His voice was the voice of the slave in the stone tower. It was she who knew the true name of quicksilver and spoke it through him.
Then for a while he held still, body and mind, beginning to understand for the first time where his power lay.
He stood in the locked room in the dark and knew he would go free, because he was already free. A storm of praise ran through him.
After a while, deliberately, he re-entered the trap of spell-bonds, went back to his old place, sat down on the pallet, and went on thinking. The prisoning spell was still there, yet it had no power over him now. He could walk into it and out of it as if it were mere lines painted on the floor. Gratitude for this freedom beat in him as steady as his heartbeat.
He thought what he must do, and how he must do it. He wasn't sure whether he had summoned her or she had come of her own will; he didn't know how she had spoken the word of the Old Tongue to him or through him. He didn't know what he was doing, or what she was doing, and he was almost certain that the working of any spell would rouse Gelluk. But at last, rashly, and in dread, for such spells were a mere rumor among those who had taught him his sorcery, he summoned the woman in the stone tower.
He brought her into his mind and saw her as he had seen her, there, in that room, and called out to her; and she came.
Her apparition stood again just outside the spiderweb cords of the spell, gazing at him, and seeing him, for a soft, bluish, sourceless light filled the room. Her sore, raw lips quivered but she did not speak.
He spoke, giving her his true name: "I am Medra."
"I am Anieb," she whispered.
"How can we get free?"
"His name."
"Even if I knew it… When I'm with him I can't speak."
"If I was with you, I could use it."
"I can't call you."
"But I can come," she said.
She looked round, and he looked up. Both knew that Gelluk had sensed something, had wakened. Otter felt the bonds close and tighten, and the old shadow fall.
"I will come, Medra," she said. She held out her thin hand in a fist, then opened it palm up as if offering him something. Then she was gone.
The light went with her. He was alone in the dark. The cold grip of the spells took him by the throat and choked him, bound his hands, pressed on his lungs. He crouched, gasping. He could not think; he could not remember. "Stay with me," he said, and did not know who he spoke to. He was frightened, and did not know what he was frightened of. The wizard, the power, the spell… It was all darkness. But in his body, not in his mind, burned a knowledge he could not name any more, a certainty that was like a tiny lamp held in his hands in a maze of caverns underground. He kept his eyes on that seed of light.
Weary, evil dreams of suffocation came to him, but took no hold on him. He breathed deep. He slept at last. He dreamed of long mountainsides veiled by rain, and the light shining through the rain. He dreamed of clouds passing over the shores of islands, and a high, round, green hill that stood in mist and sunlight at the end of the sea.
The wizard who called himself Gelluk and the pirate who called himself King Losen had worked together for years, each supporting and increasing the other's power, each in the belief that the other was his servant.
Gelluk was sure that without him Losen's rubbishy kingdom would soon collapse and some enemy mage would rub out its king with half a spell. But he let Losen act the master. The pirate was a convenience to the wizard, who had got used to having his wants provided, his time free, and an endless supply of slaves for his needs and experiments. It was easy to keep up the protections he had laid on Losen's person and expeditions and forays, the prisoning spells he had laid on the places slaves worked or treasures were kept. Making those spells had been a different matter, a long hard work. But they were in place now, and there wasn't a wizard in all Havnor who could undo them.
Gelluk had never met a man he feared. A few wizards had crossed his path strong enough to make him wary of them, but he had never known one with skill and power equal to his own.
Of late, entering always deeper into the mysteries of a certain lore-book brought back from the Isle of Way by one of Losen's raiders, Gelluk had become indifferent to most of the arts he had learned or had discovered for himself. The book convinced him that all of them were only shadows or hints of a greater mastery. As one true element controlled all substances, one true knowledge contained all others. Approaching ever closer to that mastery, he understood that the crafts of wizards were as crude and false as Losen's title and rule. When he was one with the true element, he would be the one true king. Alone among men he would speak the words of making and unmaking. He would have dragons for his dogs.
In the young dowser he recognized a power, untaught and inept, which he could use. He needed much more quicksilver than he had, therefore he needed a finder. Finding was a base skill. Gelluk had never practiced it, but he could see that the young fellow had the gift. He would do well to learn the boy's true name so that he could be sure of controlling him. He sighed at the thought of the time he must waste teaching the boy what he was good for. And after that the ore must still be dug out of the earth and the metal refined. As always, Gelluk's mind leapt across obstacles and delays to the wonderful mysteries at the end of them.
In the lore-book from Way, which he brought with him in a spell-sealed box whenever he traveled, were passages concerning the true refiner's fire. Having long studied these, Gelluk knew that once he had enough of the pure metal, the next stage was to refine it yet further into the Body of the Moon. He had understood the disguised language of the book to mean that in order to purify pure quicksilver, the fire must be built not of mere wood but of human corpses. Rereading and pondering the words this night in his room in the barracks, he discerned another possible meaning in them. There was always another meaning in the words of this lore. Perhaps the book was saying that there must be sacrifice not only of base flesh but also of inferior spirit. The great fire in the tower should burn not dead bodies but living ones. Living and conscious. Purity from foulness: bliss from pain. It was all part of the great principle, perfectly clear once seen. He was sure he was right, had at last understood the technique. But he must not hurry, he must be patient, must make certain. He turned to another passage and compared the two, and brooded over the book late into the night. Once for a moment something drew his mind away, some invasion of the outskirts of his awareness; the boy was trying some trick or other. Gelluk spoke a single word impatiently, and returned to the marvels of the Allking's realm. He never noticed that his prisoner's dreams had escaped him.
Next day he had Licky send him the boy. He looked forward to seeing him, to being kind to him, teaching him, petting him a bit as he had done yesterday. He sat down with him in the sun. Gelluk was fond of children and animals. He liked all beautiful things. It was pleasant to have a young creature about. Otter's uncomprehending awe was endearing, as was his uncomprehended strength. Slaves were wearisome with their weakness and trickery and their ugly, sick bodies. Of course Otter was his slave, but the boy need not know it. They could be teacher and prentice. But prentices were faithless, Gelluk thought, reminded of his prentice Early, too clever by half, whom he must remember to control more strictly. Father and son, that's what he and Otter could be. He would have the boy call him Father. He recalled that he had intended to find out his true name. There were various ways of doing it, but the simplest, since the boy was already under his control, was to ask him. "What is your name?" he said, watching Otter intently.