Everyone in town remembered how amazed they were when they heard the stories that he told at the bar in the Plaza Hotel, drinking gin-and-tonics and eating peanuts, chatting in a low voice as if he were sharing secrets. No one was sure if those stories were true, but no one cared about a detail like that. They listened, grateful that he was confiding in provincial folk like them, people who still lived where they were born, where their parents and their grandparents were born, and who only knew about the lifestyle of guys like Durán because they saw them on the Telly Savalas detective show on Saturday nights. He didn’t understand why they wanted to hear the story of his life. His story was the same as anyone else’s, he said. “There aren’t that many differences, when you get down to it,” Durán used to say. “The only thing that changes is who your enemy is.”
After a time in the casinos, Durán broadened his horizon, particularly with women. He developed a sixth sense that allowed him to determine a woman’s wealth, to differentiate rich women from female adventurers who were looking for a catch of their own. Small details would grab his attention, a certain caution when betting, a deliberately distracted look, a carelessness in their dress and a use of language that he immediately associated with abundance. The more money, the more laconic the woman, that was his conclusion. He had the class and skill to seduce them. He’d tease and string them along, but at the same time he treated them with a colonial chivalry he had learned from his Spanish grandparents. Until one night in early December 1971, in Atlantic City, when he met the Argentine twins.
The Belladona sisters were the daughters and granddaughters of the town founders, immigrants who had made their fortune from the lands they owned in the area of Carhué, at the end of the Indian Wars. Their grandfather, Colonel Bruno Belladona, came with the railroad and bought lands now administered by a North American firm. Their father, the engineer Cayetano Belladona, lived in the large family house, retired, suffering from a strange illness that kept him from going out but not from controlling the town and county politics. He was a wretched man who cared only for his two daughters (Ada and Sofía). He had a serious conflict with his two sons (Lucio and Luca), and had erased them from his life as if they’d never existed. The difference of the sexes is the key to every tragedy, Old Man Belladona thought when he was drunk. Men and women are different species, like cats and vultures. Whose idea was it to make them cohabitate? The males want to kill you and kill each other, while the women want to go to bed with you, climb into the nearest cot with you at siesta time, or go to bed together, Old Man Belladona would ramble on, somewhat deliriously.
He’d been married twice. He had the twin girls with his second wife, Matilde Ibarguren, a posh lady from Venado Tuerto who was a certifiable nut. The two boys he’d had with an Irishwoman with red hair and green eyes who couldn’t stand life in the countryside and had run away, first to Rosario, and then back to Dublin. The strange thing was that the boys had inherited their stepmother’s unhinged character, while the girls were just like the Irishwoman: red-haired and joyful, lighting up the air wherever they went. Crossed destinies, Croce called it, the children inherit their parents’ crossed tragedies. Saldías the Scribe carefully jotted down all the observations that the Inspector made, trying to learn the ins and outs of his new position. Recently transferred to the town by order of the Public Prosecutor’s Office, which was trying to control the overly rebellious Inspector, Saldías admired Croce as if he were the greatest investigator2 in Argentine history. Assistant Inspector Saldías took everything that Croce said entirely seriously; and the Inspector would, in jest, sometimes call him Watson.
In any case, their stories — Ada and Sofía’s on the one hand, Lucio and Luca’s on the other — remained separate for years, as if they belonged to different tribes. They only came together when Tony Durán was found dead. There had been a monetary transaction; apparently Old Man Belladona had been involved with some transfer of funds. The old man went to Quequén every month to oversee the shipments of grain that he exported, for which he received a compensation in dollars paid to him by the State under pretext of keeping internal prices stable. He taught his daughters his own moral code and let them do whatever they wanted, raising them as if they were boys.
Ever since they were little the Belladona sisters were rebellious. They were audacious, they competed with each other all the time, with tenacity and delight, not to differentiate themselves, but to sharpen their symmetry and to learn to what extent they were really identical. They’d go out on horseback and explore the night like viscachas, in winter, in the frost-covered countryside. They’d go along the ravine and into the swampy ground crawling with black crabs. They’d bathe naked in the rough lake that gave its name to the town and hunt ducks with the double-barreled rifle their father bought them when they turned thirteen. They were very developed for their age, as they say, so no one was surprised when — almost overnight — they stopped going hunting and horseback riding and playing fútbol with the country laborers, to become young society ladies who sent out to have their identical clothes made in an English shop in the capital. With time they went to study agronomy at the university in La Plata, following the wish of their father, who wanted them in charge of the fields soon. People said that they were always together, that they passed their exams easily because they knew the countryside better than their teachers, that they shared their boyfriends, and that they wrote their mother letters to recommend books and to ask her for money.
Around that time the father suffered the accident that left him half paralyzed, so the sisters abandoned their studies and came back to town. There were several versions of what had happened to the old man. That his horse had thrown him when he was surprised by a swarm of locusts from the north, and that he spent the whole night lying in the middle of the field, his face covered with the insects and their razor-sharp legs. That he suffered some kind of stroke when he was screwing a Paraguayan at Bizca’s brothel and that the girl had saved his life, almost without realizing it, because she went on giving him mouth-to-mouth resuscitation. Or also, that one afternoon he discovered, or so people said, that someone very close to him had been poisoning him. He didn’t want to believe it might be one of his sons. Apparently, someone had been adding a few drops of the liquid used to kill ticks in the whiskey he drank at the end of every day, at dusk, on his flower-filled balcony. By the time they realized what it was, the poison had done part of its job, and from that point on the old man couldn’t walk anymore. In any case, before long the family was not seen around town anymore. The father because he stayed in his house and never went out; and the sisters because, after taking care of their father for a few months, they grew bored of being locked in and decided to go abroad.
Unlike all their friends who were going to Europe, the sisters went to the United States. They spent time in California, then crossed the continent by train on a trip that took several weeks with long stops in various cities along the way, until they reached the East Coast around the beginning of the northern winter. They spent the trip staying in large hotels, gambling wherever they could along the way, living the life and playing the part of South American heiresses in search of adventure in the land of upstarts and the nouveau riche.