Chapter 10
“The flashlight worries me,” Arlette said.
“We are coming closer now. It would not do to be seen.”
“A boat without a light would be even more conspicuous.”
“Perhaps.”
“And wildly unsafe,” I added. “When we cut the engines, then we can try running without a light. But not now.”
I piloted our little ship down one of the St. Lawrence channels, hopefully in the direction of Ile de Notre Dame. Arlette crouched in the stern, playing the flashlight over my shoulder at the water ahead of us. The cloud cover had not blown away. The night remained quite black, with only the lights of downtown Montreal shining behind us.
The boat was what we needed and little more, a flat-bottomed rowboat equipped with a small outboard motor. There were a pair of oars as well, and I was glad for them; the motor didn’t make all that much noise, but sounds carry on water and I wanted the last leg of our approach to be reasonably silent.
Arlette had arranged for the boat with a simple telephone call to an unspecified friend. It had been left for us, and we hoped to return it to the same spot where we had found it. Without it we might have had a difficult time; none of the conventional modes of transport at the fair operated at this hour, and, while there were roads and bridges, we could not have used them inconspicuously.
We moved onward, until I could see the shapes of the pavilions not too far in the distance. There was some light there as well but not very much. I cut the engine and told Arlette to put out the flashlight. She asked if she ought to get rid of her cigarette as well. That sounded a little melodramatic to me, but I felt there was no sense crushing the poor girl’s sense of theater. I told her we wanted a complete blackout, and she arced the cigarette over the side and into the river.
We moved more slowly with the oars, but it wasn’t too bad; the current, such as it was, was on our side. And, wonder of wonders, I did not get lost at all. I guided us neatly from this channel to that channel, placed the blades of the oars smoothly in the water to avoid splashing, and got us right where I wanted to. I didn’t have the official Expo map along, which is, no doubt, how I avoided getting lost.
We docked. I tied the painter to a concrete pillar, hauled the oars inside, and stood up on the seat in the middle (which probably has a good nautical name, but it’s enough of an accomplishment for me to know about painters and oars and sterns) for a look around. I couldn’t see or hear anyone. I hauled myself up onto the shore – it’s hard to think of it as a shore when it’s paved with asphalt – then leaned down to take the flashlight and the bagful of goodies from Arlette. I helped her up and out, and we hurried through the suddenly deserted streets toward the Cuban Pavilion. For once the more popular pavilions had no line. I was tempted to break into all of them just to see the show.
There was enough light from the streetlamps scattered here and there to make our way, and not enough to show us up readily. In the stillness some sounds of human activity were audible. Motorized sweepers moved through the streets; garbage collectors prepared the concrete bins for tomorrow’s assault.
The front entrance to the Cuban Pavilion was too exposed. We slipped around to the back, and I winked the flashlight at the door, then closed in on it and attacked the lock with the tools I had brought. A strip of plastic finally did the trick. I slipped the catch, then had Arlette hold the hunk of plastic in place so that the lock stayed back while I drew the door open. It opened outward, and there was no handle on the outside, so I had to grip the edge of it with my fingertips and sort of coax it open. It took a while, but we managed it and got inside.
I was absolutely certain somebody would grab us the minute we entered. The events in Emile’s basement came vividly to mind. I expected a blow on the head, or a gun barrel poked between my ribs, or a bright light flashed in our faces. None of these fears materialized. We stood together in utter silence for almost a full minute, then moved away from the door. I played the beam of the flashlight around the interior of the building. No human forms lurked in the stillness, none but our own.
“We have to be absolutely silent,” I whispered. “If they’re kidnaping people, they have to be keeping them somewhere, and they have to have guards. There must be a room here, somewhere. So they must have had the whole thing in mind when they built the damned place, which means they had plenty of time to design something very well hidden.”
“Then where do we look?”
“I don’t really know. Shhh!”
We wandered around foggily on little cat feet. It was one of the easiest buildings in the world to search – large, empty areaways, no thick inside walls – and one of the hardest in which to find anything. We covered the first floor, climbed the stairs, checked out the second floor, descended the stairs again, and stood around stupidly looking at each other.
“Evan?”
“What?”
“Perhaps the restaurant…”
The restaurant was in a separate building. I thought for a moment, then shook my head. “No. More people entered this building than left it. That means they have to be here.”
“But where? There is no place to conceal a secret room. The entire roof is a skylight, the walls-”
“Oh, hell,” I said. “Of course.”
“What?”
“The basement.”
“There is a basement? I did not-”
“I didn’t either, but there has to be a basement. When all of the impossibilities are eliminated, only the possible is left. Or something like that.” I was whispering too loudly, and stopped myself. “A hidden basement. It would be no problem to build in something like that. If we look for a seam in the floor-”
“Look at the floor, Evan.”
I did, and abandoned that whole train of thought. The floor was tile, and there were seams every ten inches, one as likely as the next to mask the aperture to the cellar below. We checked the entire floor out anyway, just to make sure, and it was no go.
“Then there’s a switch that opens it,” I went on. “A button, a switch, some way of getting the thing open.”
“Reasonable.”
“So we must find that switch.”
We looked. We went over the whole place, working feverishly now, and all we managed to prove was the invalidity of the hypothesis – there was not a switch. Unless, of course, it lurked behind a secret panel, or was contained in some portable remote-control device.
Or, for that matter, unless it was in the basement. Suppose, when they wanted to open the thing, they signaled their man downstairs, and he pressed a button or threw a switch.
It was possible.
Almost anything was possible.
“It’s no damned use,” I said. “We’ve checked everywhere.”
“It is so. There are only those silly light switches at the entrance, and-”
I hit myself, hard, in the forehead. Arlette looked curiously at me. I tightened my fist and hit myself again in the same spot.
“Oh,” she said, light dawning. “It is one of those, then.”
“It would have to be.”
“But which one?”
We walked to the bank of switches alongside the desk where robot tourists had their Expo Passports stamped. There were seven switches in all. There were also two sets of lights upstairs, three sets downstairs, an air-conditioner – and, if I was right, an electrically operated passageway to the basement below.
But which one?
I switched off our own flashlight. It didn’t help to stare at the seven switches. They were unlabeled, and one looked rather like the next. And I did not care for the idea of throwing all seven to see what happened, or even of flicking them on one at a time. I did not want to illuminate the pavilion. It was about the last thing I wanted to do.
“She could be down there right now,” Arlette whispered. “And we-”