Of course. The perfect busybody neighbor who watched everyone’s comings and goings.
Betty went on. “I only saw Riley a few times after that. He didn’t look so good. I stopped in once with some muffins I’d baked and he said he’d been sick a lot. I gave him the name of my doctor in town but he wouldn’t go, told me he didn’t believe in doctors. After that, I would see the blue car come and go, not very often though. They mostly stayed around the house. Then Bill and I went on vacation the first week of June. When we came back, Riley’s old pickup and the other guy’s car were both gone. Place looked empty. Never saw either one of them again.”
When Betty started repeating things, Sam knew she was out of information so she started rummaging through her tool box, hinting that she still had work to do.
“Well, I need to get on with my walk,” Betty said. “Can’t be standing around here gabbing all day.”
As if it were Sam’s fault. Strange woman, she thought, as Betty walked back to the road and headed west.
Sam carried her rectangle of drywall back into the front bedroom and set it down, went back for the tape and joint compound. The studs behind the cut-out section might need some additional bracing. She tugged at the edges of the hole to see how sturdy it was. And then she noticed something odd.
Her sawing job had caused some of the old tape to split and a section of the old wall board now swung outward, as if a mini door had once been built into the wall. She pulled at it and a section about two feet tall came toward her. She reached for the flashlight they’d used earlier to look closely at the painting and shone it into the space behind the wall.
A couple of items seemed to be jammed in there. She reached in. Out came a leather-bound book, about fourteen inches tall and less than an inch thick. Along with it was a small pencil box made of wood. She wiped them against the carpet to take away some of the dust. The box was filled with art pencils, many of which were honed to fine points; obviously they’d been sharpened and resharpened many times. She ruffled the pages of the book. They were filled with sketches—a few human forms, but mostly botanical and architectural. There were European cathedrals, castles on hillsides, and even the soft adobe shapes of the Taos Pueblo. Then came pages and pages of plants—flowers and trees, mainly. She turned to the front of the book. Neatly lettered on the flyleaf were the words: Property of Pierre Cantone.
Her heart did a little flutter.
The world famous artist had held this book, had made these sketches.
Sam backed out of the closet and sat heavily on the edge of the bed. My god, she thought.
Cantone must have visited or lived in this house at some point. But why would he leave his sketchbook behind? And who had painted over the mural?
Chapter 8
Sam locked the house and took the sketchbook with her, wishing she knew more about the life of the artist, Pierre Cantone.
However, more pressing duties awaited. A quick call to Beau Cardwell got her the go-ahead to go back to Bertha Martinez’s place and finish the cleanup there. His investigators were unable to locate any next-of-kin for the old woman, he said. It took Sam about twenty minutes to get past the crush of tourists meandering around the plaza. Taos’s little town center really was pretty in the summer and autumn months, with lots of shady trees and hanging pots of bright flowers accenting adobe walls and freshly painted blue doors.
Too bad Sam couldn’t say the same for Bertha’s home. At one time the yard must have been nice, with a large cottonwood behind the house and a pair of matching blue spruce on either side of the front door, set off by beds of colorful flowers. But the old woman’s declining health meant less time spent outdoors. Sam didn’t have the time or the budget to replant and tend the place back to its former state, but at least she could trim and haul away last season’s brown stalks and get rid of weeds that now sprouted in the driveway. She filled seven trash bags, and that was before she’d even unlocked the door.
Stale air rushed past her as she entered. Thank goodness she’d been able to get the authorities out here right when Bertha died. She couldn’t even imagine what the place would be like, days later, if her body were still in here in the heat. She pushed that thought out of her head.
Bertha certainly had not been a housekeeper. But then, who is when they are old and ill? Sam started at the front door and worked her way toward the back. The living and dining areas were basically just messy. Books, magazines and papers everywhere. She grabbed a box from her truck and stacked the books inside—mostly non-fiction, they would be great items for the thrift shop. Newspapers and junk mail went into trash bags along with the dusty old candles and bundled herbs; she put a few envelopes containing utility bills into a stack to be turned over to Delbert Crow. A dust cloth and vacuum cleaner, some straightening of the furniture, and these rooms were in good shape. The kitchen and bath were a little more intensive, but the bagging and scrubbing went routinely. She knew that she was stalling about going into Bertha’s bedroom but couldn’t avoid it forever. Finally, she strode in there and whipped open the dark, cumbersome drapes and opened the windows to the warm September day.
Everything was just as she’d seen it on her previous trip, minus the dying woman in the bed. Beau said that the authorities had removed everything they wanted, so Sam approached the room with an exterminator’s vengeance. None of the clothing was in decent shape for resale; the old woman probably hadn’t bought a new item in twenty-five years. Into bags it went; the local quilting group might salvage some of the cloth that wasn’t threadbare.
The medicine bottles weren’t the kind from the pharmacy. A tentative sniff into one of them suggested herbal remedies, probably homemade. She wondered if Zoe might know anything about them. The idea of actually dipping in and taking any of the smelly concoctions gave her the creeps. But she put the few colored bottles into a small box to take with her.
By four o’clock she had to admit that she was dragging, wishing for another shot of yesterday’s limitless energy. No lunch, a pickup truck full of bagged and boxed junk—that probably accounted for it. Other than a quick peek, she hadn’t done anything with the second bedroom yet. Heavy drapes covered the room’s single window so she had little sense of what awaited in there. And she really wanted to finish the place today so she could submit her billing and get on with other things.
She scrounged two granola bars from the glove box in her truck and consumed them with water in one of the freshly washed glasses in the kitchen. It helped some but, truthfully, she began to fantasize about the drive-through at Kentucky Fried Chicken on her way home. The image gave her enough umph to face the unopened second bedroom so she marched in there and flipped the light switch.
The overhead fixture held a red bulb, which gave the room the odd glow of a darkroom and she knew that wasn’t going to be good enough to clean by. The heavy drapes were stuck in place with duct tape and it took her a couple of minutes to rip it away and pull them aside. Heavy clouds were again building outside and she heard a very distant rumble. Ominous. But nothing compared to the sight when she turned around.
There in the middle of the dark wood floor was a pentagram, laid out in white stones. Black candles, bundled herbs, a lot of animal symbols painted in white on red walls. Sam thought of the rumors of Bertha Martinez’s involvement in witchcraft. Whoa—it looked like they were true.