabbed at Suttree with a thick finger. Go on, he said. Get down in that water.
There she goes, said Suttree, pointing.
That’s my grandniece, the old man said, waving to the waters beneath which she had subsided.
Two women on the grass in front of them were turning and giving them dark looks. Suttree smiled at them. On down the bank groups were unwrapping sandwiches and opening cold drinks. There was a fat woman spread on the ground with an enormous teat hanging out and a small child fastened to it.
Tell him to come to the meetin tonight, said the second man.
Come to meetin tonight, the first one said.
Where at?
Gospel tent just up off the highway yonder. Did you not see it?
No.
Lord it’s big enough. You come to meetin. They havin the reverend Billy Byington and the Sunrise Singers is supposed to be there too.
They are?
Dadjim right. Same as you hear on WNOX.
The women were turning and scowling.
The old man unscrewed and spat into his jar again and leaned forward. You come tonight, he said. I hear tell they might be goin to have May Maude. That does the oldtimey note singin.
There was a man now going into the water like a sleepwalker. He had his hands before him and his eyes were half closed and he was singing some incoherence over and over. The preacher took a step toward him, so unsteady he looked, the preacher smiling with a kind of grave benignity. Friends on the bank seemed to sway with him. This new candidate flailed once, eyes widening in alarm. The preacher lunged toward him with hands out. The man came aright and surged forth, his coattails dipping, reaching for the preacher and then going suddenly sideways with a long moan. The watchers on the bank stiffened. His hands wheeled wildly in the air and this supplicant went from sight like a drunken music conductor.
Suttree shook his head. The old man gave him a little crooked grin, his jawseams grouted with black spittle.
The preacher was blessing the subsiding roil with one hand and with the other was groping about in the water.
Suttree chuckled. The two women rose together and moved away over the grass. A man who was with them but was enjoying himself anyway turned and grinned. Boys, he said, that ought to take if it dont drownd him.
The preacher had the man up by the collar. He was sputtering and reeling about and he looked half crazy. The preacher steadied him by the forehead, intoning the baptismal service.
Suttree rose and dusted the grass from his trousers.
You aint fixin to leave are ye? the old man asked.
I sure as hell am, said Suttree.
You better get in that river is where you better get to, said the one in overalls. But Suttree knew the river well already and he turned his back to these malingerers and went on.
He went up the river path, swinging along in the sunshine, crossing a slough by a driftwood bridge and following the backwater of the smaller river that flowed in on the left. An upcountry river that grew more green as he went until it was a clouded jade. He sat to rest on a dusty log and watched it pass, A bittern stood in singlefooted siege among the cattails and small waterserpents swam. A dog came upstream on the far side tongue lolled with the heat and at a listless trot that told a weary way to go. He whistled at it and it looked at him and went on. Passing upstream it set the halms of marshweed quivering where nesting fish moved out unseen.
Suttree rose. The bittern flew. He went on until he came to a country road. It was hot walking and he didnt hurry. By and by he came to a small house.
He crossed to the front porch and tapped at the door. There were freshly painted boxes on the porch with new flowers cracking the loam of their beds and wasps were hanging about the eaves. The door opened and a small old woman peeped out. Yes, she said.
Hello Aunt Martha.
She pushed open the screendoor. Lord have mercy, she said. Buddy? Why Buddy.
How are you?
Oh lord, she said. She was tiny and frail and the hand that tucked at him trembled like a bird. Come in, she said.
Where’s Clayton?
He’s asleep. He eat a big dinner and he’s asleep. Oh my lord he’ll just be so tickled.
They entered the cool semidark of the front room with her taking his elbow like one might a blind man or like a blind man might. He could smell the rich cookery of their Sunday noon meal. She did not take her eyes from him. Have you eat? she said.
I had breakfast late.
They went into the kitchen where dishes still sat at table. Beyond was a sunporch rife with plantlife and the sun fell warmly through the glass and across the floor and table.
Set down, Buddy, she said, her doll’s hands fussing at him. Let me just warm you up some dinner.
Dont bother with that, Aunt Martha. I just stopped by for a minute.
It’s not any bother. You just set there. You want a glass of cold sweetmilk?
Yes mam, I’d love one.
I’ll have some ice tea in just a minute. Lord I was thinkin about you all this mornin.
Suttree stretched his feet beneath the table. She brought a jar of milk from the refrigerator and a tall glass, pouring as she went, talking.
I was sortin out some old things and got to lookin through them old albums and pictures and I thought about you.
He set the halfdrained glass of milk on the table and blew and wiped his forehead with the back of his hand. She poured it full again. I wish you’d come see us more, Buddy. What do you want to be so mean for?
Where are the pictures?
They’re right here. Did you want to look at them?
If they’re handy. If you dont care.
Why they’re just right here.
He drank the rest of the milk and looked out at the flowers and the sun. She came in with two old leather photo albums and a blue shoebox. She laid these on the table and pushing the box to one side to make room she opened the first album. Just go ahead and look while I warm this dinner up.
He took her hand. It was thin and finely boned and cool. I couldnt eat anything, he said.
I wish you would.
He looked around. Just let me have a piece of that cake, he said.
You better eat somethin.
No.
She lifted a cracked cakebell and sliced away a heavy wedge of the chocolate cake it contained and laid it on a plate and set it by him.
He was bent over the album, confronting figures out of his genealogy. Who’s this? he said.
She rested her hand on his shoulder and peered with him. Lord, she said, let me get my glasses, I caint make it out.
An ancient woman spreadeagled in a bed, dried hands at her sides, a cured looking face. She is bald save for sheaves of hair on either side her head and they lie opposed and extended upon the pillow like pale horns.
She came back with her spectacles and bent over the photo. That’s Aunt Liz just afore she died. She was bald pret near. This here’s Roy’s baby picture.
A tintype picked from the wedge of the pages. Sailorsuited poppet a fiend’s caricature of old childhoods, a gross cartoon.
The old woman’s slow hands sorted a loose packet of brown faded photographs, glasses riding down the bridge of her nose as she nods in recognition. She must set them back again with her finger, shuffling these imaged bits of cardboard, paper, tin. They have a burnt look to them, as if dried in a flue. Dark and haggard eyes peer out. In the photographs the children appear sinister, like the fruit of forbidden liaisons.