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All this, of course, may have been altogether in the natural order; the "glow," as they call it, seems more difficult to explain. For they say that all through the nine days, and indeed after the time had ended, there never was a man weary or sick at heart in Llantrisant, or in the country round it. For if a man felt that his work of the body or the mind was going to be too much for his strength, then there would come to him of a sudden a warm glow and a thrilling all over him, and he felt as strong as a giant, and happier than he had ever been in his life before, so that lawyer and hedger each rejoiced in the task that was before him, as if it were sport and play.

And much more wonderful than this or any other wonders was forgiveness, with love to follow it. There were meetings of old enemies in the market-place and in the street that made the people lift up their hands and declare that it was as if one walked the miraculous streets of Syon.

But as to the "phenomena," the occurrences for which, in ordinary talk, we should reserve the word "miraculous"? Well, what do we know? The question that I have already stated comes up again, as to the possible survival of old tradition in a kind of dormant, or torpid, semi-conscious state. In other words, did the people "see" and "hear" what they expected to see and hear? This point, or one similar to it, occurred in a debate between Andrew Lang and Anatole France as to the visions of Joan of Arc. M. France stated that when Joan saw St. Michael, she saw the traditional archangel of the religious art of her day, but to the best of my belief Andrew Lang proved that the visionary figure Joan described was not in the least like the fifteenth-century conception of St. Michael. So, in the case of Llantrisant, I have stated that there was a sort of tradition about the holy bell of Teilo Sant; and it is, of course, barely possible that some vague notion of the Graal cup may have reached even Welsh country folks through Tennyson's _Idylls_. But so far I see no reason to suppose that these people had ever heard of the portable altar (called "Sapphirus" in William of Malmesbury) or of its changing colours "that no man could discern."

And then there are the other questions of the distinction between hallucination and vision, of the average duration of one and the other, and of the possibility of collective hallucination. If a number of people all see (or think they see) the same appearances, can this be merely hallucination. I believe there is a leading case on the matter, which concerns a number of people seeing the same appearance on a church wall in Ireland; but there is, of course, this difficulty, that one may be hallucinated and communicate his impression to the others, telepathically.

But at the last, what do we know?

* * *

THE HAPPY CHILDREN

A day after the Christmas of 1915, my professional duties took me up north; or to be as precise as our present conventions allow, to "the north-eastern district." There was some singular talk; mad gossip of the Germans having a "dug-out" somewhere by Malton Head. Nobody seemed to be quite clear as to what they were doing there or what they hoped to do there; but the report ran like wildfire from one foolish mouth to another, and it was thought desirable that the whole silly tale should be tracked down to its source and exposed or denied once and for all.

I went up, then, to that north-eastern district on Sunday, December 26th, 1915, and pursued my investigations from Helmsdale Bay, which is a small watering-place within a couple of miles of Malton Head. The people of the dales and the moors had just heard of the fable, I found, and regarded it all with supreme and sour contempt. So far as I could make out, it originated from the games of some children who had stayed at Helmsdale Bay in the summer. They had acted a rude drama of German spies and their capture, and had used Helby Cavern, between Helmsdale and Malton Head, as the scene of their play. That was all; the fools apparently had done the rest; the fools who believed with all their hearts in "the Russians," and got rough with anyone who expressed a doubt as to "the Angels of Mons."

"Gang oop to beasten and tell them sike a tale and they'll not believe it," said one dalesman to me; and I have a suspicion that he thought that I, who had come so many hundred miles to investigate the story, was but little wiser than those who credited it. He could not be expected to understand that a journalist has two offices--to proclaim the truth and to denounce the lie.

I had finished with "the Germans" and their dug-out early in the afternoon of Monday, and I decided to break the journey home at Banwick, which I had often heard of as a beautiful and curious old place. So I took the one-thirty train, and went wandering inland, and stopped at many unknown stations in the midst of great levels, and changed at Marishes Ambo, and went on again through a strange land in the dimness of the winter afternoon. Somehow the train left the level and glided down into a deep and narrow dell, dark with winter woods, brown with withered bracken, solemn in its loneliness. The only thing that moved was the swift and rushing stream that foamed over the boulders and then lay still in brown pools under the bank.

The dark woods scattered and thinned into groups of stunted, ancient thorns; great grey rocks, strangely shaped, rose out of the ground; crenellated rocks rose on the heights on either side. The brooklet swelled and became a river, and always following this river we came to Banwick soon after the setting of the sun.

I saw the wonder of the town in the light of the afterglow that was red in the west. The clouds blossomed into rose-gardens; there were seas of fairy green that swam about isles of crimson light; there were clouds like spears of flame, like dragons of fire. And under the mingling lights and colours of such a sky Banwick went down to the pools of its land-locked harbour and climbed again across the bridge towards the ruined abbey and the great church on the hill.

I came from the station by an ancient street, winding and narrow, with cavernous closes and yards opening from it on either side, and flights of uneven steps going upward to high terraced houses, or downward to the harbour and the incoming tide. I saw there many gabled houses, sunken with age far beneath the level of the pavement, with dipping roof-trees and bowed doorways, with traces of grotesque carving on their walls. And when I stood on the quay, there on the other side of the harbour was the most amazing confusion of red-tiled roofs that I had ever seen, and the great grey Norman church high on the bare hill above them; and below them the boats swinging in the swaying tide, and the water burning in the fires of the sunset. It was the town of a magic dream. I stood on the quay till the shining had gone from the sky and the waterpools, and the winter night came down dark upon Banwick.