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But she wasn’t listening. “Oh, my God!” she squealed, ignoring the sarcasm and all it was meant to imply. She did something with her hands, her face; her hair helicoptered round her head. “I can’t believe it. He’s my hero, he’s my god. I want to have his baby!”

The noodles congealed in my mouth like wet confetti. I didn’t have the heart to point out that I was his baby, for better or worse.

It wasn’t that I hated him exactly — it was far more complicated than that, and I guess it got pretty Freudian too, considering the way he treated my mother and the fact that I was thirteen and having problems of my own when he went out the door like a big cliché and my mother collapsed into herself as if her bones had suddenly melted. I’d seen him maybe three or four times since and always with some woman or other and a fistful of money and a face that looked like he’d just got done licking up a pile of dogshit off the sidewalk. What did he want from me? What did he expect? At least he’d waited till my sister and brother were in college, at least they were out of the house when the cleaver fell, but what about me? I was the one who had to go into that classroom in the tenth grade and read that shitty story and have the teacher look at me like I had something to share, some intimate little anecdote I could relate about what it was like living with a genius — or having lived with a genius. And I was the one who had to see his face all over the newspapers and magazines when he published Blood Ties, his postmodernist take on the breakdown of the family, a comedy no less, and then read in the interviews about how his wife and children had held him back and stifled him — as if we were his jailers or something. As if I’d ever bothered him or dared to approach the sanctum of his upstairs office when his genius was percolating or asked him to go to a Little League game and sit in the stands and yabber along with the rest of the parents. Not me. No, I was the dutiful son of the big celebrity, and the funny thing was, I wouldn’t have even known he was a celebrity if he hadn’t packed up and left.

He was my father. A skinny man in his late forties with kinky hair and a goatee who dressed like he was twenty-five and had a dead black morbid outlook on life and twisted everything into the kind of joke that made you squirm. I was proud of him. I loved him. But then I saw what a monster of ego he was, as if anybody could give two shits for literature anymore, as if he was the center of the universe while the real universe went on in the streets, on the Internet, on TV and in the movie theaters. Who the hell was he to reject me?

So: Victoria Roethke.

I told her I’d never licked anybody’s nose ring before and she asked me if I wanted to go over to her apartment and listen to music and have sex, and though I felt like shit, like my father’s son, like the negative image of something I didn’t want to be, I went. Oh, yes: I went.

She lived in a cramped drafty ancient wreck of a nondescript house from the wood-burning era, about five blocks from campus. We ran all the way, of course — it was either that or freeze to the pavement — and the shared effort, the wheezing lungs and burning nostrils, got us over any awkwardness that might have ensued. We stood a minute in the superheated entryway that featured a row of tarnished brass coathooks, a dim hallway lined with doors coated in drab shiny paint and a smell of cat litter and old clothes. I followed her hair up a narrow stairway and into a one-room apartment not much bigger than a prison cell. It was dominated by a queen-size mattress laid out on the floor and a pair of speakers big enough to double as end tables, which they did. Bricks and boards for the bookcases that lined the walls and pinched them in like one of those shrinking rooms in a sci-fi flick, posters to cover up the faded nineteenth-century wallpaper, a greenish-looking aquarium with one pale bloated fish suspended like a mobile in the middle of it. The solitary window looked out on everything that was dead in the world. Bathroom down the hall.

And what did her room smell like? Like an animal’s den, like a burrow or a hive. And female. Intensely female. I glanced at the pile of brassieres, panties, body stockings and sweatsocks in the corner, and she lit a joss stick, pulled the curtains and put on a CD by a band I don’t want to name here, but which I like — there was no problem with her taste or anything like that. Or so I thought.

She straightened up from bending over the CD player and turned to me in the half-light of the curtained room and said, “You like this band?”

We were standing there like strangers amidst the intensely personal detritus of her room, awkward and insecure. I didn’t know her. I’d never been there before. And I must have seemed like some weird growth sprung up on the unsuspecting flank of her personal space. “Yeah,” I said, “they’re hot,” and I was going to expand on that with some technical praise, just to let her see how hip and knowing I was, when she threw out a sigh and let her arms fall to her sides.

“I don’t know,” she said, “what I really like is soul and gospel — especially gospel. I put this on for you.”

I felt deflated suddenly, unhip and uncool. There she was, joss stick sweetening the air, her hair a world of its own, my father’s fan — my absent famous self-absorbed son of a bitch of a father actually pimping for me — and I didn’t know what to say. After an awkward pause, the familiar band slamming down their chords and yowling out their shopworn angst, I said, “Let’s hear some of your stuff then.”

She looked pleased, her too-small mouth pushed up into something resembling a smile, and then she stepped forward and enveloped me in her hair. We kissed. She kissed me, actually, and I responded, and then she bounced the two steps to the CD player and put on Berna Berne and the Angeline Sisters, a slow thump of tinny drums and an organ that sounded like something fresh out of the muffler shop, followed by a high-pitched blur of semihysterical voices. “Like it?” she said.

What could I say? “It’s different,” I said.

She assured me it would grow on me, like anything else, if I gave it half a chance, ran down the other band for their pedestrian posturing, and invited me to get into her bed. “But don’t take off your clothes,” she said, “not yet.”

I had a three o’clock class in psychology, the first meeting of the semester, and I suspected I was going to miss it. I was right. Victoria made a real ritual of the whole thing, clothes coming off with the masturbatory dalliance of a strip show, the covers rolling back periodically to show this patch of flesh or that, strategically revealed. I discovered her breasts one at a time, admired the tattoo on her ankle (a backward S that proved, according to her, that she was a reincarnated Norse skald), and saw that she really was a redhead in the conventional sense. Her lips were dry, her tongue was unstoppable, her hair a primal encounter. When we were done, she sat up and I saw that her breasts pointed in two different directions, and that was human in a way I can’t really express, a very personal thing, as if she was letting me in on a secret that was more intimate than the sex itself. I was touched. I admit it. I looked at those mismatched breasts and they meant more to me than her lips and her eyes and the deep thrumming instrument of her voice, if you know what I mean.

“So,” she said, sipping from a mug of water she produced from somewhere among a stack of books and papers scattered beside the mattress, “what do I call you? I mean, Achates — right? — that’s a real mouthful.”

“That’s my father,” I said. “One of his bullshit affectations — how could the great one have a kid called Joe or Evan or Jim-Bob or Dickie?” My head was on the pillow, my eyes were on the ceiling. “You know what my name means? It means ‘faithful companion,’ can you believe that?”