"Were they all murders?"
"They don't have to be. The smart looter picks a time when the apartment is empty. Or if someone's there, they just scare them or tie them up. Marge was stupid enough to try to resist, to fight back. There were plenty of signs of a struggle." Gonzalo shook his head.
Halsted said, after a painful pause, "Did they ever get the ones who did it?"
Gonzalo's eyes lifted and stared into Halsted's without any attempt at masking the contempt they held. "Do you think they even looked? That sort of thing goes on all day long. Nobody can do anything. Nobody even cares. And if they got them, so what? Would it bring back Marge?"
"It might keep them from doing it to others."
"There'd be plenty of other miserable creeps to do it." Gonzalo drew a deep breath, then said, "Well, maybe I'd better talk about it and get it out of my system. It's all my fault, you see, because I wake up too early. If it weren't for that, maybe Marge would be alive and Alex wouldn't be the wreck he is now."
"Who's Alex?" asked Avalon.
"My brother-in-law. He was married to Marge, and I liked him. I think I liked him better than I ever did her, to be truthful. She never approved of me. She thought being an artist was just my way of goofing off. Of course, once I started making a decent living-no, she never really approved of me even then and most of the time she was, meaning no disrespect to the dead, one big pain. She liked Alex, though."
"He wasn't an artist?" Avalon was carrying the burden of the questioning and the others seemed willing to leave it to him.
"No. He wasn't much of anything when they married, just a drifter, but afterward he became exactly what she wanted. She was what he needed to get a little push into him. They needed each other. She had something to care for-"
"No children?"
"No. None. Unless you want to count one miscarriage. Poor Marge. Something biological, so she couldn't have kids. But it didn't matter. Alex was her kid, and he flourished. He got a job the month he was married, got promoted, did well. They were getting to the point where they were planning to move out of that damned death trap, and then it happened. Poor Alex. He was as much to blame as I was. More, in fact. Of all days, he had to leave the house on that one."
"He wasn't in the apartment, then?"
"Of course not. If he was, he might have scared them off."
"Or he might have gotten killed himself."
"In which case they would probably have run off and
left Marge alive. Believe me, I've listened to him list the possibilities. No matter how he slices it, she'd still be alive if he hadn't left that day, and it bothers him. And let me tell you, he's gone to pot since it happened. He's just a drifter again now. I give him money when I can and he gets odd jobs now and then. Poor Alex. He had that five years of marriage when he was really making it. He was a go-getter. Now it's all for nothing. Nothing to show for it."
Gonzalo shook his head. "What gets me is that the victim isn't the one who gets the worst of it. It's a senseless murder-hell, everything they got in the apartment amounted to no more than about ten, fifteen dollars in small bills-but at least Marge died quickly. The knife was right in the heart. But Alex suffers every day of his life now, and my mother took it hard. And it bothers me, too."
"Listen," said Halsted, "if you don't want to talk about it-"
"It's all right… I think of it nights sometimes. If I didn't wake up early that day-"
"That's the second time you said that," said Trumbull. "What's your waking up early got to do with it?"
"Because people who know me count on it. Look, I always wake up at eight a.m. sharp. It doesn't vary by as much as five minutes one way or the other. I don't even bother keeping the clock by my bed; it stays in the kitchen. It's got something to do with rhythms in the body."
"The biological clock," muttered Drake. "I wish it worked that way with me. I hate getting up in the morning."
"It works with me all the time," said Gonzalo, and even under the circumstances, there was a hint of complacence in his voice as he said so. "Even if I go to sleep late-three in the morning, four-I always wake up at exactly eight. I go back to sleep later in the day if I'm knocked out, but at eight I wake up. Even on Sunday. You'd think I'd have the right to sleep late on Sunday, but even then, damn it, I wake up."
"You mean it happened on a Sunday?" asked Rubin.
Gonzalo nodded. "That's right. I should have been asleep. I should have been the kind of person people would know better than to wake early Sunday morning- but they don't hesitate. They know I'll be awake, even on Sunday."
"Nuts," said Drake, apparently still brooding over his difficulties in the morning. "You're an artist and make your own hours. Why do you have to get up in the morning?"
"Well, I work best then. Besides, I'm time-conscious, too. I don't have to live by the clock, but I like to know what time it is at all times. That clock I have. It's trained, you know. After it happened, after Marge was killed, I wasn't home for three days and it just happened to stop either eight p.m. Sunday or eight a-.m. Monday. I don't know. Anyway, when I came back there it was with the hands pointing to eight as though rubbing it in that that was wake-up time."
Gonzalo brooded for a while and no one spoke. Henry passed around the small brandy glasses with no expression on his face, unless you counted the merest tightening of his lips.
Gonzalo finally said, "It's a funny thing but I had a rotten night, that night before, and there was no reason for it. That time of year, end of April, cherry-blossom time, is my favorite. I'm not exactly a landscape artist, but that's the one time I do like to get into the park and make some sketches. And the weather was good. I remember it was a nice mild Saturday, the first really beautiful weekend of the year, and my work was doing pretty well, too.
"I had no reason to feel bad that day, but I got more and more restless. I remember I turned off my little television set just before the eleven-o'clock news. It was as though I felt that I didn't want to hear the news. It was as though I felt there would be bad news. I remember that. I didn't make it up afterward, and I'm not a mystic. But I had a premonition. I just did."
Rubin said, "More likely you had a touch of indigestion."
"All right," said Gonzalo, moving his hands as though to take in and welcome the suggestion. "Call it indigestion. All I know is that it was before eleven p.m. and I went into the kitchen and wound the clock-I always wind it at night-and said to myself, 'I can't go to bed this early,' but I did.
"Maybe it was too early, because I couldn't sleep. I kept tossing and worrying-I don't remember about what. What I should have done was get up, do some work, read a book, watch some late movie-but I just didn't. I just made up my mind to stay in bed."
"Why?" asked Avalon.
"Don't know. It seemed important at the time. God, how I remember that night, because I kept thinking, maybe I'll sleep late because I'm not sleeping now and I knew I wouldn't. I must have dropped off at about four a.m., but at eight I was up and crawled out of bed to get myself breakfast.
"It was another sunny day. Pleasant and cool, but you knew it was going to have all the warmth of spring with none of the heat of summer. Another nice day! You know it hurts me, now and then, that I didn't tike Marge better than I did. I mean, we got along all right, but we weren't close. I swear I visited them more to be with Alex than to be with her. And then I got a call."
Halsted said, "You mean a telephone call?"
"Yes. Eight o'clock of a Sunday morning. Who would make a call at that time to anyone unless they knew the jerk always got up at eight. If I had been asleep and had been awakened, and growled into the mouthpiece, the whole thing would have been different."