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The long corridor, through which they were proceeding, was lighted partially by small candles set in niches and by the light from illuminated chambers the doors of which opened upon it. Slaves and warriors moved in two continuous and opposing lines through this corridor and every one that crossed it. There were high caste slaves in white tunics with the red emblems of their owners and their own occupation insignia upon them; there were green-tunicked slaves of the second generation with their master's insignia upon breast and back in black, and green-tunicked slaves of the first generation with a black emblem upon their breasts denoting the city of their nativity and their master's emblem upon their backs; there were warriors of every rank and position; there were the plain leather trappings of the young and poor, and the jewel-studded harness of the rich; and passing all these in both directions and often at high speed were other warriors mounted upon the mighty antelopes that were still the greatest wonder that had confronted Tarzan since his incarceration in the city of Veltopismakus.

At intervals along the corridor Tarzan saw ladders extending to a floor above, but as he never saw one descending to a lower level he assumed that they were then upon the lowest floor of the structure. From the construction that he noted he was convinced that the building was similar to the dome he had seen in the course of construction in the city of Adendrohahkis ; but when he permitted his mind to dwell upon the tremendous proportions of such a dome capable of housing men of his own size he was staggered. Had Adendrohahkis' dome been duplicated in these greater dimensions, though in the same proportions, it would have been eight hundred eighty feet in diameter and four hundred forty feet high. It seemed preposterous to think that any race existed capable of accomplishing such an architectural feat with only the primitive means that these people might be able to command, yet here were the corridors with the arched roofs, the walls of neatly laid boulders and the great chambers with their heavy ceiling beams and stout columns, all exactly as he had seen the dome in Trohanadalmakus, but on a vastly larger scale.

As his eyes and mind dwelt upon these enigmas which confronted them his escort led him from the circular corridor into one that ran at right angles to it where presently they stopped at the entrance to a chamber filled with row upon row of shelving packed full with all manner of manufactured articles. There were large candles and small candles, candles of every conceivable size and shape; there were helmets, belts, sandals, tunics, bowls, jars, vases and the thousand other articles of the daily life of the Minunians with which Tarzan had become more or less familiar during his sojourn among the Trohanadalmakusians.

As they halted before the entrance to this room a white-tunicked slave came forward in response to the summons of one of the warriors of the escort.

"A green tunic for this fellow from Trohanadalmakus," he ordered.

"Whose insignia upon his back?" inquired the slave.

"He belongs to Zoanthrohago," replied the warrior.

The slave ran quickly to one of the shelves from which he selected a green tunic. From another he took two large, wooden blocks upon the face of each of which was carved a different device. These he covered evenly with some sort of paint or ink, slipped a smooth board inside the tunic, placed one of the dies face downward upon the cloth, tapped it smartly with a wooden mallet several times and then repeated the operation with the other die upon the reverse side of the tunic. When he handed the garment to Tarzan with the instructions to don it the ape-man saw that it bore a device in black upon the breast and another upon the back, but he could not read them—his education had not progressed thus far.

The slave then gave him a pair of sandals and when he had strapped these to his feet the warriors motioned him on down the corridor, which, as they proceeded, he was aware changed rapidly in appearance. The rough boulder walls were plastered now and decorated with colored paintings portraying, most often, battle scenes and happenings of the hunt, usually framed in panels bordered in intricate, formal designs. Vivid colorings predominated. Many-hued candles burned in frequent niches. Gorgeously trapped warriors were numerous. The green-tunicked slave almost disappeared, while the white tunics of the higher caste bondsmen were of richer material and the slaves themselves were often resplendently trapped with jewels and fine leather.

The splendor of the scene, the brilliancy of the lighting, increased until the corridor came to an abrupt end before two massive doors of hammered gold in front of which stood gorgeously trapped warriors who halted them and questioned the commander of the escort as to their business.

"By the king's command we bring the slave of Zoanthrohago," replied the commander; "the giant who was taken prisoner at Trohanadalmakus."

The warrior who had challenged them turned to one of his fellows. "Go with this message and deliver it to the king!" he said.

After the messenger had departed the warriors fell to examining Tarzan and asking many questions concerning him, to few of which could his guard give more than speculative answers, and then, presently, the messenger returned with word that the party was immediately to be admitted to the king's presence. The heavy doors were swung wide and Tarzan found himself upon the threshold of an enormous chamber, the walls of which converged toward the opposite end, where a throne stood upon a dais. Massive wooden columns supported the ceiling, which was plastered between its beams. The beams as well as the columns were ornamented with carving, while the plastered portions of the ceiling carried gorgeous arabesques in brilliant colors. The walls were paneled to half their height, and above the paneling of wood were painted panels which Tarzan assumed depicted historical events from the history of Veltopismakus and her kings.

The room was vacant except for two warriors who stood before doors that flanked the throne dais, and as the party moved down the broad center aisle toward the throne one of these warriors signaled the leader and motioned to the door which he was guarding and which he now threw open before them, revealing a small antechamber in which were half a dozen handsomely trapped warriors seated on small, carved benches, while a seventh lolled in a high-backed chair, his fingers tapping upon its broad arms as he listened to the conversation of the others, into which he threw an occasional word that always was received with deepest attention. If he scowled when he spoke, the others scowled still more deeply; if he smiled, they broke into laughter, and scarcely for an instant did their eyes leave his face, lest they miss some fleeting index of his changing moods.

Just inside the doorway the warriors who were conducting Tarzan halted, where they remained in silence until the man in the high-backed armchair deigned to notice them, then the leader knelt upon one knee, raised his arms, palms forward, high above his head, leaned as far back as he could and in a monotonous dead level intoned his salutation.

"O, Elkomoelhago, King of Veltopismakus, Ruler of All Men, Master of Created Things, All-Wise, All-Courageous, All-Glorious! we bring these, as thou hast commanded, the slave of Zoanthrohago."

"Arise and bring the slave closer," commanded the man in the high-backed armchair, and then to his companions: "This is the giant that Zoanthrohago brought back from Trohanadalmakus."