Tibbit was delighted. To him, this was real police work. He flipped open his notebook and summarized his notes. Eager to make an impression, he had copied them up neatly the evening before.
“Some people heard dustbins being knocked over sometime after midnight.”
“And?”
“A box van was seen on several nights prior to the night he died.”
Tibbit flipped over some more pages.
“There was a silver VW Polo, too—with a woman in it.”
“Nothing else?”
“Nope. Everyone I met liked him, though.”
“Okay, we’ve established that he was popular, and not just with the ladies. We should cross-check any VW Polos with the names ‘Bessie’ or ‘Elizabeth.’ Otto and Baker, I want you to go back to Grimm’s Road and try to find the slug that killed him; you should liaise with Mrs. Singh and Skinner to estimate where it fell. I want drains lifted and bins searched, along with any other place where we might conceivably find a gun. Ashley, start the usual trace proceedings on Miss Vienna and ring around to hair salons to see if you can match the auburn hair.”
He held up a photograph of the Marchetti shotgun.
“And there’s this. It was found in Dumpty’s office and links to one of Chymes’s cases, a double murder eighteen months ago, about the same time that Dumpty starts to buy shares in the rapidly failing Spongg foot-care empire, apparently against all better judgment. The dates might be a coincidence, but equally, there might be a link between the two.”
“The shotgun proves that, doesn’t it, sir?” ventured Baker.
“Not at all. It could have changed hands a dozen times. Skinner is matching the shell cases as we speak to see if it was the murder weapon. Gretel?”
“Where did he get the money to buy all those shares?”
“Another good question. We don’t know. He traded in bonds, commodities, currency, scrap, béarnaise sauce, strawberries—anything he could lay his hands on. I’d like you to unravel just exactly where all his capital came from. He made two and a half million from scratch in eighteen months and spent the lot on shares in a failing chiropody empire. I think we should know the reason why.”
“I’ll get onto it straightaway,” said Gretel, rubbing her hands in happy anticipation of all the forensic accounting to come.
Baker had been studying the photo of Humpty. “I think he owned a car, sir.”
“What makes you say that?”
“It’s those short legs. I don’t suppose he could go far on them without getting a bit pooped.”
“I’ll have a look,” said Ashley, twisting the computer terminal towards him and tapping in to the Police National Computer.
“At the same time,” continued Jack, “I want you to run the usual checks on his background. I want every single scrap of information on him you can find.”
Ashley turned from his terminal. He had found Humpty’s car.
“Registered to Mr. H. A. Dumpty, a red 1963 modified Ford Zephyr, registration number Echo Golf Golf three one four. One owner since new, tax disc renewed a month ago. Grimm’s Road address.”
“I want this car found. Mary, speak to uniform and put out a bulletin. Baker, I want you to put your ear to the ground in town. He’s been lying low this past year, so see if you can find out why and where.”
Mary thought of something and rummaged in a box of filed evidence. She located what she was looking for—the pictures that they had found in Humpty’s desk of the Sacred Gonga Visitors’ Center. They were all pictures taken from the window of a car. A red car.
“You’re boys,” she said, showing the pictures to Ashley and Baker. “Tell me, does that look like a Ford Zephyr?”
“Definitely,” replied Baker. “My uncle used to own one.”
Jack took the picture that had the young man in it and handed it to Tibbit.
“Then we need to find this chap, too. He’s a known associate of Humpty’s, and they were together, as this date in the photo would attest, almost exactly a year ago. Tibbit, get copies made and circulate them around the station—if he’s a local lad with a record, someone might recognize him.”
Tibbit took the picture and hurried off.
“Mrs. Dumpty is his ex-wife, still bitter and still in love with him. Mary, have you spoken to her?”
“Not yet, sir. She’s not at home or work. I’ve left messages.”
Jack looked at his watch. “That’s all for now. We’ll reconvene after lunch.”
He picked up his coat and headed for the door.
“Ashley, keep on trying Mrs. Dumpty and let Randolph Spongg and Solomon Grundy know we’re on our way. Mary—with me.”
He was feeling good again, for the first time in as long as he could remember.
“Where are we going, sir?”
“To learn a bit more about Reading’s foot-care empire.”
18. Lord Randolph Spongg IV
Spongg Footcare is an island of benevolent industrial practices, slowly being eroded by the sea of change. All the other companies around it are run by hard-nosed businessmen to whom profit is everything and workers merely numbers on a report. Spongg’s is, of course, unlikely to survive long.
—Report in The Financial Toad, June 11, 1986
Jack parked the Allegro in the deserted visitors’ car park, next to a huge stylized sculpture of a foot with a large void through it. He pulled his collar up against the rain and looked up at the Gothic-style redbrick factory. Apart from a few wisps of smoke creeping from its chimneys and the muffled sound of machinery from within, the whole place seemed deserted. It was shabby, too. Large sections of stucco were missing from the walls, the brickwork was badly stained and the windows were cracked and grimy.
They walked up the steps to the grand entrance and noted how the carved stone doorway depicted, in ten stages, the evolution of the foot from a flipper to the appendage of modern man. There was no one around, so Jack pushed open the heavy doors. The interior was similarly deserted; a musty, damp smell that reminded them both of Grimm’s Road rose up to meet them. As their eyes became accustomed to the gloom, they could see that they were standing in a vast entry hall dimly lit by roof-high stained-glass windows depicting great moments in chiropody. The foot theme didn’t end with the windows—they were standing on an immense mosaic of a foot with one of Spongg’s corn plasters on its big toe, picked out in gold and azure tiles. Below the picture, Spongg’s easily recognizable logo was written in brass letters a yard high. The walls were similarly adorned with an exquisite mural of mythical creatures in a setting of a forest in summer. There were satyrs, nymphs, cherubs and centaurs, all suffering from various foot problems and bathed in shafts of light. Next to each was a painted Spongg product being lovingly administered by beautiful and appropriately dressed maidens. The expressions of contentment on the creatures’ faces left one with little doubt as to the effectiveness of the remedies.