The four Leopard Men were almost upon him as he launched his spear. With a scream one of the foemen dropped, pierced by the sharp tip of the Utenga's weapon. Fortunate it was for Orando that the methods of the Leopard Men prescribed the use of their improvised steel claws as weapons in preference to spears or arrows, which they resorted to only in extremities or when faced by superior numbers. The flesh for their unholy rites must die beneath their leopard claws, or it was useless for religious purposes. Maddened by fanaticism, they risked death to secure the coveted trophies. To this Orando owed the slender chance he had to overcome his antagonists. But at best the respite from death could be but brief.
The remaining three pressed closer, preparing for the lethal charge in simulation of the carnivore they personified. Silence enveloped the jungle, as though Nature awaited with bated breath the consummation of this savage tragedy. Suddenly the quiet was shattered by the scream of a monkey in a tree overhanging the clearing. The sound came from behind Orando. He saw two opponents who were facing him dart startled glances beyond him. He heard a scream that forced his attention rearward in a brief glance, and what he saw brought the sudden joy of an unexpected reprieve from death. In the grasp of his muzimo, the third of the surviving Leopard Men was struggling impotently against death.
Then Orando wheeled again to face his remaining enemies, while, from behind him, came savage growls that stiffened the hairs upon his scalp. What new force had been thus suddenly injected into the grim scene? He could not guess, nor could he again risk even a brief backward glance. His whole attention was now required by the hideous creatures sneaking toward him, their curved, steel talons opened, claw-like, to seize him.
The action that is so long in the telling occupied but a few seconds of actual time. A shriek mingled with the growls that Orando had heard. The Leopard Men leaped swiftly toward him. A figure brushed past him from the rear and, with a savage growl, leaped upon the foremost Leopard Man. It was Orando's muzimo. The heart of the warrior missed a beat as he realized that those beast-like sounds had issued from the throat of his namesake. But if the fact perturbed Orando it utterly demoralized the fourth antagonist who had been advancing upon him, with the result that the fellow wheeled and bolted for the jungle, leaving the sole survivor of his companions to his fate.
Orando was free now to come to the aid of his muzimo, who was engaged with the larger of the two younger Leopard Men; but he quickly realized that his muzimo required no aid. In a grip of steel he held the two clawed hands, while his free hand grasped the throat of his antagonist. Slowly but as inexorably as Fate he was choking the life from the struggling man. Gradually his victim's efforts grew weaker, until suddenly, with a convulsive shudder, the body went limp. Then he cast it aside. For a moment he stood gazing at it, a puzzled expression upon his face; and then, apparently mechanically, he advanced slowly to its side and placed a foot upon it. The reaction was instantaneous and remarkable. Doubt and hesitation were suddenly swept from the noble features of the giant to be replaced by an expression of savage exultation as he lifted his face to the heavens and gave voice to a cry so awesome that Orando felt his knees tremble beneath him.
The Utenga had heard that cry before, far in the depths of the forest, and knew it for what it was; the victory cry of the bull ape. But why was his muzimo voicing the cry of a beast? Here was something that puzzled Orando quite as much as had the materialization of this ancestral spirit. There had never been any doubt in his mind as to the existence of muzimos. Everyone possessed a muzimo, but there were certain attributes that all men attributed to muzimos, and all these were human attributes. Never in his life had Orando heard it even vaguely hinted that muzimos growled like Simba, the lion, or screamed as the bull apes scream when they have made a kill. He was troubled and puzzled. Could it be that his muzimo was also the muzimo of some dead lion and departed ape? And if such were the case might it not be possible that, when actuated by the spirit of the lion or the ape, instead of by that of Orando's ancestor, he would become a menace instead of a blessing?
Suspiciously, now, Orando watched his companion, noting with relief the transition of the savage facial expression to that of quiet dignity that normally marked his mien. He saw the little monkey that had fled to the trees during the battle return to the shoulder of the muzimo, and considering this an accurate gauge of the latter's temper he approached, though with some trepidation.
"Muzimo," he ventured timidly, "you came in time and saved the life of Orando. It is yours."
The white was silent. He seemed to be considering this statement. The strange, half bewildered expression returned to his eyes.
"Now I remember," he said presently. "You saved my life. That was a long time ago."
"It was this morning, Muzimo."
The white man shook his head and passed a palm across his brow.
"This morning," he repeated thoughtfully. "Yes, and we were going to hunt. I am hungry. Let us hunt."
"Shall we not follow the one who escaped?" demanded Orando. "We were going to track the Leopard Men to their village, that my father, the chief, might lead the Utengas against it."
"First let us speak with the dead men," said Muzimo. "We shall see what they have to tell us."
"You can speak with the dead?" Orando's voice trembled at the suggestion.
"The dead do not speak with words," explained Muzimo; "but nevertheless they often have stories to tell. We shall see. This one," he continued, after a brief inspection of the corpse of the man he had killed last, "is the larger of the two young men. There lies the tall thin man, and yonder, with your spear through his heart, is he who limped, an old man with a crippled leg. These three, then, have told us that he who escaped is the smaller of the two young men."
Now, more carefully, he examined each of the corpses, noting their weapons and their ornaments, dumping the contents of their pouches upon the ground. These he scanned carefully, paying particular attention to the amulets, of the dead men. In a large package carried by the crippled old man, he found parts of a human body.
"There is no doubt now but that these were the killers of Nyamwegi," said Orando; "for these are the same parts that were removed from his body."
"There was never any doubt," asserted Muzimo confidently. "The dead men did not have to tell me that."
"What have they told you, Muzimo?"
"Their filed teeth have told me that they are eaters of men; their amulets and the contents of their pouches have told me that their village lies upon the banks of a large river. They are fishermen; and they fear Gimla, the crocodile, more than they fear aught else. The hooks in their pouches tell me the one their amulets the other. From their ornaments and weapons, by the cicatrices upon their foreheads and chins I know their tribe and the country it inhabits. I do not need to follow the young warrior; his friends have told me where he is going. Now we may hunt. Later we can go to the village of the Leopard Men."
"Even as I prayed today before setting out from the village, you have protected me from danger," observed Orando, "and now, if you bring the animals near to me and give me meat, all of my prayer will have been fulfilled."
"The animals go where they will," responded Muzimo. "I cannot lead them to you, but I can lead you to them; and when you are near, then, perhaps, I can frighten them toward you. Come."
He turned backward along the trail down which they had followed the Leopard Men and fell into an easy trot, while Orando followed, his eyes upon the broad shoulders of his muzimo and the spirit of Nyamwegi, perched upon one of them. Thus they continued silently for a half hour, when Muzimo halted.