She took the card back with a frown, her eyebrows closing ranks. “Everybody calls me Samantha,” she said. “Really.” And to her companions: “Right, guys?” I watched them nod their glossy heads. The older one, the sister, giggled. “And besides, I don’t want any of the creeps to know my real name — even my first name — you know what I mean?”
Oh, yes, yes I did. And I smiled and bantered and called up reserves of charm I hadn’t used in years, and the drinks were on me all night long. It was Samantha’s birthday, wasn’t it? And her twenty-first, no less — a rite of passage if ever there was one. I poured Grand Marnier and Rémy till the customers disappeared and the waiters and busboys slipped out the back and the lights drew down to nothing.
—
I woke with a headache. I’d matched them, round for round, and, as I say, I’d started in on the Irish whiskey earlier in the night — and yes, I’m all too well aware that the concrete liver and stumbling tongue are hazards of the profession, but I’m pretty good at keeping all that in check. I do get bored, though, and wind up overdoing it from time to time, especially when the novel isn’t going well, and it hadn’t been going well in a long while. The problem was, I couldn’t get past the initial idea — the setup — which was a story I’d come across in the newspaper two or three years ago. It had to do with an old woman’s encounter with the mysterious forces of nature (I don’t recall her real name, not that it would matter, but I called her Grandma Rivers, to underscore the irony that here was a woman with eight children, thirty-two grandchildren and six great-grandchildren and she was living alone in a trailer park in a part of the country so bleak no one who wasn’t condemned to it would ever even deign to glance down on it from the silvered window of a jetliner at thirty-five thousand feet). One night, when the wind was sweeping up out of the south with the smell of paradise on it and all her neighbors were mewed up in their aluminum boxes lulled by booze, prescription drugs and the somnolent drone of the tube, she stepped outside to take in the scent of the night and indulge in a cigarette (she always smoked outside so as not to pollute the interior of her own little aluminum box set there on the edge of the scoured prairie). No sooner had she lit up than a fox — a red fox, Vulpes fulva—shot out of the shadows and latched onto her ankle. In the shock and confusion of that moment, she lurched back, lost her balance and fell heavily on her right side, dislocating her hip. But the fox, which later proved to be rabid, came right back at her, at her face this time, and the only thing she could think to do in her panic was to seize hold of it with her trembling old arms and pin it beneath her to keep the snapping jaws away from her.
Twelve hours. That’s how long she lay there, unable to move, the fox snarling and writhing beneath her, its heartbeat joined to hers, its breathing, the eloquent movement of its fluids and juices and the workings of its demented little vulpine brain, until somebody — a neighbor — happened to glance beyond the hedge and the hump of the blistered old Jeep Wagoneer her late husband had left behind to see her there, stretched out in the gravel drive like a strip of discarded carpet. Yes. But what then? That was what had me stumped. I thought of going back and tracing her life up to that point, her girlhood in the Depression, her husband’s overseas adventures in the war, the son killed in Vietnam… or maybe just to let her sink into the background while I focused on the story of the community, the benighted neighbors and their rat-faced children, so that the trailer park itself became a character….
But, as I say, I woke with a headache, and when I did sit down at the computer, it wasn’t to call up Grandma Rivers and the imperfect dream of her life, but to click onto peephall.com and watch another sort of novel unfold before my eyes, one in which the plot was out of control and the details were selected and shaped only by the anonymous subscriber with his anonymous mouse. I went straight to Samantha’s bedroom, but her bed was empty save for the jumbled topography of pillows and bedclothes, and I stared numbly at the shadows thickening round the walls, at the limp form of the gown tossed over a chair, and checked my watch. It was ten-thirty. Breakfast, I thought. I clicked on “Kitchen,” but that wasn’t her staring into the newspaper with a cup of coffee clenched in one hand and a Power Bar in the other, nor was that her bent at the waist and peering into the refrigerator as if for enlightenment. I went to the living room, but it was empty, a dully flickering static space caught in the baleful gaze of my screen. Had she gone out already? To an early class maybe?
But then I remembered she was taking only one class—“Intermediate Sketching,” paid for by the Web site operators, who were encouraging the Sexy Teen College Coeds actually to enroll so that all the voyeurs out there could live the fantasy of seeing them hitting the books in their thong bikinis and lacy push-up bras — and that the class met in the afternoon. She was getting paid too, incidentally — five hundred dollars a month, plus the rent-free accommodations at Peep Hall and a food allowance — and all for allowing the world to watch her live hot sexy young life through each scintillating minute of the over-inflated day, the orotund month and the full, round year. I thought of the girls who posed naked for the art classes back when I was an undergraduate (specifically, I thought of Nancy Beckers, short, black hair, balls of muscle in her calves and upper arms and a look in her eyes that made me want to strip to my socks and join her on the dais), and then I clicked on “Downstairs Bath,” and there she was.
This wasn’t a hot sexy moment. Anything but. Samantha — my Samantha — was crouched over the toilet on her knees, the soles of her feet like single quotes around the swell of her buttocks, her hair spilling over the bright rim of the porcelain bowl. I couldn’t see her face, but I watched the back of her head jerk forward as each spasm racked her, and I couldn’t help playing the sound track in my mind, feeling sorrowful and guilty at the same time. Her feet — I felt sorry for her feet — and the long sudden shiver of her spine and even the dangling wet ends of her hair. I couldn’t watch this. I couldn’t. My finger was on the mouse — I took one more look, watched one last shudder ascend her spine and fan out across her shoulder blades, watched her head snap forward and her hair slide loose, and then I clicked off and left her to suffer in private.
—
A week rolled by, and I hardly noticed. I wasn’t sleeping well, wasn’t exercising, wasn’t sitting on the porch with a book in my hand and the world opening up around me like a bigger book. I was living the life of the screen, my bones gone hollow, my brain dead. I ate at my desk, microwave pizza and chili-cheese burritos, nachos, whiskey in a glass like a slow, sweet promise that was never fulfilled. My scalp itched. My eyes ached. But I don’t think I spent a waking moment outside work when I wasn’t stalking the rooms of Peep Hall, clicking from camera to camera in search of a new angle, a better one, the view that would reveal all. I watched Gina floss her teeth and Candi pluck fine translucent hairs from the mole at the corner of her mouth, sat there in the upstairs bath with Traci as she bleached her roots and shaved her legs, hung electrified over the deck as Cyndi perched naked on the railing with a bottle of vodka and a cigarette lighter, breathing fire into the gloom of the gathering night. Mainly, though, I watched Samantha. When she was home, I followed her from room to room, and when she picked up her purse and went out the door, I felt as if Peep Hall had lost its focus. It hurt me, and it was almost like a physical hurt, as if I’d been dealt an invisible blow.