The second night's instruction was perhaps less dreadful than the first; and the third was even endurable, for Blunt dealt out some praise. The fourth day Denton chanced upon the fact that the ferret-faced man was a coward. There passed a fortnight of smouldering days and feverish instruction at night; Blunt, with many blasphemies, testified that never had he met so apt a pupil; and all night long Denton dreamt of kicks and counters and gouges and cunning tricks. For all that time no further outrages were attempted, for fear of Blunt; and then came the second crisis. Blunt did not come one day—afterwards he admitted his deliberate intention—and through the tedious morning Whitey awaited the interval between the spells with an ostentatious impatience. He knew nothing of the scrapping lessons, and he spent the time in telling Denton and the vault generally of certain disagreeable proceedings he had in mind.
Whitey was not popular, and the vault disgorged to see him haze the new man with only a languid interest. But matters changed when Whitey's attempt to open the proceedings by kicking Denton in the face was met by an excellently executed duck, catch and throw, that completed the flight of Whitey's foot in its orbit and brought Whitey's head into the ash-heap that had once received Denton's. Whitey arose a shade whiter, and now blasphemously bent upon vital injuries. There were indecisive passages, foiled enterprises that deepened Whitey's evidently growing perplexity; and then things developed into a grouping of Denton uppermost with Whitey's throat in his hand, his knee on Whitey's chest, and a tearful Whitey with a black face, protruding tongue and broken finger endeavouring to explain the misunderstanding by means of hoarse sounds. Moreover, it was evident that among the bystanders there had never been a more popular person than Denton.
Denton, with proper precaution, released his antagonist and stood up. His blood seemed changed to some sort of fluid fire, his limbs felt light and supernaturally strong. The idea that he was a martyr in the civilisation machine had vanished from his mind. He was a man in a world of men.
The little ferret-faced man was the first in the competition to pat him on the back. The lender of oil cans was a radiant sun of genial congratulation.... It seemed incredible to Denton that he had ever thought of despair.
Denton was convinced that not only had he to go through with things, but that he could. He sat on the canvas pallet expounding this new aspect to Elizabeth. One side of his face was bruised. She had not recently fought, she had not been patted on the back, there were no hot bruises upon her face, only a pallor and a new line or so about the mouth. She was taking the woman's share. She looked steadfastly at Denton in his new mood of prophecy. "I feel that there is something," he was saying, "something that goes on, a Being of Life in which we live and move and have our being, something that began fifty—a hundred million years ago, perhaps, that goes on—on: growing, spreading, to things beyond us—things that will justify us all.... That will explain and justify my fighting—these bruises, and all the pain of it. It's the chisel—yes, the chisel of the Maker. If only I could make you feel as I feel, if I could make you! You will, dear, I know you will."
"No," she said in a low voice. "No, I shall not."
"So I might have thought—"
She shook her head. "No," she said, "I have thought as well. What you say—doesn't convince me."
She looked at his face resolutely. "I hate it," she said, and caught at her breath. "You do not understand, you do not think. There was a time when you said things and I believed them. I am growing wiser. You are a man, you can fight, force your way. You do not mind bruises. You can be coarse and ugly, and still a man. Yes—it makes you. It makes you. You are right. Only a woman is not like that. We are different. We have let ourselves get civilised too soon. This underworld is not for us."
She paused and began again.
"I hate it! I hate this horrible canvas! I hate it more than—more than the worst that can happen. It hurts my fingers to touch it. It is horrible to the skin. And the women I work with day after day! I lie awake at nights and think how I may be growing like them...."
She stopped. "I am growing like them," she cried passionately.
Denton stared at her distress. "But—" he said and stopped.
"You don't understand. What have I? What have I to save me? You can fight. Fighting is man's work. But women—women are different.... I have thought it all out, I have done nothing but think night and day. Look at the colour of my face! I cannot go on. I cannot endure this life.... I cannot endure it."
She stopped. She hesitated.
"You do not know all," she said abruptly, and for an instant her lips had a bitter smile. "I have been asked to leave you."
"Leave me!"
She made no answer save an affirmative movement of the head.
Denton stood up sharply. They stared at one another through a long silence.
Suddenly she turned herself about, and flung face downward upon their canvas bed. She did not sob, she made no sound. She lay still upon her face. After a vast, distressful void her shoulders heaved and she began to weep silently.
"Elizabeth!" he whispered—"Elizabeth!"
Very softly he sat down beside her, bent down, put his arm across her in a doubtful caress, seeking vainly for some clue to this intolerable situation.
"Elizabeth," he whispered in her ear.
She thrust him from her with her hand. "I cannot bear a child to be a slave!" and broke out into loud and bitter weeping.
Denton's face changed—became blank dismay. Presently he slipped from the bed and stood on his feet. All the complacency had vanished from his face, had given place to impotent rage. He began to rave and curse at the intolerable forces which pressed upon him, at all the accidents and hot desires and heedlessness that mock the life of man. His little voice rose in that little room, and he shook his fist, this animalcule of the earth, at all that environed him about, at the millions about him, at his past and future and all the insensate vastness of the overwhelming city.
V
BINDON INTERVENES
In Bindon's younger days he had dabbled in speculation and made three brilliant flukes. For the rest of his life he had the wisdom to let gambling alone, and the conceit to believe himself a very clever man. A certain desire for influence and reputation interested him in the business intrigues of the giant city in which his flukes were made. He became at last one of the most influential shareholders in the company that owned the London flying stages to which the aëroplanes came from all parts of the world. This much for his public activities. In his private life he was a man of pleasure. And this is the story of his heart.
But before proceeding to such depths, one must devote a little time to the exterior of this person. Its physical basis was slender, and short, and dark; and the face, which was fine-featured and assisted by pigments, varied from an insecure self-complacency to an intelligent uneasiness. His face and head had been depilated, according to the cleanly and hygienic fashion of the time, so that the colour and contour of his hair varied with his costume. This he was constantly changing.
At times he would distend himself with pneumatic vestments in the rococo vein. From among the billowy developments of this style, and beneath a translucent and illuminated headdress, his eye watched jealously for the respect of the less fashionable world. At other times he emphasised his elegant slenderness in close-fitting garments of black satin. For effects of dignity he would assume broad pneumatic shoulders, from which hung a robe of carefully arranged folds of China silk, and a classical Bindon in pink tights was also a transient phenomenon in the eternal pageant of Destiny. In the days when he hoped to marry Elizabeth, he sought to impress and charm her, and at the same time to take off something of his burthen of forty years, by wearing the last fancy of the contemporary buck, a costume of elastic material with distensible warts and horns, changing in colour as he walked, by an ingenious arrangement of versatile chromatophores. And no doubt, if Elizabeth's affection had not been already engaged by the worthless Denton, and if her tastes had not had that odd bias for old-fashioned ways, this extremely chic conception would have ravished her. Bindon had consulted Elizabeth's father before presenting himself in this garb—he was one of those men who always invite criticism of their costume—and Mwres had pronounced him all that the heart of woman could desire. But the affair of the hypnotist proved that his knowledge of the heart of woman was incomplete.