Furvain, unlike some princes of a more restless nature, had adapted very well to that prospect. Since no one expected very much of him, he demanded very little of himself. Nature had favored him with good looks: he was tall and slender, a graceful, elegant man with wavy golden hair and finely chiseled features. He was an admirable dancer, sang quite well in a clear, light tenor voice, excelled at most sports that did not require brute physical force, and was a capable hand at swordsmanship and chariot-racing. But above all else he excelled at the making of verse. Poetry flowed from him in torrents, as rain falls from the sky. At any moment of the day or night, whether he had just been awakened after a long evening of drunken carousing or was in the midst of that carousing itself, he could take pen in hand and compose, almost extemporaneously, a ballad or a sonnet or a villanelle or a jolly rhyming epigram, or quick thumping short-legged doggerel, or even a long skein of heroic couplets, on any sort of theme. There was no profundity to such hastily dashed-off stuff, of course. It was not in his nature to probe the depths of the human soul, let alone to want to set out his findings in the form of poetry. But everyone knew that Aithin Furvain had no master when it came to the making of easy, playful verse, minor verse that celebrated the joys of the moment, the pleasures of the bed or of the bottle, verse that poked fun without ever edging into sour malicious satire, or that demonstrated a quick verbal interplay of rhythm and sound without actually being about anything at all.
“Make a poem for us, Aithin,” someone of his circle would call out, as they sat at their wine in one of the brick-walled taverns of the Castle. “Yes!” the others would cry. “A poem, a poem!”
“Give me a word, someone,” Furvain would say.
And someone, his current lover, perhaps, would say at random, “Sausage.”
“Splendid. And you, give me another, now. The first that comes to mind.”
“Pontifex,” someone else would say.
“One more,” Furvain would beg. “You, back there.”
“Steetmoy,” the reply would come, from someone at the back of the group.
And Furvain, glancing for just a moment into his wine-bowl as though some poem might be lurking there, would draw a deep breath and instantaneously begin to recite a mock epic, in neatly balanced hexameter and the most elaborate of anapestic rhythms, about the desperate craving of a Pontifex for sausage made of steetmoy meat, and the sending of the laziest and most cowardly of the royal courtiers on a hunting expedition to the snowbound lair of that ferocious white-furred creature of northern Zimroel. Without pausing he would chant for eight or ten minutes, perhaps, until the task was done, and the tale, improvised though it was, would have a beginning and a middle and an uproariously funny end, bringing him a shower of enthusiastic applause and a fresh flask of wine.
The collected works of Aithin Furvain, had he ever bothered to collect them, would have filled many volumes; but it was his custom to toss his poems aside as quickly as he had scribbled them, nor were many of them ever written down in the first place, and it was only through the prudence of his friends that some of them had been saved and copied and circulated through the land. But that was of no importance to him. Making poetry was as easy for him as drawing breath, and he saw no reason why his quick improvisations should be saved and treasured. It was not, after all, as though they had been intended as enduring works of art, such as his royal father’s tunnels had been meant to be.
The Coronal Lord Sangamor had reigned long and generally successfully as Majipoor’s junior monarch for nearly thirty years under the Pontifex Pelxinai, until at last the venerable Pelxinai had been gathered to the Source by the Divine and Sangamor had ascended to the Pontificate himself. As Pontifex it was mandatory for him to leave Castle Mount and relocate himself in the subterranean Labyrinth, far to the south, that was the constitutional home of the elder ruler. For the remainder of his life he would rarely be seen in the outside world. Aithin Furvain had dutifully visited his father at the Labyrinth not long after his investiture as Pontifex, as he and his brothers were supposed to do now and then, but he doubted that he would ever make another such journey. The Labyrinth was a dark and gloomy place, very little to his liking. It could not be very pleasing for old Sangamor either, Furvain suspected; but, like all Coronals, Sangamor had known from the start that the Labyrinth was where he must finish his days. Furvain was under no such obligation to reside there, nor even to go there at all if he chose not to. And so Furvain, who had never known his father particularly well, did not see any reason why the two of them would ever meet again.
He had effectively separated himself from the Castle as well by then, too. Even while Lord Sangamor still reigned there, Furvain had set up a second residence for himself at Dundilmir, one of the Slope Cities far down toward the base of the gigantic upthrusting fang of rock that was Castle Mount. A schoolmate and close friend of his named Tanigel had now come into his inheritance as Duke of Dundilmir, and had offered Furvain some property there, a relatively modest estate overlooking the volcanic region known as the Fiery Valley. Furvain would in essence be Duke Tanigel’s court jester, a boon companion and maker of comic verse on demand. It was mildly irregular for a Coronal’s son to accept a gift of land from a mere duke, but Tanigel understood that fifth sons of Coronals rarely were men of independent wealth, and he knew also that Furvain had grown weary of his listless life at the Castle and was looking to shift the scene of his idleness elsewhere. Furvain, who was not one to stand overmuch on dignity, had gladly acceded to Tanigel’s suggestion, and spent most of the next few years at his Dundilmir estate, enjoying raucous times amongst Tanigel and his prosperous hard-drinking friends and going up to the great Castle at the summit of the Mount only on the most formal of occasions, such as his father’s birthday, but scarcely returning to it at all after his father had become Pontifex and moved along to the Labyrinth.
Even the good life at Dundilmir had palled after a time, however. Furvain was entering his middle years, now, and he had begun to feel something that he had never experienced before, a vague gnawing dissatisfaction of some unspecifiable kind. Certainly he had nothing specific to complain about. He lived well, surrounded by amusing and enjoyable friends who admired him for the one minor skill that he practiced so well; his health was sound; he had sufficient funds to meet the ordinary expenses of his life, which were basically reasonable ones; he was rarely bored and never lacked for companions or lovers. And yet there was that odd ache in his soul from time to time, now, that inexplicable and unwarranted pang of malaise. It was a new kind of mood for him, disturbing, incomprehensible.
Perhaps the answer lay in travel, Furvain thought. He was a citizen of the largest and grandest and most beautiful world in all the universe, and yet he had seen very little of it: only Castle Mount, and no more than a dozen or so of the Mount’s Fifty Cities at that, and the pleasant but not very interesting Glayge Valley through which he had passed on his one journey to his father’s new home in the Labyrinth. There was so much more out there to visit: the legendary cities of the south, places like Sippulgar and golden Arvyanda and many-spired Kertheron, and the stilt-legged villages around silvery Lake Roghoiz, and hundreds, even thousands of others spread like jewels across this enormous continent of Alhanroel, and then there was the other major continent too, fabulous Zimroel, about which he knew practically nothing, far across the sea, abounding in marvelous attractions that sounded like places out of fable. It would be the task of several lifetimes to travel to all of those places.