In the poem by Alfred Noyes, he thought, the highwayman was saved by his lover’s sacrifice, only to die on the road and be resurrected as a ghostly apparition. In this way, he achieved a form of immortality. Bryant held out his right hand and studied its liverspotted back. He was shaking, either through anticipation or sheer exertion. He pushed on to the roof, frightened of what he might find but unable to stop himself. Understanding the truth had become more important than anything, even survival into an uncertain future. He and John had enjoyed a good run. Perhaps this had always been destined as their endgame.
He stood on the dark concrete landing behind the roof exit, gathering himself, waiting for the pounding of his heart to subside.
Then he turned the handle and pushed the door wide, flooding light into his vision.
The Highwayman swivelled to face this new arrival. “You got here after all,” he said, smiling pleasantly as the others surrounded him. “We’re glad you managed to make it – even though you’re earlier than expected. Tell me, do you know what a Moon Curser is?”
“No, I don’t – ” Bryant was momentarily confused by his appearance before a group of six people.
“It’s a term taken from the Thieves’ Key. A Moon Curser is a link boy.”
Bryant fought to think clearly, exhausted by the stairs and the mistimed medication. “You mean a boy who used to run ahead of his client, leading the way through the night with a torch, in return for a few coppers.”
“That’s right. A Moon Curser is a specific kind of link boy. He’s the one who lights the darkness, only to lead his employer into a gang of thieves and murderers.” He pointed down at the boy seated on the roof. “Appropriate, eh? We read about that in some boring old book we thought you would find interesting. Luke is our Moon Curser. He brought you here to us. To your death.”
∨ Ten Second Staircase ∧
48
Sacred Villainy
On the roof of the Roland Plumbe Community Estate, Arthur Bryant faced his imminent demise.
He knew that his career was over but was not sad at its loss. He could do nothing more now, solve no more crimes, save no more lives, because those who committed cruelties were finally beyond his understanding. He had warned John May that he would retire when logic ceased to be of use in criminal investigations. Nothing could ever fully explain what he faced here. The world had moved on into darkness and left him in its wake.
He was afraid only for April’s sake, because she was just learning how to live. She was shivering with cold, kneeling on the gravelled roof before him in torn wet jeans, her arms tied at her sides. She looked at him with pleading eyes.
And he looked back at the Highwayman, not a man, not even a single entity, but a group of boys.
Gosling, pale and blond, dressed in a padded black leather tunic and boots.
Parfitt, spotty, sour-faced, still wearing his soaked school blazer.
Jezzard, bat-eared, red-faced, and overweight, disconsolately picking his nails.
Billings, small and feral, dangerous-eyed, waiting for instructions.
The four teenagers who had disrupted his lecture, who had shouted him down and led the rebellion against him. Four ingenious, privileged, bored, and heartless children who saw themselves above the law because they were more intelligent, more cruel, more willing to risk everything. Because the time was right, and there was nothing at all they cared about.
“What do you think of our invention now?” asked Gosling. “Do you get it? Do you see what we did? It was you who gave us the idea, the day of your stupid lecture. You’ll be the sixth victim of the Highwayman, and there will be one more tonight. Seven carefully staged deaths in seven days, high-profile murders to create a supercelebrity who can never be brought to justice, because he doesn’t exist. The press and the public are willing him into existence. They want to believe in him, and they’ll make him live forever. No-one has ever managed such a stunt in this city’s two-thousand-year history. Fame doesn’t get much bigger than this.”
“What about April?” he asked.
Gosling shrugged. “She can have an accident. Her death won’t count because it’s not part of the plan.”
“You don’t have to kill her. She’s done nothing wrong.”
“It’s not open to negotiation,” said Jezzard, hauling April to her feet. “Don’t you want to know how we did it? We want to tell you ‘cause it’s so cool.”
“I think I already have an idea. Luke lied for you at the gallery, while you – all of you – told the truth. You said no-one else had come into the room, and you were right. Saralla White was already there, checking on her installation, and you simply surprised her, throwing her into the tank. With four of you to hold and lift her, it must have been easy.”
“I wouldn’t say easy,” said Parfitt. “We chloroformed her, but she still kicked me and bit Billings. But she gasped as she went under, and sank quickly.”
“I found this great Web site that tells you how to make fast-acting narcotics,” said Billings. “It’s dead simple. Kingsmere lets us have the run of the school in the evenings – he trusts us to use the labs by ourselves.”
“So – how do you make a man immortal?” asked Gosling. “You give him superhuman abilities. You make him tall, like me, and agile, like Billings here, and strong, like all four of us combined. We take turns being the Highwayman.”
“The different-sized boots, you stored them at the school – that’s where you got wood glue on them,” Bryant comprehended. “A padded jacket, masks, and wigs – all it required was the ingenuity of malicious children.”
Gosling ignored the slight. “I’m taller than everyone else, so I do the big stuff. Parfitt’s a good runner. Billings does the climbing and Jezzard did the camera shots for you, which he paid the estate girls to contact you about. We left you plenty of hints, just to make sure you got the picture.”
“The Thieves’ Key,” said Bryant, recalling Banbury’s discovery in the gallery. “Why did you only leave it the first time?”
“We couldn’t get back into the metalwork shop to make another one,” Gosling explained, amused. “We borrowed the logo from the estate symbol, which was in turn based on the area’s most famous inhabitant. We wanted to watch you at work, but May showed up instead, so we had to keep leaving you more clues. What else do you know?”
“You came up with the Highwayman as a character because you knew about Kingsmere’s father and how the Robin Hood legend had been subverted. Plus, there was the Dick Turpin connection with your school, in the prospectus.”
“He’s on the school weather vane, too,” said Jezzard. “Seems the governors find notoriety more appealing than good scholarship.” He was standing near the edge of the roof with April.
Bryant tried to buy more time. “You got Kingsmere out of the way, didn’t you? You couldn’t afford to have him overseeing your class at the gallery on Monday.”
“Stomach bug. That part was easy. Something we whipped up for him in the chem lab. Keep going, Mr Detective.”
Bryant watched April, trying to keep eye contact with her. “Martell’s electrocution and Sarne’s incineration, that was a bit overelaborate. The sort of thing schoolkids would come up with.”