The figure flickered and changed as it walked up the drive. One moment it was dark, bull-like, minotaurish, the next it was slim and female, and the next it was a cat itself, a scarred, huge grey-green wildcat, its face contorted with hate.
There are steps that lead up to my porch, four white wooden steps in need of a coat of paint (I knew they were white, although they were, like everything else, green through my binoculars). At the bottom of the steps, the Devil stopped, and called out something that I could not understand, three, perhaps four words in a whining, howling language that must have been old and forgotten when Babylon was young; and, although I did not understand the words, I felt the hairs raise on the back of my head as it called.
And then I heard, muffled through the glass, but still audible, a low growl, a challenge, and, slowly, unsteadily, a black figure walked down the steps of the house, away from me, toward the Devil. These days the Black Cat no longer moved like a panther, instead he stumbled and rocked, like a sailor only recently returned to land.
The Devil was a woman, now. She said something soothing and gentle to the cat, in a tongue that sounded like French, and reached out a hand to him. He sank his teeth into her arm, and her lip curled, and she spat at him.
The woman glanced up at me, then, and if I had doubted that she was the Devil before, I was certain of it now: the woman’s eyes flashed red fire at me; but you can see no red through the night-vision binoculars, only shades of a green. And the Devil saw me, through the window. It saw me. I am in no doubt about that at all.
The Devil twisted and writhed, and now it was some kind of jackal, a flat-faced, huge-headed, bull-necked creature, halfway between a hyena and a dingo. There were maggots squirming in its mangy fur, and it began to walk up the steps.
The Black Cat leapt upon it, and in seconds they became a rolling, writhing thing, moving faster than my eyes could follow.
All this in silence.
And then a low roar—down the country road at the bottom of our drive, in the distance, lumbered a late-night truck, its blazing headlights burning bright as green suns through the binoculars. I lowered them from my eyes, and saw only darkness, and the gentle yellow of headlights, and then the red of rear lights as it vanished off again into the nowhere at all.
When I raised the binoculars once more there was nothing to be seen. Only the Black Cat, on the steps, staring up into the air. I trained the binoculars up, and saw something flying away—a vulture, perhaps, or an eagle—and then it flew beyond the trees and was gone.
I went out onto the porch, and picked up the Black Cat, and stroked him, and said kind, soothing things to him. He mewled piteously when I first approached him, but, after a while, he went to sleep on my lap, and I put him into his basket, and went upstairs to my bed, to sleep myself. There was dried blood on my tee shirt and jeans, the following morning.
That was a week ago.
The thing that comes to my house does not come every night. But it comes most nights: we know it by the wounds on the cat, and the pain I can see in those leonine eyes. He has lost the use of his front left paw, and his right eye has closed for good.
I wonder what we did to deserve the Black Cat. I wonder who sent him. And, selfish and scared, I wonder how much more he has to give.
DARK EYES, FAITH, AND DEVOTION
Charles de Lint
Charles de Lint is a full-time writer and musician who presently makes his home in Ottawa, Canada, with his wife MaryAnn Harris, an artist and musician. His most recent books are Widdershins, Promises to Keep, Dingo, and The Mystery of Grace. Other recent publications include the collections The Hour Before Dawn, Triskell Tales 2, and Muse and Reverie. For more information about his work, visit his website at www.charlesdelint.com.
Many of de Lint’s short stories take place in the fictional city of Newford and “Dark Eyes, Faith, and Devotion” is one of them. In it, an atypical taxi driver provides an atypical favor for one of his fares, with unexpected results.
I’ve just finished cleaning the vomit my last fare left in the back seat—his idea of a tip, I guess, since he actually short-changed me a couple of bucks—and I’m back cruising when the woman flags me down on Gracie Street, outside one of those girl-on-girl clubs. I’ll tell you, I’m as open-minded as the next guy, but it breaks my heart when I see a looker like this playing for the other team. She’s enough to give me sweet dreams for the rest of the week, and this is only Monday night.
She’s about five-seven or five-eight and dark-skinned—Hispanic, maybe, or Indian. I can’t tell. I just know she’s gorgeous. Jet black hair hanging straight down her back and she’s all decked out in net stockings, spike heels, and a short black dress that looks like it’s been sprayed on and glistens like satin. Somehow she manages to pull it off without looking like a hooker. It’s got to be her babydoll face—made up to a T, but so innocent all you want to do is keep her safe and take care of her. After you’ve slept with her, mind.
I watch her in the rearview mirror as she gets into the backseat—showing plenty of leg with that short dress of hers and not shy about my seeing it. We both know that’s all I’m getting and I’m lucky to get that much. She wrinkles her nose and I can’t tell if it’s some linger of l’eau de puke or the Lysol I sprayed on the seat after I cleaned up the mess my last fare left behind.
Hell, maybe it’s me.
“What can I do for you, ma’am?” I ask.
She’s got these big, dark eyes and they fix on mine in the rearview mirror, just holding on to my gaze like we’re the only two people in the world.
“How far are you willing to go?” she asks.
Dressed like she is, you’d be forgiven for thinking it was a come-on. Hell, that was my first thought anyway, doesn’t matter she’s playing on that other team. But there’s that cherub innocence thing she’s got going for her and, well, take a look at a pug like me and you know the one thing that isn’t going to happen is some pretty girl’s going to make a play for me from the back seat of my cab.
“I can take you any place you need to go,” I tell her, playing it safe.
“And if I need something else?” she asks.
I shake my head. “I don’t deal with anything that might put me inside.”
I almost said “back inside,” but that’s not something she needs to know. Though maybe she already does. Maybe when I pulled over she saw the prison tattoos on my arms—you know, you put them on with a pin and the ink from a ballpoint so they always come out looking kind of scratchy and blue.
“Someone has stolen my cat,” she says. “I was hoping you might help me get her back.”
I turn right around in my seat to look at her straight on. I decide she’s Hispanic from her accent. I like the Spanish warmth it puts on her words.
“Your cat,” I say. “You mean like a pet?”
“Something like that. I really do need someone to help me steal her back.”
I laugh. I can’t help it.
“So what, you flag down the first cab you see and figure whoever’s driving it’ll take a short break from cruising for fares to help you creep some joint?”
“Creep?” she asks.
“Break in. But quietly, you know, because you’re hoping you won’t get caught.”
She shakes her head.
“No,” she says. “I just thought you might.”
“And that would be because…?”
“You’ve got kind eyes.”
People have said a lot of things about me over the years, but that’s something I’ve never heard before. It’s like telling a wolf he’s got a nice smile. I’ve been told I’ve got dead eyes, or a hard stare, but no one’s ever had anything nice to say about them before. I don’t know if it’s because of that, or if it’s because of that innocence she carries that just makes you want to take care of her, but I find myself nodding.