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He opened his computer file on Danny Martell’s murder before the unit’s most senior partner, tapping up a scaled photograph of the copper coil. “I think we’ve an extremely demented individual on our hands,” he said, pointing to the image. “I asked myself: Why didn’t he kill White and Martell in unprotected private spots? Why wait until it was virtually impossible to get at them?”

“Because the impossibility is what makes it appealing,” said Bryant.

“Exactly. Martell kept to a regular schedule, so first of all, our perpetrator needed to make a floor plan of the building, and he found what he needed next door, in an apartment kept empty for half the year. This was a lot easier to gain access to than the gym. Of course, the idea was to make us think he’d been in the gym when Martell was killed, a little bit of magician’s misdirection there. Giles and I talked to the caretaker, who has no idea how many keys his tenant kept to her apartment. Great security on the gym, lousy system for the flats. We’re trying to find the tenant to see if she had direct contact with the Highwayman, but I think we’ll pull a negative to that.”

He opened another screen, the floor plan of the apartment. “Inside, the kitchen gives him what he needs, a party wall to the gym. Next, he requires something with an alternating current, and finds an added bonus; there’s an old-fashioned, freestanding electric cooker. He drills a tiny hole through the wall. This is the weakest part of his plan, as he could damage the wall on the other side and give himself away. If he’d known it was tiled rather than painted, he’d probably have rethought the move, but he’s lucky. The drill bit exits through the grout.

“Now, he unplugs the cooker and swaps the thirty-amp plug for a pair of insulated copper wires, which he feeds into the hole. He gains access to the gym a day or two before Martell comes for his workout, and pulls the ends of the wires through. This last bit is tricky, as he needs to use a needle and thread to sew the uninsulated ends of the wires through the rubber grips on the pectoral fly machine. I tried it myself; it took a good five minutes, but I did it without having to remove the handle-cover. He threads them in a single line that can’t be seen against the black rubber. When Martell arrives for his workout, the killer lets himself into the apartment and switches on the current. Martell’s hands and chest are covered in sweat, making him the perfect conductor. The circuit is completed, and the current interrupts the rhythm of the victim’s heart. At which point, our Highwayman pulls firmly on the wire coil, unthreading it from the grips and reeling it back through the hole. I tried this as well, and it was dead easy to do.”

“There’s one thing wrong with your theory,” said Bryant. “He’d have to be mad as a bag of snakes to go to so much trouble.”

“Maybe he was excited by the sheer absurdity of the act,” Banbury suggested, unconvincingly in Bryant’s opinion.

“You’re forgetting that he doesn’t even get to see it. Arsonists usually stick around to witness the results of their work. Due to the spontaneity of their actions, murderers are generally present during the act itself. Where is the pleasure in this glorified piece of Blue Peter tomfoolery? Where is the profit? The pleasure?”

“As you said, maybe he’s barking. I’m just telling you how it was done.” Banbury was disappointed with the effect of his news.

“For which I thank you, but it gets us nowhere. How are you getting on with the photos on the mobile?”

“It’s a cheap Nokia. The picture quality’s not great, but she took several shots, so I was able to replace the blurred sections from one frame with sharper pixels from another, creating a composite. The resolution is a little clunky, but take a look.” He opened the graphics file and expanded the reworked image.

“So now we have our man,” said Bryant, adjusting his bifocals and craning forward. “There’s something very familiar about this picture.”

The photograph showed a broad-chested figure in black leggings and a leather jacket, standing on the bridge of the Roland Plumbe apartment block looking down into the quadrangle, his hands on his hips in an ironically heroic pose. He wore a slender black mask that covered the area around his eyes. A lock of thick black hair protruded from his cap, a smaller version of the traditional highwayman’s tricorne.

“What’s that at his waist?” asked Bryant, thumping the screen with a wrinkled finger.

“I can enlarge the image and lighten it a little, but we’ll lose some sharpness.” Banbury went to the graphics menu and blew up a square section. He tried a second time, but the detail was lost.

“That’s all right. I can see what it is,” said Bryant, satisfied. “He’s wearing a flintlock pistol. He really is a highwayman. Janice, how did you get on with the historical societies?”

Longbright checked her notes. “Plenty of English Civil War buffs, mostly Cavalier and Roundhead uniforms, although someone usually comes along dressed as Cromwell. A few Crimean War fans, crimson outfits with epaulets and gold buttons, hardly our man’s cup of tea. And some First World War nuts, but I’m reliably informed that it’s only the German and Prussian officers’ uniforms that attract a certain type of obsessive. Nobody wants to be a British Tommy. Nothing about highwaymen, though. I tried the theatrical costumiers in Shaftesbury Avenue. They have one highwayman outfit made for a film called, let me see, Plunkett and McLaine, for film and television use only, and it’s not been rented out in months.”

“What’s he doing hanging around a block of council flats?” Bryant wondered. “Does this mean he lives there? Was he returning home?”

“According to the time register on the mobile, the shots were taken several hours after Martell’s murder,” Banbury pointed out. “That means he’s dressing up for the sheer hell of it.”

“Or he has a purpose we’ve yet to discern.” Bryant rose and walked to the window, looking down into the wet streets of Mornington Crescent. “If it turns out that he lives on the estate and he’s a member of the Saladins, does that mean he has a darker intention, something that connects with the location of the blood of Christ?”

“I’m sorry, you’ve lost me there,” said Banbury, perplexed.

“Oh, nothing.” Bryant had decided to keep his more contentious opinions about the case secret, although he had told May of his suspicions. Right now, his partner was heading back to Clerkenwell, to run a different kind of check for him.

John May climbed the steps to the entrance of St Crispin’s School and removed the list of names from his pocket. He felt like interrogating the pupils who had humiliated Bryant, just to put a dent in their confidence, but knew that acts of reciprocation had a way of sticking to the conscience. Instead, he went to visit the relief teacher, Elliot Mason.

May found him in a sweat-stained tracksuit, bent double in the ground-floor corridor, trying to claw back some breath. Mason was so puny and bookish, it came as a surprise to see him involved in physical education.

“If you’re here to talk to the kids again, I can’t help you,” the teacher warned him. “Mr Kingsmere is back, so they’re not under my jurisdiction anymore. I’ve just taken the second-years for a sprint, and it nearly killed me. The Head knows how much I hate competitive sport. We’ve got a sports master called Gossage who spends his entire life in the open air and shouts all the time. He looks like a shaved sheep, very red and meaty, you’d think he’d be fit but he’s always off having operations, so I’ve copped his roster. I’m supposed to supervise post-run ablutions, but once you’ve experienced the smell of thirty gym kits in a locker room, you’ll do anything to get out of it. Care to walk very slowly with me?”