“Isn’t that good enough? Is that what you want of me? Would you like that?” she asked, and it seemed to me all of a sudden that her voice was shaking. “Tell me, is that what you want? For all I care! Here, take it, take it!” she said with growing excitement; she threw back the blanket altogether and with a suddenly feverish hand began to unbutton her blouse.
“Dorothy!” I started. I began to rise but the sight of her breast rooted me to the spot. I was seized with giddiness. With a jerk she bared both her breasts and presented them to me in triumph. Her head fell back as if under the weight of her hair, and the walls began to spin around me.
She was swaying, clasping her breasts with both hands. “Come!” she said. “Do come!” She raised her head, a little moisture sparkling at the corners of her lips. “Ah!” she moaned. “What are you waiting for? Do you think I don’t want it now too? I love pleasure, I tell you, I love it! Quick! Aren’t you a man?” She leaned toward me, stretched out a shameless hand.
I was at last able to wrench my feet from the ground and flee.
So, definitely, this was all I was ever able to do! But this fit of hysteria, just like her delirious rage when I had thrown away the snuffbox, this unexpected hurricane of raving eroticism, had quashed all my sensual desire under the same impact of horror, of annihilating repulsion. I returned to Bonington House utterly disturbed and flustered, unable to regain my calm. I could not get out of my mind the alluring beauty of her body, the thrill I had felt at her offering, or the disgust aroused in me by her brazen lasciviousness. At the same time, all sorts of disconcerting thoughts passed through my head. I could see once more the beautiful, half-naked Dorothy, magnificently offered up in that burst of animal desire. A libertine would have taken her, whereas I, imbued with an insular prudishness of almost atavistic power, had refused her. But in the same situation I had not refused Sylva.
Oh yes, you had, I told myself, for a long time. And with the same kind of horror. And then you gave yourself some good reasons for yielding to her charms. Isn’t that just what’s happening to you today? The drug has rotted Dorothy, it has ravaged her, decomposed her until she had become what you have seen today, a female stuffing herself with Turkish delight and suddenly gripped by the mating instinct like a bitch in spring. She abandons herself to her appetites, just as Sylva once did, she no longer strives to tame them but even rushes to gratify them. The only difference from Sylva is that she still pretends to justify her degradation with philosophical balderdash, as a last vestige of humanity-but for how much longer? The only difference? There is another, and so much more heartbreaking! For Sylva is painfully extracting herself from bestial unconsciousness, whereas Dorothy is sinking back into it, dissolving in it, seeking in it a cowardly oblivion…
This last thought shook me more than all the others. For it projected on the situation in which I found myself a new, garish and decisive light. I could no longer shut my eyes to the self-evident fact that the quality of a soul is not measured by what it is, but by what it is becoming. Was I not obliged, in this perspective, to re-examine all that I had lately told myself about my respective duties toward Sylva and Dorothy and reach the opposite conclusion?
However, I did not want to surrender to arguments that corresponded somewhat too nicely to my secret desires… No doubt, in their opposite evolution, Sylva was ennobling herself while Dorothy was rotting her soul in a foul degradation. But that was just the point. Whom should a man on the riverbank rescue: the bold swimmer who is about to win a 100-yard race, or the poor wretch who is on the point of drowning? An insistent voice within me did indeed suggest that to abandon Sylva in the midst of her effort might also be tantamount to letting her drown. But this suggestion again was a little too comforting for my desires. No, the one who stood in the gravest peril just now was Dorothy. I owed it to myself to save her. To overcome my repugnance. To plunge, if necessary, into the nauseous seas in which she was sinking so that I might at least support her until the day when I should be able to bring her safely back to the shore.
I would stay in London.
It was in this frame of mind that I presented myself again in Galveston Lane the very next morning. As I turned the doorknob outside Dorothy’s small flat, I was not so sure that the door would open, that it would not be locked as she had threatened. Especially after my flight. What woman could forgive such an insult? But the knob turned, the door opened. I passed through the vestibule. Dorothy seemed to be asleep on her divan, stretched out beneath her panther skin.
She was not asleep. She watched me approach with lusterless eyes under drooping eyelids. I am not a man of depraved tastes and have no perverse liking for morbid looks. But what man could remain insensitive to the touching signs of a languid sensuality? Personally, I have always felt dimly but undeniably drawn to Botticelli faces. And Dorothy, with her loose hair, her cheek gently resting on the velvet, her half-open lips, her pale, translucent complexion, evoked the lovely, doleful Pietà of the Uffizi in Florence. It moved me deeply. I stepped closer, uncertain whether she would not suddenly emerge from her torpor and throw me out. But she didn’t. She let me come up to her, never stirring except for one hand which she turned over in a gesture of abandon, so that I might place mine in it.
I knelt down and murmured: “Can you forgive me?”
She closed her eyes, her lips moved in the ghost of a smile, she pressed my hand in hers. Nothing else. She half drew up her eyelids, again rested that heavy gaze on me. She seemed to be waiting. I put my arms around her and said, “If you’d like to… I do, now.”
She shook her head very slowly, muttered “No,” and I lay down at her side. I wanted to clasp her in my arms again but she gently pushed me away.
“Let’s do whatever you wish,” I said. “Tell me what you would like.”
She took my face in her hands, gazed at it for a while, then whispered, “What I like-really?”
“Really,” I said, and smiled.
She scanned my face for some time more without speaking, then said, “Stretch your arm out behind you.”
I did.
“On the shelf,” she said, “there’s a powder box.”
I groped for it, found it, handed it to her. Her fingers trembled to open it.
“Take some with me,” she said under her breath, in a tone in which prayer and command mingled with an almost incredulous shyness. Had I expected this? Perhaps. In any case I hardly hesitated.
The powder box shook in her hands. She must have read in my eyes that I was willing. Her own eyes sparkled. She held a quivering palm close to my nostrils. I inhaled several times. Her pupils became unbelievably large. Soon my head was spinning exquisitely. I dropped my cheek on the velvet opposite her face. A vast sweetness pervaded me.
I felt a feverish breath on my lips, while someone was saying very low, with an avid curiosity, “Yes?” But I was already so wonderfully weary, carefree and happy that I could only acquiesce with a slight puckering of my eyelids. And later we remained for an immeasurable time without moving, commingling our exhausted breath.
Chapter 28
IF there is something more entrancing than a solitary vice, it is the same vice shared with another. Especially during the initiation when, elated by their secret complicity, master and disciple alike are gripped by a sort of all-consuming passion. One then feels that the slightest falling off in the partner’s pleasure, the briefest pause in his intoxication, is an unbearable letdown. Alone, one may possibly use moderation, exercise restraint; but when there are two, all self-restraint founders. No sooner did Dorothy and I surface from our euphoria than she plunged us into it again, with a kind of ferocious impatience, and I let myself be carried away unresistingly, completely given up to the intoxicating novelty of sensation. And seeing me abandon myself helplessly to her perverse desire must have given Dorothy a particularly intense delight, for I remember hearing her groan as if with sensual pleasure.
We abandoned ourselves to it all with frenzy: to ecstasy and unconsciousness, to the most oblivious indolence and to sudden fits of erotic rapture that would seize us both together. However, I can only recall confused images of all those hallucinating days. And perhaps even they are imaginary. They have no link with one another. Even when it comes to the rare moments of solitude and clearheadedness which I wrested from Dorothy’s grasp in order to assure myself that I was still in control of my will, I am unable to situate them in time and hardly even in space.
I can see myself at my hotel once, in the process of having a bath. But when? Another time, on Battersea Bridge, offering my face to the sea-born breeze as if trying to sober up. Still another time in the street market behind Paddington, but I am with Dorothy, and we are floating like sleepwalkers; we must have left Galveston Lane with our minds still cloudy with drugs.
Apart from that I have only foggy visions, half of which were probably mere dreams. Still, I can see the wallpaper representing parrots amid bamboo reeds-a paper which, though faded, suddenly takes on life and color, and I even hear the rustling of the birds’ wings. For a long time now there is neither day nor night in this room, for Dorothy has drawn the curtains and blinds, as if to enclose us in a warmer, more feverish intimacy. I remember the sour perfume that rises from the body next to me more distinctly than its vague outline under the dim light of the lamp shade. What I recall, however, with illusory precision is Dorothy clad in rags, sitting on the edge of a boat rather like a gondola and filled to the brim with strawberries, peaches, red currants; and also her falling backward and laughing amid the pungent fragrance of the crushed fruit.
But what is this insinuating sweetness that forces my teeth open, fills my mouth with a voluptuous paste which oddly enough I relish, while burning lips crush mine? A naked Dorothy, her hair in the wind, knee-deep in water and surrounded by foam, beckoning to me to join her-I can see her as if I were there; but to whom belongs this graceful, pearly body, shining with sweat and writhing on the divan to clamor for new pleasures? And whence comes, on the ceiling, that sort of lambent dragon or hippograph, at once motionless and dancing? It suddenly slithers silently down the corner of the room, pokes forward a hazy and hilarious head that almost touches me and melts away.